Kevin McKenzie, the company’s artistic director, will leave his job after the 2022 season.
SOURCE: The New York Times Subscription at 03:11PMHugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
SOURCE: The New York Times Subscription at 11:28AMRenowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
SOURCE: The New York Times Subscription at 12:02PM“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.
SOURCE: The New York Times Subscription at 06:10PMThe history of the Royal Academy of Dance, outlined at an exhibition in London, is synonymous with the history of ballet in Britain.
SOURCE: The New York Times Subscription at 05:12AMMore than 20 countries have sent over 100 productions, including large-scale works by some of the hottest directors. So why have so few heard of the event?
SOURCE: The New York Times Subscription at 12:06PMIn Michael Keegan-Dolan’s reimagining at the Next Wave Festival, there are no tutus, Tchaikovsky or castles.
SOURCE: The New York Times Subscription at 12:24PMThe Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
SOURCE: The New York Times Subscription at 06:42AMRoyal Opera House, LondonWhat Yuri Grigorovich’s Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle Liberation! Courage! Indomitable will! Sacrifice for …
SOURCE: The Guardian at 06:24AMThe choreographer, whose playfulness is serious, will stage three pieces by Beckett, who wears his seriousness lightly, at a festival in Northern Ireland.
SOURCE: The New York Times Subscription at 06:48PMRoyal Opera House, LondonSidi Larbi Cherkaoui’s new ballet Medusa, with Natalia Osipova in the title role, is the tame centre of this Royal Ballet triple bill A woman is raped, then blamed…
SOURCE: The Guardian at 05:12AMSouth African actors John Kani and Antony Sher reunite for a play that explores how attitudes have, and haven’t changed, in the 25 years since democracy.
SOURCE: The New York Times Subscription at 10:00AMThe actor left the stage soon after playing Lear in 1986. Now 80, he is giving it another go, in a made-for-television film directed by Richard Eyre.
SOURCE: The New York Times Subscription at 04:18AMWhat’s inside Agnes de Mille’s unopened 1963 letter? Rather than peeking, an organization is commissioning new work in her honor.
SOURCE: The New York Times Subscription at 01:42PMThe playwright Richard Bean brings world-class professional snooker onstage in “The Nap,” produced by the Manhattan Theater Club.
SOURCE: The New York Times Subscription at 05:42AMThere was plenty of Homer, a stellar lineup and, for now, no problem crossing the border at the third annual celebration of the life and work of Brian FrielTamsin Greig, Alex Jennings, Maxin…
SOURCE: The Guardian at 03:24AMThe experimental director and avant-garde choreographer’s production — the first in the U.S. not to be based on Jerome Robbins’s choreography — will come to Broadway.
SOURCE: The New York Times Subscription at 04:18PM“Harry Potter and the Cursed Child” doesn’t use elaborate special effects. Its magic comes from movement, and Steven Hoggett is its wizard choreographer.
SOURCE: The New York Times Subscription at 12:12PMPerforming the wrenching “Girls & Boys” has taken more fortitude than she ever expected.
SOURCE: The New York Times Subscription at 10:54AM“Something to Dance About,” a new piece staged by Warren Carlyle, includes extracts from nine musicals choreographed by Robbins.
SOURCE: The New York Times Subscription at 11:18AMThe Broadway home for “Harry Potter and the Cursed Child’ has been rebuilt in the hope that it will run for many, many years. So why is J.K. Rowling worried?
SOURCE: The New York Times Subscription at 05:00AM“We’ve stopped having the idea that theater is essentially a literary form,” said Chris Goode, who adapted “Jubilee” from Derek Jarman’s film.
SOURCE: The New York Times Subscription at 08:04AMClaire van Kampen worked on other people’s plays for decades. Then she wrote “Farinelli and the King.” It’s been a hit in London and makes its way to New York next week.
SOURCE: The New York Times Subscription at 10:18AMAhead of its 200th birthday, the theater announced productions of new plays by Alan Ayckbourn and adaptations by Jack Thorne.
SOURCE: The New York Times Subscription at 12:54PMThe 2014 play “Shakespeare in Love” will be the most produced play in the country this season.
SOURCE: The New York Times Subscription at 07:36PMHow the playwright James Graham and the actor Bertie Carvel give the media mogul a fair hearing in a play that takes a hard look at populism and the press.
SOURCE: The New York Times Subscription at 06:04PMWith acting and musical theater roles on the horizon, Mr. Fairchild, who starred in “An American in Paris,” said he felt he needed to choose a direction.
SOURCE: The New York Times Subscription at 03:24PMA new production of “King Kong,” which originally starred Miriam Makeba, is a reminder of the nation’s apartheid past.
SOURCE: The New York Times Subscription at 06:12PMTickets for the three-week run in London, a fund-raiser for the Royal Academy of Dramatic Art, are only available through a ballot system.
SOURCE: The New York Times Subscription at 12:43PMHighlights of the Almeida Theater’s 2017-18 season, announced Monday, include “Albion,” a new work by Mr. Bartlett, the author of “King Charles III.”
SOURCE: The New York Times Subscription at 03:18PMThe city’s 32 boroughs are being asked to compete for the designation of Borough of Culture, which will come with a $1.3 million grant.
SOURCE: The New York Times Subscription at 03:04PM
