All stories by Tony Frankel on BroadwayStars

Friday, December 6, 2013

Los Angeles Theater Review: DALLAS NON-STOP (Playwrights’ Arena at Atwater Village Theater) by Tony Frankel

WOULD YOU LIKE COFFEE, TEA OR THE AMERICAN DREAM? Sometimes we take a short vacation just to get away from it all. A few days. No big tourist attractions or monumental natural sites are nece…

SOURCE: Stage and Cinema at 05:16PM
Thursday, November 28, 2013

San Diego Theater Review: SIDE SHOW (La Jolla Playhouse) by Tony Frankel

YOU CAN’T TWIN THEM ALL There is nothing more fascinating for this Broadway musical aficionado than a flop—but not for gloating purposes. It’s natural to wonder “What were they think…

SOURCE: Stage and Cinema at 02:15AM

San Diego Theater Review: VENUS IN FUR (San Diego REPertory at the Lyceum) by Tony Frankel

WHIPPED INTO A FRENZY If I had any doubts prior to attending San Diego REP’s production of Venus in Fur (an on-again, off-again playwright; two characters; two directors), they were vanqu…

SOURCE: Stage and Cinema at 01:13AM
Tuesday, November 26, 2013

Los Angeles/Tour Dance Review: LAR LUBOVITCH DANCE COMPANY (Valley Performing Arts Center) by Tony Frankel

UPDATING THE OLD, PRESENTING THE NEW As part of the North American tour celebrating its 45th season, the Lar Lubovitch Dance Company arrived at Valley Performing Arts Center last Saturday wi…

SOURCE: Stage and Cinema at 11:05AM
Saturday, November 23, 2013

Los Angeles/Tour Dance Review: MATTHEW BOURNE’S SLEEPING BEAUTY (Ahmanson Theatre) by Tony Frankel

A HITCH IN THE BOURNE LEGACY It’s a shame that Matthew Bourne’s narrative began to fizzle out in the second act of his Sleeping Beauty, for up to then this extraordinarily imaginative an…

SOURCE: Stage and Cinema at 06:02PM

Los Angeles Theater Review: WONDERFUL TOWN (Musical Theatre Guild) by Tony Frankel

MUSICAL THEATRE GUILD GOES TO TOWN “Charming” doesn’t begin to describe Musical Theatre Guild’s offering of the 1953 musical Wonderful Town. Even with a recent 2003 Broadway outing s…

SOURCE: Stage and Cinema at 03:04PM
Wednesday, November 20, 2013

Los Angeles Theater Review: TWELVE ANGRY MEN (Pasadena Playhouse) by Tony Frankel

CHEAPENED BY THIS DOZEN Words such a “tolerance” and “acceptance” are bandied about as America continues a national dialogue on race, oversimplifying the subject of prejudice. Sadly,…

SOURCE: Stage and Cinema at 02:25AM
Saturday, November 9, 2013

Los Angeles Theater Review: FALLING (Rogue Machine) by Tony Frankel

ROGUE MACHINE’S PRODUCTION KEEPS SCRIPT FROM FALLING In Deanna Jent’s Falling, a mom is reaching burnout: Her 18-year-old autistic son is consuming her time, her marriage is shaky, her m…

SOURCE: Stage and Cinema at 02:06PM
Monday, November 4, 2013

Los Angeles Dance Review: THE GROUNDSKEEPERS (Heidi Duckler Dance Theatre) by Tony Frankel

A DANCE PIECE THAT’S A KEEPER The frequency of site-specific events continues to grow exponentially in the City of Angels, but Heidi Duckler has been doing it for many years, creating uniq…

SOURCE: Stage and Cinema at 07:47PM

Los Angeles Theater Opening: WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS (Beverly Hills) by Tony Frankel

HIT THE WALLIS A brand new theater has opened its doors in Beverly Hills, but nothing could have prepared me for its magnificence in contemporary construction and design. The 500-seat Bram G…

SOURCE: Stage and Cinema at 03:24PM
Saturday, November 2, 2013

Los Angeles/Regional Dance Preview: DIANA VISHNEVA: ON THE EDGE (Segerstrom Hall) by Tony Frankel

BALLET SUPERSTAR RETURNS TO SEGERSTROM The title of two world premiere dance pieces at Segerstrom Hall this week could not be more apt: Diana Vishneva of the Mariinsky Ballet and American Ba…

SOURCE: Stage and Cinema at 03:46PM
Sunday, October 27, 2013

Los Angeles Theater Review: EVITA (National Tour at Hollywood Pantages) by Tony Frankel

A HIGH FLYING, ADORED REVIVAL Composer Sir Andrew Lloyd Webber and lyricist Tim Rice released the Evita “rock opera concept album” in 1976, a few years before the first theatrical produc…

SOURCE: Stage and Cinema at 02:37AM
Friday, October 25, 2013

Los Angeles Theater Review: A STRANGE DISAPPEARANCE OF BEES (Raven Playhouse) by Tony Frankel

A STRANGE DISAPPEARANCE OF ACTING Last August, Time’s cover story, “A World Without Bees,” brought to light a frightening occurrence: In recent years, there have been mass deaths of ho…

SOURCE: Stage and Cinema at 01:55PM
Thursday, October 24, 2013

Los Angeles Theater Review: KISS ME, KATE (Cabrillo Music Theatre in Thousand Oaks) by Tony Frankel

A CLOSED-MOUTH KISS There are so many sexual allusions and situations in Cole Porter’s Kiss Me, Kate that it is remarkable the musical came out in 1948. I surmise the reason that Porter go…

SOURCE: Stage and Cinema at 08:53PM

Los Angeles Theater Review: INVISIBLE CITIES (The Industry and L.A. Dance Project at Union Station) by Tony Frankel

SEEING WHAT’S INVISIBLE In describing Invisible Cities, allow me to paraphrase Gore Vidal’s critique of Italo Calvino’s 1972 novel of the same name on which this production is base…

SOURCE: Stage and Cinema at 02:23AM
Tuesday, October 22, 2013

Los Angeles Theater Review: CREDITORS (Odyssey Theatre in West Los Angeles) by Tony Frankel

COMPRESSED CRUELTY IN A SMALL STRINDBERG SHOCKER August Strindberg, the “father of modern psychological drama,” told his publisher that Creditors, a drama that he prized as much as he di…

SOURCE: Stage and Cinema at 02:56AM
Saturday, October 19, 2013

Los Angeles Dance Review: NEDERLANDS DANS THEATER 1 (Dorothy Chandler Pavilion) by Tony Frankel

PUTTING THE THEATER IN DANCE Living up to its name, Nederlands Dans Theater 1 bounded into Los Angeles last night, showing off the reasons why The Hague-based contemporary dance outfit is kn…

SOURCE: Stage and Cinema at 04:01PM
Tuesday, October 15, 2013

Los Angeles Theater and Tour Review: TOTEM (San Pedro, Irvine and Santa Monica) by Tony Frankel

CIRQUE’S PERKS What’s a circus without lions, tigers, and elephants?  In the case of Cirque du Soleil’s Totem, their eleventh major production in 26 years, it’s a marked imp…

SOURCE: Stage and Cinema at 05:00AM

San Diego Theater Review and Commentary: OUR TOWN, PLATONOV and the WithOutWalls Festival (La Jolla Playhouse) by Tony Frankel

SITE-SPECIFIC IS NOT SO SPECIFIC La Jolla Playhouse supported the trend of site-specific and immersive theater by presenting a four-day program of over 20 different performances in and aroun…

SOURCE: Stage and Cinema at 02:59AM
Monday, October 14, 2013

San Diego Theater Review: TRAVESTIES (Cygnet) by Tony Frankel

STOPPARD AND GO Tom Stoppard’s brilliant Travesties (1974) is literate and fiercely crafted, tackling ideas of love, wit, politics, art, theater, literature, intellectualism and whatever e…

SOURCE: Stage and Cinema at 04:09PM
Saturday, October 12, 2013

San Diego Theater Review: THE LAST GOODBYE (Old Globe) by Tony Frankel

NO HALLELUJAH FOR THE LAST GOODBYE No one can deny why Jeff Buckley has achieved cult status. The coffeehouse-rock singer brought an aching, wrenching, ethereal and vulnerable quality to bot…

SOURCE: Stage and Cinema at 02:44AM
Tuesday, October 8, 2013

San Diego Theater Review: THE FEW (Old Globe) by Tony Frankel

TOO FEW Samuel D. Hunter’s slice-of-life one-act, The Few, returns to familiar territory for this up-and-coming playwright. As in his previous plays, Hunter takes us to small-town Idaho; t…

SOURCE: Stage and Cinema at 02:11AM
Tuesday, October 1, 2013

Los Angeles Opera Preview: EINSTEIN ON THE BEACH (Dorothy Chandler Pavilion) by Tony Frankel

RELATIVITY, STAGED A trusty theater friend witnessed Einstein on the Beach at BAM in New York last year, and she told me it was not just one of the greatest theatrical experiences of her li…

SOURCE: Stage and Cinema at 07:51PM
Sunday, September 29, 2013

Los Angeles Theater Review: ENRIQUE VIII (Rakatá at the Broad Stage) by Tony Frankel

MY KINGDOM FOR A TRANSLATION In the “What Were They Thinking?” Department, the Broad Stage has brought in a magnificently acted, thrillingly staged and cleverly edited version of Shakesp…

SOURCE: Stage and Cinema at 02:21PM
Friday, September 27, 2013

Los Angeles Opera Review: CARMEN (LA Opera at the Dorothy Chandler Pavilion) by Tony Frankel

SAFETY IN NUMBERS The production of Carmen that opened this week at the Dorothy Chandler Pavilion has been seen before. Emilio Sagi’s production originated at Madrid’s Teatro Rea…

SOURCE: Stage and Cinema at 05:09PM
Tuesday, September 24, 2013

Los Angeles Theater Review: THE NORMAL HEART (Fountain Theatre) by Tony Frankel

THE HEART OF THE MATTER Larry Kramer’s blistering condemnation that chronicles the early years of the AIDS epidemic has arrived with an intimate production that highlights the urgency of t…

SOURCE: Stage and Cinema at 08:30PM
Saturday, September 21, 2013

Los Angeles Theater Review: FOREVER FLAMENCO! “TO PAINT A WOMAN” (Fountain Theatre) by Tony Frankel

THEY COULD HAVE DANCED ALL NIGHT Once a month at the Fountain Theatre, Deborah Lawlor presents Forever Flamenco!, an assemblage of the greatest flamenco artists anywhere. Programs change eac…

SOURCE: Stage and Cinema at 07:59PM
Friday, September 20, 2013

Los Angeles Theater Review: THE WIZARD OF OZ (Pantages Theatre in Hollywood) by Tony Frankel

NO HEART. NO BRAIN. NO NERVE. STAY HOME. Just short of insulting, a Broadway Machine-styled version of the iconic film, The Wizard of Oz, opened at the Pantages this week. Instead of writing…

SOURCE: Stage and Cinema at 04:41PM
Tuesday, September 17, 2013

Los Angeles Theater Review: HAMLET (Los Angeles Women’s Shakespeare Company at the Odyssey Theatre) by Tony Frankel

THERE IS NOTHING EITHER GOOD OR BAD, BUT CASTING MAKES IT SO Can it really be twenty years now that I have admired Lisa Wolpe’s work? Time and again, the actress has impressed me with her …

SOURCE: Stage and Cinema at 09:58PM
Saturday, September 14, 2013

Bay Area Theater Review: PLÁCIDO DOMINGO (Greek Theatre at UC Berkeley) by Tony Frankel

DOMINGO DAZZLES What do world-renowned singers do once they have reached the age of retirement? On the strength of their name, they fill cabarets and concert houses across the land with nost…

SOURCE: Stage and Cinema at 02:58AM
Thursday, September 12, 2013

Los Angeles / Regional Theater Review: DEATH OF A SALESMAN (South Coast Repertory in Costa Mesa) by Tony Frankel

NOT MUCH LIFE IN DEATH The miracle of Arthur Miller’s Death of a Salesman is that it contains so many themes relevant to today’s world—the American Dream, the disconnect of father and …

SOURCE: Stage and Cinema at 12:35PM