Monday, April 16, 2018
Tina! The Tina Turner Musical – Aldwych Theatre, London Casting announced for Tina Turner musical This one’s going to be big. Directed by
SOURCE: The Stage Registration at 02:00AMTuesday, April 10, 2018
Eileen is stuck in the middle. Her once formidable Irish mother-in-law Nora is starting to forget things. Her teenage daughter Caitlin is
SOURCE: The Stage Registration at 09:14AMMonday, April 9, 2018
Quiz – Noel Coward Theatre, London James Graham’s Quiz is a play about Charles Ingram, the “coughing major” who ended up on trial
SOURCE: The Stage Registration at 02:00AMThursday, April 5, 2018
Kevin Armento’s play takes the form of a narrative tug-of-war. The five women at the centre of the Clinton-Lewinsky sex scandal that
SOURCE: The Stage Registration at 12:44PMWednesday, April 4, 2018
One of a number of ‘female wits’ writing during the Restoration, Mary Pix’s name and her work have been largely forgotten. Now,
SOURCE: The Stage Registration at 04:15AMMonday, April 2, 2018
The Fantastic Follies of Mrs Rich – Swan Theatre, Stratford-upon-Avon Sophie Stanton plays the title role in Jo Davies’ production, a refashioning of The
SOURCE: The Stage Registration at 02:00AMThursday, March 29, 2018
Spread over two parts and running to more than seven hours of theatre, American playwright Matthew Lopez’s The Inheritance, receiving its world
SOURCE: The Stage Registration at 04:33AMWednesday, March 28, 2018
The idea that we make our own ghosts, that they are the product of guilt and shame, is a potent one and
SOURCE: The Stage Registration at 07:29AMTuesday, March 27, 2018
Alas, poor Eeyore. While driving in South Africa In 1999, playwright and regular Kneehigh collaborator Carl Grose saw a billboard outside Johannesburg
SOURCE: The Stage Registration at 05:41AMMonday, March 26, 2018
Mountains: The Dreams of Lily Kwok – Royal Exchange Theatre, Manchester Based on Helen Tse’s memoir Sweet Mandarin, In-Sook Chappell’s new play charts
SOURCE: The Stage Registration at 02:00AMThursday, March 22, 2018
Arinze Kene launches into a story about a fight on a night bus. His performance is physically and vocally rich, words rattling
SOURCE: The Stage Registration at 10:58AMTuesday, March 20, 2018
A deep love of horror movies permeates Polly Findlay’s staging of Macbeth. This is an approach that makes sense – it is,
SOURCE: The Stage Registration at 07:48PMMonday, March 19, 2018
This dark new chamber musical by musical theatre duo Barlow and Smith entertainingly drops the Bluebeard story into a modern office environment
SOURCE: The Stage Registration at 07:47AMThursday, March 15, 2018
This year marks the 200th anniversary of the publication of Mary Shelley’s gothic novel about the scientist who finds a way of
SOURCE: The Stage Registration at 05:14AMWednesday, March 14, 2018
Ramps on the Moon is a consortium of six theatres that each year takes a turn to produce a touring show featuring
SOURCE: The Stage Registration at 05:19AMMonday, March 12, 2018
The Rice restorative. Someone really ought to bottle it. First seen in London in 2008, Brief Encounter, the most satisfying of Emma
SOURCE: The Stage Registration at 09:02AMBr’er Cotton – Theatre503, London Theatre503 presents Tearrance Chisholm’s play, about an African-American teenage boy living in Virginia and the Black Lives
SOURCE: The Stage Registration at 07:42AMCaroline, Or Change – Hampstead Theatre, London Sharon D Clarke reprises her role in the acclaimed Chichester Festival Theatre production of Tony Kushner’s
SOURCE: The Stage Registration at 03:00AMThursday, March 8, 2018
Written in 1951, Lerner and Lowe’s gold rush musical is full of intriguing contrasts. Reflective of both the time it was set
SOURCE: The Stage Registration at 06:56AMWednesday, March 7, 2018
Having struggled to fill the, admittedly daunting, Olivier stage last year with Common and Saint George and the Dragon, two ambitious but
SOURCE: The Stage Registration at 06:03PMMonday, March 5, 2018
Written in 1960, Gore Vidal’s play about American politics and populism still feels dismayingly accurate in its account of how political campaigns
SOURCE: The Stage Registration at 05:49PMJade doesn’t like going outside. It’s too risky. Kids are throwing shopping trolleys off the roof and the lift smells of piss.
SOURCE: The Stage Registration at 11:50AMMacbeth – National Theatre, London March is the month of Macbeths. There are three major productions opening as well as a new
SOURCE: The Stage Registration at 02:00AMThursday, March 1, 2018
Russia’s prestigious Vakhtangov State Academic Theatre returns to London with Smile Upon Us, Lord, an adaptation of two books by the Jewish
SOURCE: The Stage Registration at 10:04AMWednesday, February 28, 2018
Jess Thom’s Backstage in Biscuit Land, a witty celebration of her experience of living with Tourette’s, was an Edinburgh Fringe hit in
SOURCE: The Stage Registration at 12:00PMAgatha Christie knew how to keep an audience on its toes. The art of concealment is key to this: what you keep
SOURCE: The Stage Registration at 06:21AMMonday, February 26, 2018
Though it has cult status now, Hal Ashby’s film about the unconventional relationship between a teenage boy and a 79-year-old woman met
SOURCE: The Stage Registration at 05:00PMWork plays a huge role in most people’s lives. As a society, we assign different values to different types of work and
SOURCE: The Stage Registration at 09:18AMThursday, February 22, 2018
It’s easy to see why playwright Bryony Lavery would be drawn to Graham Greene’s Brighton Rock – a book that combines a
SOURCE: The Stage Registration at 04:24AMTuesday, February 20, 2018
Bryony Lavery’s 1998 study of crime, punishment and people’s capacity to forgive is a tautly constructed chamber-piece. But it is not treated
SOURCE: The Stage Registration at 06:45PMMonday, February 19, 2018
Isobel Rogers’ solo show sees her sitting on a stool with her guitar in one of the more oppressively damp spaces at
SOURCE: The Stage Registration at 08:02AM 
