All stories by MARK BLANKENSHIP on BroadwayStars

Wednesday, November 7, 2012

How the Hurricane Changed a Play by Mark Blankenship

After Sandy, “A Twist of Water” has new resonance For the next few weeks, almost everything that happens in New York will be refracted through Hurricane Sandy’s lens. A rid…

SOURCE: TDF at 12:38PM
Thursday, November 1, 2012

Judith Ivey’s Happy Mourning by Mark Blankenship

Inside her performance in Broadway’s “The Heiress” Welcome to Building Character, TDF Stages’ ongoing series about actors and how they create their roles — Judi…

SOURCE: TDF at 11:03AM
Thursday, October 25, 2012

First the Politics, Then the Salad by Mark Blankenship

Why Disgraced balances fiery debate with pleasant conversation — The politics are so volatile in Ayad Akhtar’s play Disgraced—the arguments are so intense as friends navigate t…

SOURCE: TDF at 10:36AM
Monday, October 22, 2012

A Sunny Comedy About Death and Car Chases by Mark Blankenship

Colman Domingo’s “Wild With Happy” finds its voice If you think the middle of Wild With Happy, Colman Domingo’s new play at the Public, feels like a caper movie, then…

SOURCE: TDF at 10:18AM
Tuesday, October 16, 2012

When Speaking Verse Sets You Free by Mark Blankenship

Kyle Soller masters the language in Broadway’s “Cyrano” The theatre itself is at the heart of Cyrano de Bergerac, Edmund Rostand’s classic 1897 play, now in a Broadwa…

SOURCE: TDF at 02:00PM
Monday, October 15, 2012

The Lighter Side of Terror by Mark Blankenship

Jon Kern’s new play finds dark humor in vicious deeds You never know what will happen during preview performances: You could start with a goofy comedy and end with a dark rumination on…

SOURCE: TDF at 02:01PM
Tuesday, October 9, 2012

Why PigPen Theatre Is a Company to Watch by Mark Blankenship

How the young troupe is developing its style When you watch PigPen Theatre’s The Old Man and The Old Moon, you watch an aesthetic being born. The company has been emerging since 2010, …

SOURCE: TDF at 01:12PM
Friday, October 5, 2012

How to be a “War Horse” Puppeteer by Mark Blankenship

Three actors explain how the magic is made — When you see War Horse on Broadway, you might forget you’re watching puppets. The story of a British boy’s remarkable relations…

SOURCE: TDF at 01:20PM
Wednesday, October 3, 2012

George and Martha’s Dying House by Mark Blankenship

The subtle secrets of the “Virginia Woolf” set On the surface, Who’s Afraid of Virginia Woolf? seems like a strange match for set designer Todd Rosenthal. Edward Albee̵…

SOURCE: TDF at 01:26PM
Tuesday, October 2, 2012

Kathleen Chalfant and the Tragic Secret by Mark Blankenship

How the actress shapes her performance in “Red Dog Howls” Welcome to Building Character, TDF’s ongoing series about actors and how they create their roles Kathleen Chalfant…

SOURCE: TDF at 11:59AM
Friday, September 28, 2012

This Room Isn’t Real (But The Feelings Are) by Mark Blankenship

Why a director avoids realism in The Atlantic’s “Harper Regan” It’s easy to imagine a realistic production of Harper Regan, the new Simon Stephens play. As she travel…

SOURCE: TDF at 12:59PM
Wednesday, September 26, 2012

Season Preview by Mark Blankenship

Off Broadway and off-Off Broadway New York is practically exploding with new plays and musicals this fall. You could go to the theatre eight times a week for two months and still not see eve…

SOURCE: TDF at 04:22PM
Tuesday, September 25, 2012

Theatre in the Virtual World by Mark Blankenship

Hello TDF Stages readers, Did you know there are theatre companies producing shows entirely online? Our friends at [Breaking Character], the online magazine of Samuel French, Inc., have just…

SOURCE: TDF at 11:36AM
Friday, September 21, 2012

Theatre Down Under by Mark Blankenship

Australia Feels Like Home — Most of the time, I could almost feel the distance between Australia and my everyday life. I was there for my honeymoon—I just flew back to New York o…

SOURCE: TDF at 10:49AM
Thursday, September 6, 2012

A Universe of Solo People by Mark Blankenship

The All For One Festival creates a culture of solo theatre Can a theatre festival invigorate or even sustain a larger artistic culture? That question is implicit in fests like FringeNYC and …

SOURCE: TDF at 12:28PM
Tuesday, September 4, 2012

The Costume Detective by Mark Blankenship

Jennifer Hurlbert finds what costume designers need She almost sounds like a theatrical superhero. Without leaving New York, Jennifer Hurlbert contributes to the costume designs of shows acr…

SOURCE: TDF at 12:25PM
Monday, August 27, 2012

Coming Soon on Broadway by Mark Blankenship

A Preview of the Fall Season Do you feel that crackle in the air? It’s not heat lightning or a power surge from your neighbor’s air conditioner. It’s Broadway’s fall …

SOURCE: TDF at 12:05PM
Monday, August 20, 2012

Dressing “Rebecca,” Part 1 by Mark Blankenship

Jane Greenwood prepares her costume designs Since 1963, Jane Greenwood has designed costumes for over 100 Broadway shows, earning 17 Tony Award nominations and a place in the Theater Hall of…

SOURCE: TDF at 12:26PM
Wednesday, August 15, 2012

Learning to Act In Horton Foote’s Plays by Mark Blankenship

Andrea Lynn Green tackles two of his characters at once Welcome to Building Character: TDF Stages’ ongoing series about actors and how they create their roles — We don’t kn…

SOURCE: TDF at 11:39AM
Monday, August 6, 2012

What Does a Prisoner Think of “Richard III?” by Mark Blankenship

The Mobile Shakespeare Unit brings the Bard to unlikely places Richard III might hit you differently if you’re a prisoner, watching the violence unfold just a few feet from your cell. …

SOURCE: TDF at 12:24PM
Tuesday, July 31, 2012

Ken Ludwig on How to Make a Farce by Mark Blankenship

Hello TDF Stages readers, Ken Ludwig is one of the masters of modern stage comedy, boasting hits like Lend Me a Tenor and Leading Ladies. And now he’s writing a regular column for [Bre…

SOURCE: TDF at 11:52AM
Tuesday, July 24, 2012

Nature’s Your Co-Star, So Keep It Lively by Mark Blankenship

An actor preps for Shakespeare in the Park’s “Into the Woods” It takes a certain kind of art—and a certain kind of artist—to suit the Delacorte Theatre. A grand…

SOURCE: TDF at 12:10PM
Wednesday, July 18, 2012

One Actress, Many Wild Women by Mark Blankenship

Natalie Venetia Belcon navigates years of revisions to “The Last Smoker in America” Welcome to Building Character, TDF Stages’ ongoing series about actors and how they crea…

SOURCE: TDF at 01:30PM
Monday, July 16, 2012

A Regal Ghost With a Classical Sound by Mark Blankenship

In “Fela,” Melanie Marshall makes unexpected use of her voice Welcome to Building Character, TDF Stages’ ongoing series about actors and how they create their roles Funmila…

SOURCE: TDF at 01:08PM
Wednesday, July 11, 2012

All My Characters Are Talking To Me by Mark Blankenship

Gabra Zackman, Hudson Valley Shakespeare, and the Joy of Repertory Theatre Just by itself, The 39 Steps is a challenging job for an actress: A low-tech, high-energy spoof of Hitchcock’…

SOURCE: TDF at 01:04PM
Monday, July 2, 2012

This Room Has Changed Our Play by Mark Blankenship

Lincoln Center Theater learns how to use its brand new space It’s a rare and terrifying honor to direct the first play in a new theatre. Just ask Anne Kauffman, who’s helming Slo…

SOURCE: TDF at 12:56PM
Tuesday, June 26, 2012

How Do You Make a Dinosaur Dance? by Mark Blankenship

The funny-sincere choreography in Triassic Parq — Apparently, it takes a village to make a dinosaur dance. Even though Kyle Mullins is credited as the choreographer for Triassic Parq, …

SOURCE: TDF at 03:05PM
Wednesday, June 20, 2012

Is It Okay for Detectives to Dance? by Mark Blankenship

How “The Bad and the Better” Blends Wild Humor and Crime Drama Is it okay for a serious detective drama to include a slo-mo dance break? Playwright Derek Ahonen raises that quest…

SOURCE: TDF at 12:21PM
Tuesday, June 19, 2012

VIDEO: TDF Sends Students to “Peter and the Starcatcher” by Mark Blankenship

Recently, TDF’s Stage Doors programs took hundreds of students to a special matinee of Broadway’s Peter and the Starcatcher. Many of the students had never been to the theatre be…

SOURCE: TDF at 02:43PM
Thursday, June 14, 2012

How Beethoven Fights a Hunchback by Mark Blankenship

“The Hunchback Variations” creates absurdity without a director Sitting at a simple black table, Beethoven drinks his water with precision, pausing for a moment before he puts hi…

SOURCE: TDF at 11:39AM
Thursday, June 7, 2012

When Is It Polite to Discuss a Murder? by Mark Blankenship

“The Bad Guys” finds dark humor in manliness —- The Bad Guys might seem like a realistic play, telling the story of good old friends at a backyard barbecue. But underneath …

SOURCE: TDF at 11:11AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic