All stories by Samuel Garza Bernstein on BroadwayStars

Sunday, October 22, 2017

Los Angeles Theater Review: BRIGHT STAR (Ahmanson) by Samuel Garza Bernstein

LIGHTING UP THE SOUTHERN SKY Carmen Cusack is luminous. She uses her whole self—physically, emotionally, vocally—to open herself to the audience, holding every last one of us in her lovi…

SOURCE: Stage and Cinema at 02:21AM
Wednesday, October 18, 2017

Los Angeles Theater Review: TIME ALONE (Belle Rêve Theatre Company at the Los Angeles Theatre Center) by Samuel Garza Bernstein

THE SOLITARY LONELINESS OF LOSS There is something cheeky and even a bit dangerous about a writer reaching far outside his or her community, culture, or country. When an outsider succeeds, t…

SOURCE: Stage and Cinema at 04:09PM
Tuesday, October 17, 2017

Los Angeles Theater Review: TURN ME LOOSE (The Wallis in Beverly Hills) by Samuel Garza Bernstein

DRY WIT AND RIGHTEOUS OUTRAGE The best sequence in this one-man show starring Joe Morton as civil rights activist, comedian, and writer Dick Gregory, is playwright Gretchen Law’s dramatiza…

SOURCE: Stage and Cinema at 02:52AM
Tuesday, October 3, 2017

Los Angeles Theater Review: OUR TOWN (Pasadena Playhouse) by Samuel Garza Bernstein

THE UNBEARABLE CURSE OF BEING I remember reading Rebecca Mead’s New Yorker review of Gypsy when Tyne Daly first starred as Mama Rose. She described the experience of not being sure beforeh…

SOURCE: Stage and Cinema at 08:08PM
Tuesday, September 26, 2017

Los Angeles Theater Review: HEAD OF PASSES (Center Theatre Group’s Mark Taper Forum) by Samuel Garza Bernstein

GOD THE FATHER AND THE MOTHER OF ALL GODS I will remember Phylicia Rashad’s performance in Head of Passes until the day I die. She is an emotional hurricane, often still, even funny—whil…

SOURCE: Stage and Cinema at 02:23AM
Monday, September 25, 2017

Los Angeles Theater Review: THE DANCE OF DEATH (Odyssey Theatre Ensemble) by Samuel Garza Bernstein

MISERY LOVES COMPANY In referring to August Strindberg’s 1900 play The Dance of Death as a foreshadowing of Edward Albee’s Who’s Afraid of Virginia Woolf, director Ron Sossi is on firm…

SOURCE: Stage and Cinema at 08:56PM
Sunday, September 17, 2017

Los Angeles Theater Review: BIG NIGHT (Kirk Douglas Theatre in Culver City) by Samuel Garza Bernstein

A STAR IS BORN Paul Rudnick’s bright new comedy takes place on Oscar night. Michael (Brian Hutchison) is a journeyman actor with a career and life-changing Best Supporting Actor nomination…

SOURCE: Stage and Cinema at 02:41PM

Los Angeles Theater Review: WALKING TO BUCHENWALD (Open Fist at Atwater Village Theatre) by Samuel Garza Bernstein

‘SELF DEPORTATION’ OR SIX STAGES OF AMERICAN GRIEF Denial, anger, bargaining, depression, and acceptance. In life, death, and in playwright Tom Jacobson’s world view, these familiar fi…

SOURCE: Stage and Cinema at 02:58AM
Friday, September 15, 2017

Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK C by Samuel Garza Bernstein

DON’T ARGUE WITH ME, I HAVE CANCER As the play begins, two women are asleep in hospital beds in a shared room with a curtain drawn between them. A tightly wound young woman, Karla (Halley …

SOURCE: Stage and Cinema at 03:49PM
Sunday, September 10, 2017

Los Angeles Theater Review: DAYTONA (Rogue Machine at the Met Theatre) by Samuel Garza Bernstein

HIDING IN PLAIN SIGHT One of the brilliant things about Oliver Cotton’s Daytona, is how his dialogue both reveals and conceals at the same time. “Billy, are you in trouble?” Joe (Georg…

SOURCE: Stage and Cinema at 04:32PM
Wednesday, August 23, 2017

Theater Interview: MISS COCO PERU: THE TAMING OF THE TENSION by Samuel Garza Bernstein

SHE WHO CAN’T BE TAMED Clinton Leupp may not aspire to self-help guru status, but his upcoming appearance as Miss Coco Peru in The Taming of the Tension is driven by a definite sense o…

SOURCE: Stage and Cinema at 01:15AM
Saturday, August 12, 2017

Los Angeles Theater Review: HONKY TONK LAUNDRY (Hudson Mainstage Theatre in Hollywood) by Samuel Garza Bernstein

THE HARDEST WORKING GALS IN SHOW BUSINESS One thing is clear: If Bets Malone and Misty Cotton ever choose to sell themselves as an actual country music recording duo, they will be a smash. T…

SOURCE: Stage and Cinema at 03:14AM
Monday, July 31, 2017

Los Angeles Theater Review: SHOUT SISTER SHOUT! (Pasadena Playhouse) by Samuel Garza Bernstein

THE ORIGINAL SISTER ACT This new bio-musical of the legendary gospel/rock crossover star Sister Rosetta Tharpe is at its best when focusing on its three powerhouse female stars. Tracy Nicole…

SOURCE: Stage and Cinema at 03:14PM
Sunday, July 30, 2017

Los Angeles Theater Review: MAMMA MIA! (Hollywood Bowl) by Samuel Garza Bernstein

SUPER TROUPERS BURN BRIGHTLY UNDER THE STARS I’ve always thought Benny Andersson and Björn Kristian Ulvaeus of ABBA, along with Mamma Mia! book writer Catherine Johnson, were incredibly s…

SOURCE: Stage and Cinema at 03:59PM
Friday, July 21, 2017

Los Angeles Theater Review: BORN FOR THIS (The Broad Stage in Santa Monica) by Samuel Garza Bernstein

THE MIRACLE OF LOVE: WINANS STYLE BeBe Winans was on-hand to enjoy a triumphant opening night for his coming-of-age stage musical Born For This, that takes him and his sister CeCe from young…

SOURCE: Stage and Cinema at 03:51AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards