All stories by Mark Fisher on BroadwayStars

Sunday, February 9, 2014

Miss Julie – review by Mark Fisher

Citizens, GlasgowStrindberg's play is reduced somewhat to the story of a wealthy woman's psychological breakdown• Louise Brealey: from Sherlock to StrindbergIt's the morning after the nigh…

SOURCE: The Guardian at 10:09AM
Wednesday, February 5, 2014

Rough Island – review by Mark Fisher

Oran Mor, GlasgowLive Aid is at the centre of this clever meditation on the 1980s' gains and lossesThe conversation about Live Aid usually focuses on the unprecedented gathering of the world…

SOURCE: The Guardian at 08:45AM
Tuesday, February 4, 2014

Rantin – review by Mark Fisher

Burgh Hall, CoveScotland is atomised, uneasy and restless for change in Kieran Hurley's folky musical melange – a state-of-the-nation ceilidh"I'm not going to talk about doubts and confusi…

SOURCE: The Guardian at 10:19AM
Wednesday, January 22, 2014

Long Day's Journey Into Night – review by Mark Fisher

Royal Lyceum, EdinburghA predictable but effective production of Eugene O'Neill's posthumous classic summons an awful mesmeric energyIt begins with a burst of summer sunlight spilling across…

SOURCE: The Guardian at 11:09AM
Sunday, January 5, 2014

Peter Pan – review by Mark Fisher

King's theatre, EdinburghAllan Stewart and Andy Gray are among the stars that produce panto greatness in this faithful JM Barrie adaptationFaithful interpretations of JM Barrie are not what …

SOURCE: The Guardian at 07:36AM
Wednesday, December 18, 2013

Best theatre of 2013, No 10 (joint): Paul Bright's Confessions of a Justified Sinner by Mark Fisher

This brilliant adaptation of James Hogg's seminal 1824 novel is a beguiling investigation of the real and the imagined• Read about the other No 10 pick: Wet House• Read more from the Bes…

SOURCE: The Guardian at 11:28AM
Thursday, December 12, 2013

Cinderella/A Million Miles Away – review by Mark Fisher

His Majesty's/Lemon Tree, AberdeenThere's life and bonhomie in the performances – particularly a big-lunged Elaine C Smith as the Fairy Godmother – but this Cinderella is too thinly trea…

SOURCE: The Guardian at 06:46AM
Tuesday, December 10, 2013

A Christmas Carol – review by Mark Fisher

Royal Lyceum, EdinburghA great cast and plentiful carol-singing make this staging of the Dickens classic as rich as a plum pudding – and sometimes as sickly sweetWith its hardworking cast,…

SOURCE: The Guardian at 08:21AM
Thursday, December 5, 2013

Beauty and the Beast – review by Mark Fisher

Macrobert Arts Centre, StirlingA joyous panto in which women call the shots and give Robin Thicke's Blurred Lines a no-nonsense makeoverRobin Thicke faced global controversy over the ostensi…

SOURCE: The Guardian at 12:52PM
Tuesday, November 5, 2013

True West – review by Mark Fisher

Citizens, GlasgowPhillip Breen brings a Pinteresque air of brooding menace to Sam Shepard's uncomfortably black comedy of sibling rivalryThe brightest thing on stage is Austin's sky-blue shi…

SOURCE: The Guardian at 06:35AM
Monday, November 4, 2013

Blithe Spirit – review by Mark Fisher

Perth theatreLurking behind Noël Coward's silly story of dead wives and seances is a more thoughtful play that we see too little of hereGhosts, as we all know, are pallid creatures. Not so …

SOURCE: The Guardian at 11:01AM
Tuesday, October 29, 2013

Dragon – review by Mark Fisher

Eden Court, InvernessOlivier Emanuel's wordless but emotionally eloquent script explores a teenage boy's turmoil following his mother's deathThe three framing arches of Jamie Harrison's set …

SOURCE: The Guardian at 03:07PM
Monday, October 7, 2013

In Time O' Strife – review by Mark Fisher

Pathhead Hall, KirkcaldyThe meeting of music, dance and drama in this uneven but politically charged Joe Corrie play is frequently exhilaratingTS Eliot called him "the greatest Scots poet si…

SOURCE: The Guardian at 10:35AM
Sunday, September 29, 2013

Dark Road – review by Mark Fisher

(Royal Lyceum, Edinburgh) Murder mystery meets mind games as Ian Rankin brings modern cop drama to the stageIt has been a while since the stage has had much truck with genre fiction. Not sin…

SOURCE: The Guardian at 07:06AM
Tuesday, September 24, 2013

Macbeth – review by Mark Fisher

Perth theatre, GlasgowRachel O'Riordan's brawny production is full of intelligent, invigorating performancesWe are in a relentlessly masculine landscape. The towering, grey edifice of Kenny …

SOURCE: The Guardian at 12:37PM
Tuesday, September 10, 2013

Victoria – review by Mark Fisher

Dundee Rep, Dundee David Greig's philosophical play, channelling the spirit of Robert Lepage, is large in cast, epic in scope and challenging in intellectDavid Greig has already demonstrated…

SOURCE: The Guardian at 12:40PM
Sunday, September 8, 2013

Crime and Punishment – review by Mark Fisher

Citizens, GlasgowDominic Hill's Dostoyevsky production is told with drive and authority by a vigorous ensembleDostoyevsky's great philosophical novel is like Shakespeare's Hamlet in reverse.…

SOURCE: The Guardian at 11:26AM
Friday, September 6, 2013

A Little Bird Blown off Course – review by Mark Fisher

St Peter's Hall, Daliburgh, South UistSinger Fiona J Mackenzie evokes a living tradition of Gaelic song with exquisite results – but this is more gig than theatreLast month in the Edinburg…

SOURCE: The Guardian at 12:49PM
Tuesday, August 6, 2013

David Harrower and Pauline Knowles: how we made Knives in Hens by Mark Fisher

Actor Pauline Knowles and playwright David Harrower recall how the play about lust, language and medieval peasant life that became a modern Scottish classicPauline Knowles, actorWhen the di…

SOURCE: The Guardian at 02:59AM
Thursday, July 11, 2013

Cannibal Women of Mars – review by Mark Fisher

Tron, GlasgowIt's 100 years hence, and things are looking grim on planet Earth. Unemployment has exceeded 90% and government robots are around every corner. Worse, sex has been outlawed. For…

SOURCE: The Guardian at 01:57PM
Monday, July 1, 2013

Hello, Dolly! – review by Mark Fisher

Pitlochry festival theatreAccording to Sotheby's, paintings with strong tones of red – the colour of sex and desire – sell better than those without. Designer Adrian Rees seems to have g…

SOURCE: The Guardian at 08:54AM
Thursday, June 20, 2013

Paul Bright's Confessions of a Justified Sinner – review by Mark Fisher

Tramway, Glasgow In the year 2038, a researcher may hungrily pounce on this review as the last fragment of evidence about a show that took place in Glasgow in June 2013.But am I to be t…

SOURCE: The Guardian at 12:56PM
Tuesday, June 11, 2013

Some Other Mother – review by Mark Fisher

Traverse, EdinburghAJ Taudevin's small-scale touring show takes the form of a 10-a-penny issue play. Produced in association with the Scottish Refugee Council, it's a single-set 75-minu…

SOURCE: The Guardian at 02:26PM
Sunday, June 9, 2013

Let the Right One In – review by Mark Fisher

Dundee RepButterfly or moth? Swan or duck? Angel or vampire? The teenagers at the chilling heart of John Ajvide Lindqvist's novel and its two film adaptations could go either way. They are a…

SOURCE: The Guardian at 01:49PM
Tuesday, May 28, 2013

Kora – review by Mark Fisher

Dundee RepTom McGrath, the first editor of International Times, the founder of Glasgow's Third Eye Centre (now CCA) and a key supporter of several generations of Scottish playwrights, made a…

SOURCE: The Guardian at 01:12PM
Monday, May 27, 2013

Far Away/Seagulls – review by Mark Fisher

Citizens, GlasgowIf you didn't know better, you could think this evening was a single dose of the dazzlingly original Caryl Churchill rather than a double bill. When Seagulls begins, you're …

SOURCE: The Guardian at 12:39PM
Tuesday, May 7, 2013

The Sash – review by Mark Fisher

King's theatre, EdinburghYou'd like to think The Sash had passed its sell-by date. It would be nice if, as it approaches its 40th anniversary, Hector MacMillan's taut domestic drama about se…

SOURCE: The Guardian at 02:16PM
Thursday, May 2, 2013

The Day I Swapped My Dad for Two Goldfish – review by Mark Fisher

Beacon, Greenock For those of us who grew up watching Multi-Coloured Swap Shop, the idea of trading your old toys for someone else's carries a certain allure. After selected performances of …

SOURCE: The Guardian at 01:18PM
Wednesday, April 24, 2013

Poke/Wuthering Heights – review by Mark Fisher

Arches, GlasgowThe Arches' Platform 18 award is a barometer of what the next generation of theatre-makers is thinking. Where last year's recipients reflected on the legacy of Margaret Thatch…

SOURCE: The Guardian at 12:47PM
Monday, April 22, 2013

A Doll's House – review by Mark Fisher

Royal Lyceum, EdinburghThe macaroons devoured by Nora Helmer in Ibsen's proto-feminist classic normally symbolise her infantilism. They are a childish indulgence, cute and frivolous, for a w…

SOURCE: The Guardian at 01:07PM
Wednesday, April 3, 2013

Quiz Show – review by Mark Fisher

Traverse, EdinburghFirst, we were outraged by the apparent crimes of Jimmy Savile. Then we felt betrayed: had the innocence of 1970s light entertainment been a sham? Behind the showbiz sheen…

SOURCE: The Guardian at 01:43PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic