All stories by Marc Miller on BroadwayStars

Tuesday, January 24, 2012

Seth Rudetsky's Disaster! by Marc Miller

Seth Rudetsky and Jack Plotnik's disaster-movie spoof wrapped in a '70s songbook is amusing in a cheap way and helped immeasurably by a large, gifted cast.

SOURCE: Backstage at 03:19AM
Saturday, January 7, 2012

Bunny Lake Is Missing by Marc Miller

Ken Simon's adaptation of Evelyn Piper's novel is an awkward mix of incompatible media, a long evening even at a little more than an hour.

SOURCE: Backstage at 03:51AM
Sunday, December 11, 2011

Sex Good; Money Bad by Marc Miller

A fun Summer of Love nostalgia fest and a labored metatheatrical present-day whimsy constitute Michael Weller's one-acts, which are sometimes amusing but always lightweight.

SOURCE: Backstage at 05:13AM
Sunday, December 4, 2011

The Man Who Came to Dinner by Marc Miller

Kaufman and Hart's satire of celebrity and self-reinvention still amuses, but Jim Brochu's blustery Sheridan Whiteside doesn't reverberate as fully as one would like.

SOURCE: Backstage at 02:56AM
Wednesday, November 9, 2011

The Runner Stumbles by Marc Miller

Milan Stitt's dimly remembered 1970s success is historical drama, courtroom nail-biter, whodunit, and religious meditation rolled into one, and Retro Productions mostly does it proud.

SOURCE: Backstage at 06:28AM
Sunday, November 6, 2011

Puberty Rites...Not a Bootleg Experience by Marc Miller

Elaine Jackson's two-hander about white and black disaffected youth suffers from uneven and often unclear writing, but while Yasha Jackson struts the stage, you're riveted.

SOURCE: Backstage at 02:00AM
Wednesday, October 12, 2011

Greenwood by Marc Miller

Tor Hyams' and Adam LeBow's musical about a reunion at a musical theater camp plays by the rules and does everything competently, but without excitement or individuality.

SOURCE: Backstage at 04:46AM
Monday, October 10, 2011

The Brain That Wouldn't Die! In 3-D!! by Marc Miller

T. Sivak and E. Gelman's riffing on a 1962 bad-movie classic is mostly bad puns and feeble joking, partly redeemed by well-crafted music and an excellent cast.

SOURCE: Backstage at 04:04AM
Monday, October 3, 2011

The Family Room by Marc Miller

Aron Eli Coleite's dramedy about psychiatrists and how they affect their families is smart and perceptive, but also heavy and frustratingly unresolved.

SOURCE: Backstage at 02:36AM
Saturday, October 1, 2011

The Big Bank by Marc Miller

A couple of flaws aside, the Seligmann Brothers' corporate satire is big old-fashioned musical-comedy fun, with Klea Blackhurst a top banana for the ages.

SOURCE: Backstage at 09:00AM
Friday, September 30, 2011

Crazy, Just Like Me by Marc Miller

Drew Gasparini and Louis Sacco's bromance musical has fine moments, provided mainly by Andy Mientus and Andrew Kober, but it's severely credibility-straining and weighted with a so-so scor…

SOURCE: Backstage at 01:48AM
Saturday, September 17, 2011

Charles Winn Speaks by Marc Miller

Christopher Kipiniak is still excellent, but C.S. Hanson's extension of a one-act about a Russian emigrant investor traffics in needless detail and wild coincidence.

SOURCE: Backstage at 07:00AM
Monday, August 22, 2011

Brave Ducks by Marc Miller

Andrew Belcher's scattered satire of immigration law, government inefficiency, and much else lacks clarity, humor, resolution, and anyone on stage to root for.

SOURCE: Backstage at 05:19AM

Banshee by Marc Miller

Brian C. Petti's Irish drama is an ungimmicky, affecting exploration of a sad chapter in his family's history that avoids clichés as it keeps us pulling for its likable hero.

SOURCE: Backstage at 02:54AM
Thursday, July 21, 2011

Alice by Marc Miller

This whirlwind musical tour through Wonderland, while not particularly well-wrought, does convey a childlike wonder and benefits from an imaginative small-scale staging and short running t…

SOURCE: Backstage at 03:05AM
Friday, June 10, 2011

Next Thing You Know by Marc Miller

An often lovely score gives Joshua Salzman and Ryan Cunningham's extremely generic, haphazardly structured musical about 20-somethings in Manhattan what individuality it has.

SOURCE: Backstage at 03:20AM
Wednesday, May 18, 2011

NY Review: 'The Sphinx Winx' by Marc Miller

This new Antony and Cleopatra musical comedy wants to be a burlesque laughfest in the style of "A Funny Thing Happened on the Way to the Forum," but it's deficient in pretty much every dep…

SOURCE: Backstage at 08:00AM
Tuesday, May 10, 2011

Dear Ruth by Marc Miller

Overacting and a too-frantic pace do not entirely obscure the charms of Norman Krasna's smart, easygoing World War II comedy.

SOURCE: Backstage at 06:01AM
Sunday, April 10, 2011

The Bad Seed by Marc Miller

Maxwell Anderson's classic look at evil veiled by innocence needs better production values and a more calculating murderess, but it's an enjoyable old-fashioned well-made play.

SOURCE: Backstage at 07:02AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic