All stories by Heather Neill on BroadwayStars

Thursday, December 19, 2013

Protest Song, National Theatre by Heather Neill

Rhys Ifans enters as a rough sleeper who has wandered in off the street, his sleeping bag over his shoulders, beany hat pulled low over unwashed hair, muttering to himself. For a moment he's…

SOURCE: The Arts Desk at 04:37PM
Thursday, November 28, 2013

Once a Catholic, Tricycle Theatre, London by Heather Neill

Tricycle Theatre, London: Mary J O'Malley's comedy about 1950s convent schoolgirls has come home. An award-winner at the Royal Court in 1977 and then running in the West End for a …

SOURCE: The Stage Registration at 06:29AM
Sunday, November 24, 2013

Trout Stanley, Southwark Playhouse by Heather Neill

Award-winning Toronto-born playwright Claudia Dey is also an advice columnist and here she presents us with three wildly off-the-wall case studies. The twin Ducharme sisters, who share an is…

SOURCE: The Arts Desk at 03:55AM
Wednesday, November 13, 2013

Preview: Woyzeck at the Clapham Omnibus by Heather Neill

Take a Victorian library and a play which had its premiere 100 years ago and - surprisingly - you have a new arts centre featuring a challenging, dystopian drama. Omnibus in Clapham has exch…

SOURCE: The Arts Desk at 07:01PM

The Island, Young Vic Theatre by Heather Neill

This near-legendary short play, devised by Athol Fugard with the actors John Kani and Winston Ntshona (who gave their names to its characters), was first shown - daringly - in Cape Town in 1…

SOURCE: The Arts Desk at 04:00AM
Thursday, November 7, 2013

Keeler, Charing Cross Theatre, London by Heather Neill

Charing Cross Theatre, London: Philip Larkin was exaggerating: sexual intercourse did not begin in 1963. Nevertheless, the culmination of the Profumo scandal that year put sexual intercourse…

SOURCE: The Stage Registration at 06:20AM
Monday, November 4, 2013

The Potsdam Quartet, Jermyn Street Theatre by Heather Neill

David Pinner's 1973 play showcases a string quartet working out their own problematic relationships while world leaders decide the shape of post-war politics. Between bouts of playing Haydn,…

SOURCE: The Arts Desk at 04:00AM
Wednesday, October 2, 2013

Handbagged, Tricycle, London by Heather Neill

Tricycle, London: Four identical handbags feature in every scene of Moira Buffini's very funny satirical comedy. This full-length version of her contribution to the nine short plays whi…

SOURCE: The Stage Registration at 06:52AM
Monday, September 9, 2013

Inside Wagner's Head, Royal Opera House, Linbury Studio Theatre, London by Heather Neill

Royal Opera House, Linbury Studio Theatre, London: Wagner delved so deeply into human consciousness that he was "bound to come up with as much shit as gold". So says Simon Callow t…

SOURCE: The Stage Registration at 06:28AM
Thursday, August 15, 2013

A Doll's House, Duke of York's, London by Heather Neill

Duke of York's, London: There are no real surprises: in its second revival (after two outings at the Young Vic) this is still a superlative production. True, the Duke of York's lacks th…

SOURCE: The Stage Registration at 07:09AM
Thursday, July 18, 2013

Josephine and I, Bush, London by Heather Neill

Bush, London: Josephine Baker was some woman - born in poverty in St Louis in 1906, she became a star of the Folies Bergere in the 1920s, painted by Picasso, eulogised by Hemingway. In World…

SOURCE: The Stage Registration at 06:10AM
Tuesday, July 9, 2013

The Ladykillers, Vaudeville Theatre by Heather Neill

The celebrated 1955 Ealing comedy starring Alec Guinness, Peter Sellers and Herbert Lom, was apparently intended as a cartoonish satire of post-war British decline. In 2013, with the Empire …

SOURCE: The Arts Desk at 07:17PM
Thursday, June 27, 2013

Responsible Other, Hampstead Theatre, London by Heather Neill

Hampstead Theatre, London: Peter has been widowed for 18 months, he is mortgaged up to the hilt and his teenage daughter Daisy is sick - but he is coping, just. She needs weekly treatment in…

SOURCE: The Stage Registration at 06:51AM
Tuesday, June 25, 2013

Pride and Prejudice, Open Air Theatre, Regent's Park by Heather Neill

It is a truth universally acknowledged that it is essential to quote the famous opening line in any reference to Jane Austen's best-loved work. Pride and Prejudice is 200 years old and being…

SOURCE: The Arts Desk at 07:57PM
Wednesday, June 19, 2013

Hard Feelings, Finborough Theatre, London by Heather Neill

Finborough Theatre, London: Stephanie Williams' beautifully detailed, messy traverse set takes us right into the kitchen-cum-living room of the graduate house share from hell. Friends t…

SOURCE: The Stage Registration at 06:53AM
Sunday, June 16, 2013

Bracken Moor, Tricycle Theatre by Heather Neill

In Bracken Moor Alexi Kaye Campbell inhabits similar territory to J B Priestley, whose work he admires. Like his predecessor, Campbell combines social comment with the mystical and spiritual…

SOURCE: The Arts Desk at 07:30PM
Wednesday, June 5, 2013

Trash Cuisine, Young Vic Theatre by Heather Neill

There was a sense of nervous anticipation in the Maria, the Young Vic's studio space. Ninety minutes of torture was on the menu, and I'll admit to feeling some trepidation. But this show - a…

SOURCE: The Arts Desk at 07:15PM
Monday, May 20, 2013

Fallen in Love, The Tower of London and Gippeswyk Hall, Ipswich by Heather Neill

The Tower of London and Gippeswyk Hall, Ipswich: Anne Boleyn is endlessly fascinating - was she a sexy minx, political manipulator, religious reformer or all of these? The facts of her life …

SOURCE: The Stage Registration at 07:11AM
Thursday, May 16, 2013

These Shining Lives, Park, London by Heather Neill

Park, London : The new Park Theatre's first season in its main space, Park 200, opens with an American docudrama, an antidote to Gatsby mania, set in 1920s Chicago. Read the full review

SOURCE: The Stage Registration at 06:04AM
Wednesday, April 17, 2013

#aiww: The Arrest of Ai Weiwei, Hampstead Theatre by Heather Neill

During rehearsals of his new play, Howard Brenton and the company had a sudden realisation: they were willing partners in "the vast Ai Weiwei project". The Chinese dissident artist, a consta…

SOURCE: The Arts Desk at 08:14PM
Friday, April 5, 2013

Third Finger, Left Hand, Trafalgar Studios, London by Heather Neill

Trafalgar Studios, London : Dermot Canavan describes himself as "a blunt Northern man with a good ear and a decent pencil". A sometime actor, he wrote this two-hander when his frie…

SOURCE: The Stage Registration at 06:55AM
Tuesday, April 2, 2013

Molly Sweeney, The Print Room by Heather Neill

Molly Sweeney has been blind since early childhood. Supported by her understanding father, she has grown into a confident, independent woman. Then her new husband Frank and an ambitious opht…

SOURCE: The Arts Desk at 08:13PM
Thursday, March 21, 2013

Proof, Menier Chocolate Factory, London by Heather Neill

Menier Chocolate Factory, London: David Auburn's Pulitzer Prize-winning play, written in 2000, was first seen in London in 2002 at the Donmar, starring Gwyneth Paltrow as Catherine. It …

SOURCE: The Stage Registration at 06:31AM
Wednesday, March 20, 2013

Proof, Menier Chocolate Factory by Heather Neill

Mathematicians are a breed apart, bandying numbers about in a way that few outside their magic circle can fully understand. David Auburn's Pulitzer Prize-winning play uses this exclusiveness…

SOURCE: The Arts Desk at 09:38PM
Monday, March 11, 2013

The Living Room, Jermyn Street Theatre, London by Heather Neill

Jermyn Street Theatre, London: The living room is a room in which no one has died. Helen and Teresa Browne, with the concurrence of their priest-brother James (symbolically cut off at the kn…

SOURCE: The Stage Registration at 08:11AM
Friday, March 8, 2013

Longing, Hampstead Theatre by Heather Neill

If only there were more Chekhov! Theatregoers in England, for whom Anton Pavlovich is little short of a god, must have wished this often enough. The handful of great plays come round almost …

SOURCE: The Arts Desk at 04:15AM
Wednesday, March 6, 2013

Purple Heart, Gate Theatre by Heather Neill

Clybourne Park won Bruce Norris a slew of awards on both sides of the Atlantic a couple of years ago. His fearless, shocking, very funny response to Lorraine Hansbury's classic A Raisin in t…

SOURCE: The Arts Desk at 04:24AM
Wednesday, February 6, 2013

The Captain of Köpenick, National Theatre by Heather Neill

A little man takes on Authority and fails. A little man dons a colourful uniform, complete with boots and spiked helmet, and he becomes Authority. Carl Zuckmayer wrote Der Hauptmann von Köp…

SOURCE: The Arts Desk at 05:01AM
Tuesday, January 22, 2013

Metamorphosis, Lyric Hammersmith by Heather Neill

While Kafka specifically declined to indicate exactly what kind of creature Gregor Samsa becomes in his horrific overnight transformation, translators of the novella have gone for a variety …

SOURCE: The Arts Desk at 04:21AM
Wednesday, December 19, 2012

Cinderella: Based on Grimm's Fairytale, St James, London by Heather Neill

St James, London: Warning - this is Cinderella without a Fairy Godmother or a magical coach but with some quite impressive amputations instead. Read the full review

SOURCE: The Stage Registration at 05:40AM
Friday, December 14, 2012

Hansel and Gretel, National Theatre by Heather Neill

’Tis the season to be jolly. ’Tis also the season to dust off the stories of the Grimms and Perrault and present them as drama, sometimes transmogrified into panto. There are sometimes a…

SOURCE: The Arts Desk at 05:46AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic