All stories by Tony Frankel on BroadwayStars

Saturday, June 15, 2013

Los Angeles Theater Review : THE RUBY BESLER CABARET (Asylum Theatre / Hollywood Fringe Festival) by Tony Frankel

DON’T COME TO THE CABARET It’s the first time I have ever seen someone on stage in flop sweat. Poor Anastasia Barnes had a rough go in her opening of The Ruby Besler Cabaret. One would s…

SOURCE: Stage and Cinema at 09:04PM
Wednesday, June 12, 2013

Los Angeles Theater Review: GIRL CRAZY (Musical Theatre Guild) by Tony Frankel

GIRL, PLEASE! Prior to curtain at Musical Theatre Guild’s concert staging of Girl Crazy, we were warned that the Gershwin brothers’ 1930 musical was written before “the code” (read: …

SOURCE: Stage and Cinema at 10:15PM
Tuesday, June 11, 2013

Los Angeles Theater Review: BOB: A LIFE IN FIVE ACTS (Echo Theater Company at Atwater Village Theater) by Tony Frankel

BOBBING FOR APPLES While perusing through a Peanuts anthology recently, I found my mind beginning to wander after about 15 panels. Regardless of Schultz’ insightful social commentary and u…

SOURCE: Stage and Cinema at 03:05PM

Los Angeles Theater Review: HERCULES FURENS (THE MADNESS OF HERCULES) (Not Man Apart at Miles Memorial Playhouse in Santa Monica) by Tony Frankel

THE FRUSTRATING LABORS OF A FASCINATING COMPANY It is said that Roman Philosopher and Playwright Seneca’s Hercules Furens (c. 54 CE) was never produced but only read in Seneca’s life…

SOURCE: Stage and Cinema at 11:50AM
Wednesday, June 5, 2013

Los Angeles Theater Review: HEART SONG (Fountain Theatre) by Tony Frankel

CHICK ‘N’ SCHTICK THEATER It’s no small feat when a play inspires me to do something with my life. While watching Stephen Sachs’ Heart Song at the Fountain, I felt compelled to join …

SOURCE: Stage and Cinema at 01:03PM
Monday, June 3, 2013

Bay Area Theater Feature: WILD WITH HAPPY (TheatreWorks / Mountain View Performing Arts Center) by Tony Frankel

PIXIE DUST TO PIXIE DUST After a funeral many years ago, a group of my buddies all declared their desire to be cremated when the time comes. Shockingly, however, all four of us avowed to hav…

SOURCE: Stage and Cinema at 03:53PM
Sunday, June 2, 2013

Los Angeles Theater Review: THE SCOTTSBORO BOYS (Center Theatre Group at the Ahmanson Theatre) by Tony Frankel

AMERICAN TRAGEDY BECOMES MUSICAL COMEDY 1931 was a crossroads in American history. With no economic recovery in sight, the Depression had people edgy, and when Americans are edgy, they are d…

SOURCE: Stage and Cinema at 02:11AM
Thursday, May 23, 2013

Los Angeles / Regional Theater Review: THE FANTASTICKS (South Coast Rep in Costa Mesa) by Tony Frankel

FANTASTIC, INDEED Fantasticks may be the longest running musical in America, but Amanda Dehnert’s magical production at South Coast Rep should run forever. The backdrop for this timeless w…

SOURCE: Stage and Cinema at 05:36PM

Los Angeles Theater Review: FRATERNITY (Ebony Repertory Theatre) by Tony Frankel

A FRATERNITY OF MASTER THESPIANS At its core, Jeff Stetson’s Fraternity is about the two options that face black men in today’s society (or, at least, the society of Birmingham in 1987, …

SOURCE: Stage and Cinema at 04:02AM
Saturday, May 18, 2013

Los Angeles Theater Review: THE CRUCIBLE (Antaeus) by Tony Frankel

BEDEVILED An off-stage character is tortured by a Salem court in Arthur Miller’s The Crucible, a play which dramatizes the Salem witch trials of 1692. As heavy stones are placed upon his c…

SOURCE: Stage and Cinema at 04:14AM
Wednesday, May 15, 2013

Los Angeles Theater Preview: MACK & MABEL (Musical Theatre West) by Tony Frankel

NOW THIS YOU GOTTA SEE Of the 32 shows I attended in Chicago recently, the most charming experiences were with four musical revivals, three from Broadway’s heyday — the 1930s through…

SOURCE: Stage and Cinema at 09:16PM
Thursday, May 9, 2013

Chicago Theater Reviews: THE SILENT LANGUAGE (TUTA Theatre Chicago) & THE ELEPHANT AND THE WHALE (Chicago Children’s Theatre) by Tony Frankel

A fascinating phenomenon is occurring in the theater, one which was elucidated by many shows that I saw in Chicago over the past couple of weeks. As the art of playwriting (to wit: storytell…

SOURCE: Stage and Cinema at 05:34PM
Tuesday, May 7, 2013

Chicago Theater Review: IVYWILD (The Hypocrites at Chopin Theater) by Tony Frankel

I REMEMBER THE AMUSEMENT PARK BUT FORGOT WHAT THE RIDE WAS ABOUT The more I think about the Hypocrites’ latest theater spectacle, Ivywild, the more entranced I feel about the imaginative p…

SOURCE: Stage and Cinema at 06:31PM
Sunday, May 5, 2013

Chicago Theater Review: OKLAHOMA! (Lyric Opera) by Tony Frankel

CORNOGRAPHY It’s been 70 years since Rodgers and Hammerstein ushered in the “golden era” of Broadway musicals with Oklahoma! and some dust has settled on the green corn of the 40s. Wel…

SOURCE: Stage and Cinema at 02:58PM
Saturday, May 4, 2013

Stage and Cinema Interview: MICHAEL PERETZIAN (Director of DYING CITY at Rogue Machine in L.A.) by Tony Frankel

DYING TO DIRECT It turns out that a career as a top literary agent at William Morris and CAA served as a solid stepping-stone for Michael Peretzian’s dream job: directing in theater. As an…

SOURCE: Stage and Cinema at 01:24PM

Chicago Theater Review: COLLECTED STORIES (American Blues Theater) by Tony Frankel

PERFECTED STORIES Ever since Donald Margulies’ Collected Stories premiered at South Coast Rep in 1996, and especially after it hit the Broadway boards starring Linda Lavin in 2010, the…

SOURCE: Stage and Cinema at 01:05PM
Tuesday, April 30, 2013

Chicago Theater Review and Commentary: THE EMPEROR’S NEW THREADS (Lifeline Theatre) by Tony Frankel

LEAVE IT TO CHILDREN’S THEATER TO MAKE THE BIGGEST STATEMENT OF ALL The biggest opening in Chicago last week was the behemoth pre-Broadway spectacle Big Fish, but right across town a…

SOURCE: Stage and Cinema at 03:43PM
Monday, April 29, 2013

Chicago Theater Review: THE LAKE EFFECT (Silk Road Rising at Chicago Temple) by Tony Frankel

BLIZZARD TALE In meteorology, the phenomena known as Lake Effect occurs when a cold system glides over the warmer water of a large lake and dumps huge amounts of precipitation, usually snow,…

SOURCE: Stage and Cinema at 02:30PM

Chicago Theater Review: PLOUGHED UNDER: AN AMERICAN SONGBOOK (House Theatre at Chopin) by Tony Frankel

PLOUGHED UNDER BY GOOD INTENTIONS AND BAD SONGWRITING What a great idea: Create modern folk songs to represent Americans whose voices have been given short shrift (or ploughed under) by hi…

SOURCE: Stage and Cinema at 01:52PM
Saturday, April 27, 2013

Chicago Theater Review: CORE OF THE PUDEL (Trap Door Theatre) by Tony Frankel

FAUST IN SPACE Just because I recommend Trap Door’s latest production doesn’t mean that I understand it. Core of the PUDEL (pronounced “poodle”) is an Avant Garde/Experimental/Moveme…

SOURCE: Stage and Cinema at 02:00AM
Friday, April 26, 2013

Chicago Theater Review: YELLOW MOON (Writers’ Theatre in Glencoe) by Tony Frankel

ALMOST A FULL MOON The theater has been sorely affected by electronic communication. Since the advent of the internet, at least, the cumbersome amount of news bits and twittering has infecte…

SOURCE: Stage and Cinema at 12:48AM
Thursday, April 18, 2013

Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (La Mirada Theatre for the Performing Arts) by Tony Frankel

OH BROTHERS! Seven Brides for Seven Brothers: Talk about a musical with a strange history! It begins with the Ancient Roman legend “The Rape of the Sabine Women” – attributed to Plutar…

SOURCE: Stage and Cinema at 10:48AM
Monday, April 15, 2013

Los Angeles Theater Review: A CHORUS LINE (Musical Theatre West in Long Beach) by Tony Frankel

THE MUSICAL WITH LEGS Musical Theatre West’s (MTW) exuberant production of A Chorus Line proves that the musical is as fresh as the day it appeared almost forty years ago, when the standar…

SOURCE: Stage and Cinema at 01:06PM
Saturday, April 13, 2013

Los Angeles Theater Review: OUR CLASS (Son of Semele at Atwater Village Theatre) by Tony Frankel

SO MANY ATROCITIES IN ONE EVENING When stories appear which elucidate the carnage during WWII, many look to heaven and ask, “Why?” But the script and execution of Our Class, about a true…

SOURCE: Stage and Cinema at 04:06PM
Monday, April 8, 2013

San Diego Theater Review: A DOLL’S HOUSE (Old Globe, Sheryl and Harvey White Theatre) by Tony Frankel

NO GOOD DEED GOES UNPUNISHED Henrik Ibsen stated that he had no conscious thought of making propaganda with A Doll’s House (1879). Yet many productions have a feminist bent: Nora is the mi…

SOURCE: Stage and Cinema at 02:26AM
Saturday, April 6, 2013

Los Angeles Theater Review: MELANCHOLIA (Los Angeles Theatre Center) by Tony Frankel

BETWEEN IRAQ AND A HARD PLACE A soldier named Mario returns from Iraq just in time for the 2005 New Year’s celebration with his East Los Angeles family, friends and novia – but he also r…

SOURCE: Stage and Cinema at 07:13PM
Tuesday, April 2, 2013

San Diego Opera Review: MURDER IN THE CATHEDRAL (San Diego Opera) by Tony Frankel

MURDER IN THE CATHEDRAL Although he wrote at least 15 complete operas, Ildebrando Pizzetti (1880-1968) is not a familiar name, even to many in the opera world. The first-generation modernist…

SOURCE: Stage and Cinema at 04:25PM
Sunday, March 31, 2013

Los Angeles Theater Review: LUNCH LADY COURAGE (Cornerstone at Cocoanut Grove Theater) by Tony Frankel

FOOD FIGHT Using Brecht’s Mother Courage and her Children (1939) as a template, writer Peter Howard has created a wartime tale about the need to survive in challenging times. But the war i…

SOURCE: Stage and Cinema at 03:56PM
Wednesday, March 27, 2013

Los Angeles Opera Review: CINDERELLA (LA Opera at Dorothy Chandler Pavilion) by Tony Frankel

EVERYBODY HAS A BALL AT THIS CINDERELLA Gioachino Rossini’s Cinderella (La Cenerentola) was written in 1817 during the bel canto era when operas were written to showcase beautiful singing,…

SOURCE: Stage and Cinema at 09:58PM
Tuesday, March 26, 2013

Los Angeles Theater Review: THE NETHER (Kirk Douglas Theatre in Culver City) by Tony Frankel

NETHER NOR Reality is the state of things as they actually exist, right? Not anymore. It’s fascinating that the World English Dictionary defines reality as “the state of things as they a…

SOURCE: Stage and Cinema at 12:40PM
Monday, March 25, 2013

Los Angeles Theater Review: ON THE SPECTRUM (Fountain Theatre) by Tony Frankel

HAVING ISSUES WITH ISSUES Ken LaZebnik’s On the Spectrum, which opened last week at the Fountain Theatre, belongs to a genre known as Theatre of Identity, aka Social Issues Theatre; the id…

SOURCE: Stage and Cinema at 02:50AM