Tuesday, December 1, 2015
By Sumru Erkut, Ineke Ceder. Researchers Sumru Erkut and Ineke Ceder discuss their study and offer suggestions for including more women and people of color in leadership positions in US regi…
SOURCE: HowlRound at 04:58PM[SHARE]By David Dudley. David Dudley reflects on Steel Hammer and the John Henry myth, at the Krannert Center in Urbana, Illinois.
SOURCE: HowlRound at 04:26PM[SHARE]Monday, November 30, 2015
By HowlRound TV. Percolating Gender Parity in Theatre"A Forum livestreams on the HowlRound TV network at howlround.tv Thursday, December 3 at 4:30pm PST (Vancouver) / 6:30pm CST (Chicago) / …
SOURCE: HowlRound at 05:17PM[SHARE]By Julie Hennrikus. Julie Hennrikus, Executive Director of StageSource in Boston, MA, writes about initiatives toward gender parity in New England.
SOURCE: HowlRound at 04:57PM[SHARE]By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Richard Schechner's Notebooks, Fiction, and Poetry livestreaming on the global, commons-based peer produced Howl…
SOURCE: HowlRound at 09:15AM[SHARE]Wednesday, November 25, 2015
By Luis Alfaro. Playwright Luis Alfaro on mental health, his playwriting process, and Vicodin.
SOURCE: HowlRound at 03:33PM[SHARE]By Thom Dunn. Thom Dunn makes a case for union protection for the marketers and fundraisers and other theatre administrators who all play important roles, working long hours for little pay o…
SOURCE: HowlRound at 03:20PM[SHARE]Tuesday, November 24, 2015
By Brett Aresco. Brett Aresco on Eliza Bent's ode to poop, Toilet Fire , in New York City.
SOURCE: HowlRound at 12:43PM[SHARE]By Ash Nichols. Ash Nichols writes about stage managing Cornerstone Theater Company's California: The Tempest and the connections made on the road.
SOURCE: HowlRound at 12:01PM[SHARE]Monday, November 23, 2015
By Trevor Boffone. Trevor Boffone interviews playwright Josefina López about CASA 0101, the theatre company she founded fifteen years ago, and how she's become a leader in her community.
SOURCE: HowlRound at 02:55PM[SHARE]By Ben Gassman. Ben Gassman discusses the LIT Fund's grant lottery system and the concept of radical transparency.
SOURCE: HowlRound at 02:20PM[SHARE]Friday, November 20, 2015
By Fabiana Cabral. Critic Fabiana Cabral advocates the need for more accessible training for writing theatre criticism.
SOURCE: HowlRound at 04:35PM[SHARE]By Wier Harman. Wier Harman writes about being part of the National Arts Strategies Chief Executive Program, and the "Organization as Citizen" project.
SOURCE: HowlRound at 04:17PM[SHARE]Thursday, November 19, 2015
By Virginia Grise, Jennifer Ponce de León. Jennifer S. Ponce de León interviews playwright Virginia Grise about her plays, her process, and her vision for the future of Latino/a theatr…
SOURCE: HowlRound at 12:52PM[SHARE]By Matthew Gray. Matthew Gray interviews performer Kristolyn Lloyd about choosing ethics and principles over panic when building your career, the importance of shaping your own education, an…
SOURCE: HowlRound at 11:17AM[SHARE]Wednesday, November 18, 2015
By Sylvan Oswald, Basil Kreimendahl, Mashuq Deen. Three transmasculine playwrights discuss working in the theatre.
SOURCE: HowlRound at 04:41PM[SHARE]By Jonathan Mastro. Jonathan Mastro responds Don Aucoin's recent Boston Globe article about audible audience responses.
SOURCE: HowlRound at 04:11PM[SHARE]Tuesday, November 17, 2015
By Damon Krometis. In the third installment of his series, Damon Krometis explores how much agency to give audiences during an interactive performance.
SOURCE: HowlRound at 02:03PM[SHARE]By Jess Pillmore. In the third installment of her Sustainable Artistry series, Jess Pillmore discusses the importance of having a clear sense of identity, and how to make that happen.
SOURCE: HowlRound at 01:48PM[SHARE]Monday, November 16, 2015
By Natalie Gershtein. Independent producer Natalie Gershtein considers the playwright-producer relationship. Where she once thought that playwrights were waiting and hoping for a first produ…
SOURCE: HowlRound at 04:26PM[SHARE]By David Dudley. David Dudley interviews Joan Schirle, Founding Artistic Director of Dell'Arte International, about their unique School of Physical Theatre.
SOURCE: HowlRound at 03:45PM[SHARE]By HowlRound TV. Double Nickels Theatre Company in Washington, DC hosts a Fierce Angels Feast livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on…
SOURCE: HowlRound at 01:34PM[SHARE]Sunday, November 15, 2015
By HowlRound TV. Suzan-Lori Parks livestreams Watch Me Work from the Public Theater in New York City on Monday, November 16 at 2pm PST (Vancouver) / 4pm CST (Austin) / 5pm EST (Toronto) / 22…
SOURCE: HowlRound at 09:00AM[SHARE]Friday, November 13, 2015
By Andrew Bailes. Andrew Bailes encourages theatre artists to embrace sincerity in their work, rather than cynicism or irony.
SOURCE: HowlRound at 11:21AM[SHARE]By Piper Anderson. Piper Anderson discusses the dual roles of diversity officers and advocates the need for leadership training.
SOURCE: HowlRound at 11:06AM[SHARE]By HowlRound TV. The Martin E. Segal Theatre Center in New York City presents Fassbinder and the Stage livestreaming on the global, commons-based peer produced HowlRound TV network at howlro…
SOURCE: HowlRound at 10:08AM[SHARE]Thursday, November 12, 2015
By Michael Dixon. Michael Bigelow Dixon introduces the Monsters on Stage Project from Translyvania University.
SOURCE: HowlRound at 05:21PM[SHARE]By Robert Moskowitz. Robert Moskowitz discusses the needs for and advantages of creating a local theatre cooperative.
SOURCE: HowlRound at 04:55PM[SHARE]Wednesday, November 11, 2015
By HowlRound TV. Temps d'Images Festival / Independent Performing Arts Platform in Cluj, Romania presents She's a Good Boy by Compania 28, Cunthate [ură] by BÉZNÄ‚ Theatre, and Dom…
SOURCE: HowlRound at 10:00AM[SHARE]Tuesday, November 10, 2015
By Ira Gamerman. Ira Gameraman, writer for podcasts Dangerously Unqualified and Radiotopia's The Truth addresses the possibilities for playwrights in podcasting.
SOURCE: HowlRound at 11:31AM[SHARE]By Daniel B. Thompson. Daniel B. Thompson addresses the common practice of theatre companies misclassifying their workforce as independent contractors for tax purposes.
SOURCE: HowlRound at 11:20AM[SHARE] 
