Dance Review: ‘TEXTURES’ presented by Textures Dance Theatre at Atlas Performing Arts Center by Justin Rustle

“TEXTURES,” presented by Textures Dance Theatre, marked the closing performance of the 17th annual Intersections Festival at the Atlas Performing Arts Center. Prepared for the stage in o…

Dance Review: ‘Lineage’ presented by Ballet Theatre of Maryland and Full Circle Dance Company at the Gordon Center for the Performing Arts by Justin Rustle

“Lineage” Thursday night at the Gordon Center was a one-night-only performance with the Ballet Theatre of Maryland and the modern dance-based Full Circle Dance Company at the Gordon Cent…

Dance Review: Anushka Raje & Co-Choreographers present ‘We Are Somebody’s Ancestors’ at Atlas Performing Arts Center by Justin Rustle

It was one of the most enthusiastic audiences of the Intersections Festival that greeted “We Are Somebody’s Ancestors.” Featuring the work of choreographers Ishanathan Guteng, Lauren D…

Dance Review: ‘Until the Streetlights Come On’ presents Elements Dance Company at Atlas Performing Arts Center by Justin Rustle

  Kids should be allowed to be kids without having to worry about dance critics. However, public artistic statements by youth performers about the condition of being a kid in this world des…

Dance Review: ‘Urban Steps’ presented by Darby, Fujimoto, and Umami Playground Dance Inc. at Atlas Performing Arts Center by Justin Rustle

  Choreographer and producer Kyoko Fujimoto’s concept for “Urban Steps” was perfectly suited for the Atlas Intersections Festival. Fujimoto presented three choreographic projects in w…

Dance Review: ‘Giselle’ presented by The Washington Ballet at Shakespeare Theatre Company’s Sidney Harman Hall by Justin Rustle

There was hardly an empty seat for the opening performance of The Washington Ballet’s new production of “Giselle” at  STC’s Harman Hall. With choreography by TWB’s Artistic Direct…

Theater Review: ‘My Name Is Not Bin Laden’ at The Atlas Performing Arts Center by Justin Rustle

Neither rain or snow could keep a sold out audience from “My Name Is Not Bin Laden” at Atlas Intersections Festival. It is a one man show written and performed by Osama Mahmoud Ashour an…

Dance Review: ‘Beneath The Sun’ presented by Moore Contemporary Theatrics  at The Atlas Performing Arts Center by Justin Rustle

An adaptation of Lorraine Hansberry’s “A Raisin in the Sun,” “Beneath The Sun” was an ambitious offering from the promising new company, Moore Contemporary Theatrics. It was led by…

Dance Review: ‘Love Language’ presented by Moveius Contemporary Ballet at Dance Loft on 14 by Justin Rustle

Moveius Contemporary Ballet celebrated Valentine’s Day with the premier of Associate Artistic Director Alvaro Palu’s “Love Language.” A brilliant site-specific use of the Dance Loft …

Dance Review: ‘NACHMO DC 2026’ presented by Glade Dance Collective at the Atlas Performing Arts Center by Justin Rustle

Glade Dance Collective’s Sampler Showcase from the NACHMO DC January Challenge 2026 opened the dance programming at this year’s annual Intersections Festival at the Atlas Performing Arts…

Dance Review: ‘Momentum: A Mixed Bill’ presented by Ballet Theatre of Maryland at Maryland Hall by Justin Rustle

Last Saturday night was the closing performance of “Momentum: A Mixed Bill,” Ballet Theatre of Maryland’s annual mixed repertory production featuring work choreographed by BTM Company …

Dance Review: Bill T. Jones/Arnie Zane Company ‘Still/Here’ at The Clarice Smith Performing Arts Center by Justin Rustle

It’s a basic principle of directing theatre that when two people are on stage and one of them speaks, the audience will probably watch the one who is listening. The opposite is true of dan…

Dance Review: Mark Morris Dance Group and Music Ensemble at George Mason University Center for the Arts by Justin Rustle

It was an enthusiastic audience who braved howling wind chills to attend the twenty-third appearance of the Mark Morris Dance Group and Music Ensemble at the George Mason University Center f…

Dance Review: Chamber Dance Project In the Round at Arena Stage’s Finchandler Theatre by Justin Rustle

Chamber Dance Project’s performance at Arena Stage’s Finchandler Theatre was a charcuterie board for dance lovers. The nine brief works, including two world premiers, offered glimpses in…

Dance Review: Limón Dance Company at George Mason Center for the Arts by Justin Rustle

José Limón (1908-1972) is one of the foundational figures of American modern dance. A student of Doris Humphrey, Limón went on to create his own dance technique, and the company he founde…

Dance Review: Hubbard Street Dance Chicago at George Mason Center for the Arts by Justin Rustle

Hubbard Street Dance Chicago’s performance at George Mason Center for the Arts was a display not only of the wide variety of dance that exists under the moniker of “contemporary,” but …

Dance Review: The 2nd Annual LatinX Movement Festival at Dance Place by Justin Rustle

The LatinX Movement Festival premiered at Dance Place in 2024. This second iteration featured performances by artists including Armando Ibañez, Felipe Moltedo, Corazón Folklórico DC, Joel…

Dance Review: ‘Crossing Boundaries: Dances of Transition’ in The Back Room of the Ballroom at Glen Echo Park by Justin Rustle

The Back Room at Glen Echo is one of the Park’s smaller spaces. Tucked in a corner of the campus behind the Spanish Ballroom the Back Room’s wood floors are more used to hosting social d…

Dance Review: ‘Black Sabbath – The Ballet’ presented by the Birmingham Royal Ballet at The Kennedy Center by Justin Rustle

Dance Review: ‘Amor, Dolor y Sabor’ at Dance Loft on 14 by Justin Rustle

Gabriel Mata is one of my favorite DC-based choreographers. He deploys movement in sophisticated structures without falling into oblique or self-involved and inaccessible formulae. He has a …

Dance Review: ‘2025 ICONS Choreographers’ Collective’ at Atlas Performing Arts Center by Justin Rustle

There were ghosts in the Lang on last Saturday evening. The “Icons Choreographers’ Collective” began with a tribute to the late George Jackson. Jackson was a dance writer and author co…

Dance Review: ‘New Releases: Choreographers Showcase’ at Dance Place by Justin Rustle

  “New Releases,” a recurring annual performance at Dance Place in Washington, DC showcasing the work of emerging local choreographers, was two shows in one. The first half of the progr…

Dance Review: Acosta Danza’s ‘Cuban Ecléctico’ at The Kennedy Center by Justin Rustle

Take your best superlatives. Throw them in a bag, shake it up, dump them out on the table, and that would be an accurate review of Acosta Danza’s “Cuban Ecléctico.” Gobsmacked, flabbe…

Dance Review: “GIGENIS, The Generation of the Earth” by Akram Khan at The Kennedy Center by Justin Rustle

Everyone in the audience jumped.  The house lights were still all the way up as a thunderous crash reverberated through the Eisenhower. People scrambled for their seats as a second clap ech…

Dance Review: ‘A&I’ by Orange Grove Dance at Dance Place  by Justin Rustle

“Ok Luna, let’s start the show.” A single dancer leaned forward, speaking to a blue light on the table. There was a moment, the house lights dimmed and the music began. Orange Grove D…

Dance Review: ‘MOON’ by Mark Morris Dance Group at The Kennedy Center by Justin Rustle

“MOON,” presented by Mark Morris Dance Group is one of a number of dance works featured by the Kennedy Center as part of the “Earth to Space” festival. Other works coming as part of …

Dance Review: ‘Coppélia’ presented by New York City Ballet at The Kennedy Center  by Justin Rustle

Tiler Peck and Roman Mejia in NYCB’s production of George Balanchine and Alexandra Danilova’s “Coppélia.” Photo by Erin Baiano. It was encouraging to see so many children at Thursda…

Dance Review ‘A.I.M. by Kyle Abraham’ at The Clarice Smith Performing Arts Center by Justin Rustle

The first half of A.I.M by Kyle Abraham’s performance in The Kay Theater at the Clarice Smith Performing Arts Center was a reprise of their 2024 appearance at the George Mason Center for t…

Dance Review: The Washington Ballet presents “transcenDANCE” at The Kennedy Center by Justin Rustle

I parked in Bristol 10. Two floors down, and on the opposite side of the Kennedy Center from the Eisenhower Theater where, in twenty minutes, the curtain would go up on the closing performan…

Dance Review: ‘Crime and Punishment’ presented by American Ballet Theater at The Kennedy Center by Justin Rustle

Thursday night was the Washington premier of “Crime and Punishment,” presented by the American Ballet Theater(ABT). It is based on the novel by Dostoyevsky, with choreography by Helen Pi…

Dance Review: ‘From the Source of Our Power’ presented by Full Circle Dance Company at Baltimore Museum of Art by Justin Rustle

Full Circle Dance Company’s “From the Source of Our Power” at the Baltimore Museum of Art’s Meyerhoff Auditorium was a well-curated and well-attended affair featuring work by choreog…