All stories by JONATHAN MANDELL on BroadwayStars

Monday, March 28, 2016

Head of Passes Review:  Phylicia Rashad as a Biblical Job  by Jonathan Mandell

In Head of Passes, Phylicia Rashad portrays Shelah, a woman so religiously devout she objects to Deviled eggs. Her faith is tested in the Public Theater’s well-acted, richly atmospheric pr…

SOURCE: DC Theatre Scene at 08:07PM
Tuesday, March 22, 2016

Dry Powder Review: Claire Danes and John Krasinski face off in Wall Street play by Jonathan Mandell

Dry Powder is a play about a private equity firm that tries to buy a luggage company, but it is not as dry as it sounds, and not just because its cast includes John Krasinski (formerly of Th…

SOURCE: DC Theatre Scene at 09:33PM
Wednesday, March 16, 2016

Ironbound Review: An Immigrant’s Search for Love and Money by Jonathan Mandell

Darja, the central character in Ironbound, never leaves a barren bus stop on an ugly stretch of post-industrial New Jersey, but Martyna Majok’s rich play about a poor immigrant feels alway…

SOURCE: DC Theatre Scene at 07:58PM
Tuesday, March 15, 2016

“It Can’t Happen Here” NYC reading featuring…Donald Trump? by Jonathan Mandell

In It Can’t Happen Here, one of the candidates for president of the United States declares “the people are sick to death of political chatter…It’s time to ACT” — and promises…

SOURCE: DC Theatre Scene at 09:04AM
Sunday, March 6, 2016

Lupita Nyong’o in Danai Gurira’s Eclipsed now on Broadway (review) by Jonathan Mandell

What’s most impressive about the Broadway production of Eclipsed, Danai Gurira’s forceful drama about the effect of war on five women in Liberia, is that it is opening on Broadway at all…

SOURCE: DC Theatre Scene at 11:40PM
Saturday, March 5, 2016

Richard Nelson’s Hungry Review: one family during the 2016 election year by Jonathan Mandell

In a Presidential campaign year that includes headlines like CNN’s recent “Donald Trump defends size of his penis,”  one welcomes the premise behind Richard Nelson’s new three-play …

SOURCE: DC Theatre Scene at 01:09PM
Thursday, March 3, 2016

Familiar Review: Danai Gurira’s other New York play by Jonathan Mandell

Danai Gurira is best known for slicing off the heads of zombies in The Walking Dead,  but that is about to change. Her play Eclipsed is opening on Broadway March 6, starring Oscar-winner Lu…

SOURCE: DC Theatre Scene at 11:42PM
Friday, February 26, 2016

Old Hats Review: Bill Irwin and David Shiner’s Clown Medicine for Nasty Times by Jonathan Mandell

There are two main differences between the candidate debates on TV and the one in Old Hats, in which Bill Irwin and David Shiner don too-white teeth and try to one-up each other: 1. These cl…

SOURCE: DC Theatre Scene at 05:28PM

Hughie Review: Forest Whitaker’s Broadway Debut in Eugene O’Neill Relic by Jonathan Mandell

The most intriguing element in the new production of O’Neill’s Hughie, which marks Forest Whitaker’s Broadway debut, is Christopher Oram’s set. This is not just because the hotel lob…

SOURCE: DC Theatre Scene at 01:22AM
Thursday, February 18, 2016

The Humans, Broadway review: superb performances for Stephen Karam’s Broadway debut by Jonathan Mandell

The Humans, Stephen Karam’s nuanced slice-of-life drama that unfolds during a family’s Thanksgiving dinner, has transferred intact to the Helen Hayes, in a production that has become eve…

SOURCE: DC Theatre Scene at 09:42PM
Saturday, February 13, 2016

Prodigal Son Review: John Patrick Shanley’s portrait of himself as adolescent rebel by Jonathan Mandell

  Robert Sean Leonard was 20 years old when he portrayed one of the boarding school students inspired by teacher Robin Williams in the movie Dead Poets Society. In Prodigal Son, John Pa…

SOURCE: DC Theatre Scene at 03:21PM
Thursday, February 11, 2016

Cabin in the Sky Review: jazzy, corny all-black musical restored at City Center by Jonathan Mandell

Five years after the Gershwin brothers debuted Porgy and Bess, a Gershwin protégée born Vladimir Aleksandrovich Dukelsky (aka Vernon Duke) composed the all-black musical Cabin in the Sk…

SOURCE: DC Theatre Scene at 09:26AM
Wednesday, February 10, 2016

Allee Willis: how a Motown writer got her first Broadway gig: The Color Purple by Jonathan Mandell

Allee Willis has a special interest in the cast album of the Broadway revival of The Color Purple that will be released on February 12th. She wrote the music and lyrics, along with two fello…

SOURCE: DC Theatre Scene at 05:39PM
Monday, February 1, 2016

Grease Live Review: A New Genre of TV (but not Theater) by Jonathan Mandell

Grease Live was so smartly cast and so inventively staged — and so much communal fun — that it was easier to forgive the fact that it was still Grease, a dopey, dated, leather-de…

SOURCE: DC Theatre Scene at 02:05PM
Wednesday, January 27, 2016

I and You Review: Teenagers Facing Life and Death Through Walt Whitman by Jonathan Mandell

I and You, Lauren Gunderson’s two-character play that now has opened in New York, has been produced in some 20 theaters around the country (including Olney Theatre Center), receiving awar…

SOURCE: DC Theatre Scene at 09:51PM
Saturday, January 23, 2016

BroadwayCon, Day 1: stars turn out to talk with thousands of fans by Jonathan Mandell

On Day 1 of Year 1 of BroadwayCon, being held for three days at the Hilton Hotel in midtown Manhattan, we learned: “It’s like Comic Con but with more jazz hands and green face pa…

SOURCE: DC Theatre Scene at 12:33PM
Friday, January 22, 2016

Our Mother’s Brief Affair review: Linda Lavin in Richard Greenberg’s tale of adultery, memory, and the Rosenbergs by Jonathan Mandell

Our Mother’s Brief Affair begins with Linda Lavin in a mother’s deathbed confession to her grown gay twin children, but by the end, two hours later, playwright Richard Greenberg has spru…

SOURCE: DC Theatre Scene at 01:08PM
Wednesday, January 20, 2016

Mother Courage and Her Children review: Brecht’s anti-war epic set in the Congo by Jonathan Mandell

Kecia Lewis is nearly heroic as Mother Courage in the Classic Stage Company’s production of Brecht’s anti-war epic – not the way she’s playing the character, but the actress herself,…

SOURCE: DC Theatre Scene at 07:39AM
Tuesday, January 19, 2016

Skeleton Crew Review: Down But Not Out in The Last of Dominique Morisseau’s Detroit Trilogy by Jonathan Mandell

Dominique Morisseau was moved to write Skeleton Crew, her compelling play about a group of Detroit auto workers, after the playwright met a woman who was reduced to living in her automobile …

SOURCE: DC Theatre Scene at 08:57PM
Thursday, January 14, 2016

Noises Off review: Starry Broadway slapstick in an old backstage farce by Jonathan Mandell

Slamming doors and plates of sardines were all I could recall from the last time I saw Noises Off, and that’s a good summary of the third Broadway production of Michael Frayn’s slapstick…

SOURCE: DC Theatre Scene at 09:45PM
Saturday, December 26, 2015

Jonathan Mandell’s Top 10 NYC shows of 2015 by Jonathan Mandell

My list of ten favorite shows on New York stages in 2015 tilt towards Broadway musicals – five out of “ten”  – which is in great contrast to my top ten lists last year and the year…

SOURCE: DC Theatre Scene at 01:12PM
Wednesday, December 16, 2015

The Color Purple Review by Jonathan Mandell

Near the end of The Color Purple, Cynthia Erivo, as Celie, sings “I don’t need you to love me….I’m beautiful, yes I’m beautiful, and I’m here” – which provokes the audience t…

SOURCE: DC Theatre Scene at 08:57PM
Friday, December 11, 2015

Michael C. Hall in Lazarus Review: Bowie’s First Musical by Jonathan Mandell

Lazarus, the hottest ticket right now in New York, is a startling new musical, featuring 18 songs written by David Bowie (four of them new), a production directed by auteur-du-jour Ivo van H…

SOURCE: DC Theatre Scene at 10:27AM
Sunday, December 6, 2015

School of Rock Review: Andrew Lloyd Webber Returns with a Class of Rock Stars by Jonathan Mandell

In his first original musical on Broadway in a decade, Andrew Lloyd Webber has chosen to adapt a movie with a plot that could hardly be sillier, and supplies a new score that could hardly be…

SOURCE: DC Theatre Scene at 09:30PM

China Doll Review: Al Pacino in a new Mamet play by Jonathan Mandell

David Mamet’s China Doll involves two dramas. There’s the one on stage starring Al Pacino as an old billionaire in something of a cynical primer on wealth and political ambition. Then th…

SOURCE: DC Theatre Scene at 07:03PM
Friday, December 4, 2015

NBC’s The Wiz Live! (review) by Jonathan Mandell

The Wiz Live! eased on down the road Thursday, the best-attended Broadway try-out in history. Next year, director Kenny Leon is planning a Main Stem transfer of the production, although it�…

SOURCE: DC Theatre Scene at 09:40AM
Monday, November 16, 2015

Arthur Miller at 100.Two Revivals: A View from the Bridge by Jonathan Mandell

A View From The Bridge, one of Arthur Miller’s most popular plays, has been on Broadway four times before, most recently just five years ago, starring Liev Schreiber and Scarlett Johansson…

SOURCE: DC Theatre Scene at 11:14PM

Arthur Miller at 100.Two Revivals: Incident at Vichy by Jonathan Mandell

Two separate revivals of plays by Arthur Miller on the centennial of his birth illustrate two core aims of his work:  “I could not imagine a theater worth my time that did not want to cha…

SOURCE: DC Theatre Scene at 11:14PM
Sunday, November 15, 2015

Misery Review: Bruce Willis’ Broadway debut in faded copy of Stephen King by Jonathan Mandell

Misery on Broadway is the latest adaptation of Stephen King’s story about a writer who’s imprisoned by a berserk fan. It’s not as good as either King’s novel nor the movie, but it’…

SOURCE: DC Theatre Scene at 08:09PM

by Jonathan Mandell

The publicists ask for the review to run no earlier than 7:30 Sunday Nov 15 Misery Review: Bruce Willis’ Broadway Debut in Faded Copy of Stephen King Misery on Broadway is the latest adapt…

SOURCE: DC Theatre Scene at 12:08PM
Sunday, November 8, 2015

Allegiance Review: George Takei, Lea Salonga in Musical about Japanese-American internment by Jonathan Mandell

Some 120,000 Japanese-Americans were incarcerated a few months after Pearl Harbor, by order of President Roosevelt. George Takei and his family were among  them.  The actor, best known as …

SOURCE: DC Theatre Scene at 08:51PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic