All stories by Jacob Malizio on BroadwayStars

Monday, April 7, 2025

An Ambitious LAST FIVE YEARS On Broadway by Jacob Malizio

White has crafted an intriguing and intellectually ambitious revival, one that embraces the brutal emotional honesty of Brown’s source material. The post An Ambitious LAST FIVE YEARS On Br…

SOURCE: Did They Like It? at 12:14AM

Nick Jonas and Adrienne Warren in The Last Five Years by Jacob Malizio

Whitney White’s revival is sleek and unpretentious—Stacey Derosier’s lights, elegantly juxtaposing oranges, golds, and blues, are particularly lovely in helping to score the story’s …

SOURCE: Did They Like It? at 12:14AM

Nick Jonas musical is the worst of the Broadway season by Jacob Malizio

In the ugly revival of a work that doesn’t belong on Broadway in the first place, the pair’s already monotonous journey becomes a textureless concert that’s frustratingly hard to track…

SOURCE: Did They Like It? at 12:14AM

Nick Jonas and Adrienne Warren fall in and out of love by Jacob Malizio

The score, as ever, is jammed with gems. But like a troubled couple, the production has issues. Under the direction of Whitney White, Warren and Jonas overdo their performances, pushing too …

SOURCE: Did They Like It? at 12:14AM

Nick Jonas and Adrienne Warren soar in relationship musical by Jacob Malizio

In a season of overhyped shows, the evident sincerity, the effort, the fervent belief in character – and Warren’s occasional transcendence – feels refreshing. The post Nick Jonas and A…

SOURCE: Did They Like It? at 12:14AM

‘Last Five Years’ with Nick Jonas has beautiful score, disconnected characters by Jacob Malizio

Both of these performers are, of course, whopping musical talents and their mutual vocal prowess is very much on display to the obvious delight, especially, of the many Jonas fans in the hou…

SOURCE: Did They Like It? at 12:14AM
Friday, April 4, 2025

Good Night, and Good Luck by Jacob Malizio

Tune in to the golden age of broadcast journalism and Edward R. Murrow’s (Clooney) legendary, history-altering, on-air showdown with Senator Joseph McCarthy. As McCarthyism casts a shadow …

SOURCE: Did They Like It? at 01:50AM

Clooney, Fair and Balanced, in ‘Good Night, and Good Luck’ by Jacob Malizio

Clooney’s glamour, abetted by David Cromer’s suave direction, does a lot of that work; even when the actor is in some remote corner of Scott Pask’s huge and infinitely reconfiguring se…

SOURCE: Did They Like It? at 01:50AM

‘Good Night, and Good Luck’ is a straightforward retelling of its source material by Jacob Malizio

Director David Cromer successfully activates the stage, orchestrating that kinetic hum we associate with a network newsroom. And scenic designer Scott Pask’s set is a wonder, particularly …

SOURCE: Did They Like It? at 01:49AM

George Clooney’s Good Night, and Good Luck Has Good Intentions but Lives in an Echo Chamber by Jacob Malizio

An empty reassembly of their screenplay, with period chicness substituting for tension, the play doesn’t trust the audience to see the parallels between past and present, creating little m…

SOURCE: Did They Like It? at 01:48AM

George Clooney Makes an Impressive Broadway Bow in Taut Film-to-Stage Transfer by Jacob Malizio

This transfer from screen to stage is as intense and laser-focused as the penetrating gaze coming from its star and co-writer, George Clooney. The post George Clooney Makes an Impressive Bro…

SOURCE: Did They Like It? at 01:48AM

This I Believe: George Clooney in Good Night, and Good Luck by Jacob Malizio

It’s quite a beginning, but then that curtain rises, and as lovingly detailed as Pask’s newsroom set is, Cromer has to enliven a still highly cinematic script in a wide-open theatrical s…

SOURCE: Did They Like It? at 01:48AM

George Clooney Makes Restrained Broadway Debut in an Adaptation Most Notable for Its Timeliness by Jacob Malizio

If the drama at times seems almost as educational as it is theatrical, David Cromer’s deluxe production remains classy, absorbing entertainment. It conjures the professional milieu with ev…

SOURCE: Did They Like It? at 01:48AM

George Clooney Makes Broadway Debut Battling Alternative Facts Through The Decades by Jacob Malizio

Good Night, and Good Luck certainly doesn’t lack point of view or conviction, but neither of those things can do much with an overly familiar story, a lack of subtlety and an odd tone of u…

SOURCE: Did They Like It? at 01:48AM

George Clooney brings the story from screen to stage…and back to screen by Jacob Malizio

Good news, everybody! You don’t just have to settle for seeing superstar George Clooney on a screen anymore. You can now go see him in person… on a screen! The post George Clooney brings…

SOURCE: Did They Like It? at 01:48AM

George Clooney Issues a Dire Warning About Trump’s America by Jacob Malizio

As a polemical warning bell, the show is earnest and heartfelt. It is considerably less successful as a piece of theater. The post George Clooney Issues a Dire Warning About Trump’s Americ…

SOURCE: Did They Like It? at 01:48AM

George Clooney makes his Broadway debut in a sleepy newsroom play by Jacob Malizio

By the end, “Good Night, and Good Luck” manages what evening news shows have reliably done for decades: It makes the viewer sleepy. The post George Clooney makes his Broadway debut in a …

SOURCE: Did They Like It? at 01:48AM
Tuesday, April 1, 2025

Glengarry Glen Ross by Jacob Malizio

A group of Chicago real-estate salesmen battle ruthlessly for the big deal in David Mamet’s Pulitzer Prize-winning play. The post Glengarry Glen Ross appeared first on Did They Like It?.

SOURCE: Did They Like It? at 12:59AM

Caveat Emptor, Suckers! by Jacob Malizio

It’s not just because this is such a patchy production, or because Odenkirk and McKean are nevertheless so good in it, that the losers make the biggest impressions. The winners, once glamo…

SOURCE: Did They Like It? at 12:57AM

‘Glengarry Glen Ross’ won’t sell first-timers on Mamet External Inbox by Jacob Malizio

[Patrick Marber’s] sharp direction wrings the proper amount of brashness, bullying and dark comedy from the ensemble as they stomp around the toxic office playground. The post ‘Glengarry…

SOURCE: Did They Like It? at 12:56AM

A Curiously Beta GLENGARRY GLEN ROSS by Jacob Malizio

Polished, starry, and with nothing to say, this Glengarry sells a McMansion, neither a scam nor a Palace. The post A Curiously Beta GLENGARRY GLEN ROSS appeared first on Did They Like It?.

SOURCE: Did They Like It? at 12:49AM

Glengarry Glen Ross Broadway Revival Never Quite Closes the Deal by Jacob Malizio

What’s missing from this revival of Glengarry Glen Ross is that sense of knife-edge despair that might have made the play seem as harrowing as it is darkly funny. That probably won’t mat…

SOURCE: Did They Like It? at 12:49AM

Kieran Culkin, Bill Burr & Bob Odenkirk Break Bad In Unmissable Succession Of Cutthroats by Jacob Malizio

Culkin, Odenkirk, Burr and castmates Michael McKean, Donald Webber, Jr., Howard W. Overshown and John Pirruccello are so immersed and, yes, expert, in that sleazy, duplicitous and forever ca…

SOURCE: Did They Like It? at 12:49AM

Kieran Culkin, Bob Odenkirk Lead a Surprisingly Humane New Broadway Revival by Jacob Malizio

In the main, this is a surprisingly humane “Glengarry” — and that’s no criticism, but it does mean this production is a bit of a surprise. The post Kieran Culkin, Bob Odenkirk Lead a…

SOURCE: Did They Like It? at 12:44AM

Kieran Culkin and Bob Odenkirk’s play is bleeping underwhelming by Jacob Malizio

The underpowered revival of the show at the cavernous Palace Theatre could certainly use some caffeine. And heat. That the workplace play, on Broadway for the fourth time, opened last night …

SOURCE: Did They Like It? at 12:42AM

Kieran Culkin, Back on Broadway by Jacob Malizio

Individually, all give sharp-elbowed, effective performances even if, under the direction of Patrick Marber, this staging never quite develops the head of steam that could keep the tension r…

SOURCE: Did They Like It? at 12:40AM

Glengarry Glen close, but no cigar. by Jacob Malizio

Because it is so tautly and distinctively written, and since most of the actors are good, Glengarry Glen Ross still basically works; it still hooks you in. But it doesn’t seal the deal.  …

SOURCE: Did They Like It? at 12:34AM

The Stars are Mostly Selling It by Jacob Malizio

At one hour 45 minutes, it’s well paced, the technical designs are appropriately realistic and it’s as funny now as it ever was.    The post The Stars are Mostly Selling It appeared f…

SOURCE: Did They Like It? at 12:32AM
Thursday, March 27, 2025

Sarah Snook Stars in the Selfie of ‘Dorian Gray’ by Jacob Malizio

It’s not technology itself that leaves “Dorian Gray” feeling so brittle where “Vanya” is a tear fest. It’s that the technology dominates all other values, including Wilde’s, of…

SOURCE: Did They Like It? at 10:56PM

‘The Picture of Dorian Gray’ is a queer requiem for Oscar Wilde by Jacob Malizio

The mounting is an incredible accomplishment — for Snook’s performance and Williams’ tech innovation, yes, but also for its reclamation of a queerness the publicly shamed Wilde couldn�…

SOURCE: Did They Like It? at 10:55PM

Sarah Snook’s Solo Broadway Outing Can’t Find Meaning in the Artifice by Jacob Malizio

Despite some fancy camera work and close-ups, this production only goes skin-deep. Wilde himself was an aficionado of artifice, which makes the irony here all the more painful, since this pr…

SOURCE: Did They Like It? at 10:54PM