All stories by Gordon Cox on BroadwayStars

Tuesday, December 4, 2018

Listen: The Pioneering Feminism of Cher by Gordon Cox

Cher has been famous for so long, it’s tempting to think there’s nothing new to know about her. But on the latest episode of “Stagecraft,” Variety‘s theater pod…

SOURCE: Variety at 01:25PM

The Surprises and Challenges of Broadway’s Starry True West by Gordon Cox

Ethan Hawke is starring on Broadway in True West — and no one is more surprised about it than Ethan Hawke. “I never thought I’d do this play,” says the Oscar and Tony-nominated actor…

SOURCE: Broadway Direct at 04:54AM
Monday, December 3, 2018

Broadway Review: ‘The Cher Show’ by Gordon Cox

Choosing to recreate the spirit of the television variety shows that Sonny and Cher — and then Cher sans Sonny — headlined in the ‘70s is a choice that lands as flat as the jokes in Br…

SOURCE: Variety at 08:42PM
Tuesday, November 27, 2018

Listen: Joan Allen on Broadway, Screen Acting and Women’s Roles in Hollywood by Gordon Cox

It seems safe to say that Joan Allen has a pretty good handle on screen acting — she’s been nominated for three Oscars, after all. But on the latest episode of Stagecraft, Variet…

SOURCE: Variety at 12:36PM
Friday, November 23, 2018

West End Review: ‘Summer and Smoke’ by Gordon Cox

It’s hard to imagine “Summer and Smoke“ in better shape. Rebecca Frecknall’s spare staging takes a lesser Tennessee Williams play and reveals the great drama at its core — a de…

SOURCE: Variety at 01:06PM
Tuesday, November 20, 2018

Listen: Michael C. Hall on ‘Thom Pain,’ Queer Roles and More ‘Dexter’ by Gordon Cox

Michael C. Hall is always hearing about the return of “Dexter” — but not from anyone actually involved in the show. “People on the street are always telling me about …

SOURCE: Variety at 01:16PM
Friday, November 16, 2018

Imogen Heap Makes Magic: The Music of Harry Potter and the Cursed Child by Gordon Cox

Imogen Heap was involved in Harry Potter and the Cursed Child before she even knew the play existed. During the early days of the play’s top secret development, the movement director, Stev…

SOURCE: Broadway Direct at 04:13AM
Thursday, November 15, 2018

Broadway Review: ‘The Prom’ by Gordon Cox

It seems like a dubious musical mash-up: Broadway narcissists-turned-activists take over a middle-American town to help a lesbian teen who just wants to bring her date to the prom. But with …

SOURCE: Variety at 09:32PM

London Theater Review: ‘Hadestown’ by Gordon Cox

Twelve years in the making, “Hadestown” has hit its moment bang on. A show that started life as a touring production for schools, instilling the Orpheus myth into kids through song, beca…

SOURCE: Variety at 12:07PM
Tuesday, November 13, 2018

Listen: Glenn Close on What ‘Fatal Attraction’ Means in the #MeToo Era by Gordon Cox

Glenn Close has thought about what “Fatal Attraction” means in the #MeToo era — and she’s got an idea for how to retell the story. “I think she’s considered m…

SOURCE: Variety at 02:05PM

West End Review: ‘Pinter Three and Four’ by Gordon Cox

“Pinter at the Pinter” is not merely completist, it’s meticulously curated. A decade after Harold Pinter’s death, director Jamie Lloyd’s six-month season of the writer’s shor…

SOURCE: Variety at 01:57PM

Apologia Will Take You by Surprise by Gordon Cox

One evening after a recent performance of the play Apologia, its star, Stockard Channing, welcomed three friends backstage — and was astonished to discover that her pals had tears in their…

SOURCE: Broadway Direct at 01:52AM
Monday, November 12, 2018

Off Broadway Review: ‘Thom Pain (Based on Nothing)’ by Gordon Cox

“Does it scare you? Being face to face with the modern mind?” Thom Pain, in the persuasive person of Michael C. Hall (“Dexter”), throws out the challenge at the top of Will E…

SOURCE: Variety at 11:06AM
Sunday, November 11, 2018

Broadway Review: Mike Birbiglia’s ‘The New One’ by Gordon Cox

When is a standup routine not a standup routine, but a legitimate play? Partly when it comes with theatrical trappings like a thoughtful set, subtle lighting and sound effects. (Give a pass …

SOURCE: Variety at 07:57PM
Thursday, November 8, 2018

Broadway Review: ‘King Kong’ by Gordon Cox

“He’s not a film, he’s theater!” says the movie director in the musical “King Kong,” when he realizes that the mighty creature he is about to capture is best presented on…

SOURCE: Variety at 08:48PM
Tuesday, November 6, 2018

London Theater Review: ‘White Teeth’ by Gordon Cox

The Kilburn High Road carves a line through north London. Turkish grills, Irish pubs and Indian grocers jostle with jerk shops, pizzerias and a political theater — formerly the Tricycl…

SOURCE: Variety at 07:00PM

Listen: What ‘the De Niro of Israel’ Stole From Tony Shalhoub for ‘The Band’s Visit’ by Gordon Cox

Sasson Gabay is one of international cinema’s most respected actors: Tony winner Ari’el Stachel once called him “the De Niro of Israel.” But that doesn’t mean G…

SOURCE: Variety at 01:51PM
Monday, November 5, 2018

Pre-Broadway Review: ‘Beetlejuice’ by Gordon Cox

The 1988 film “Beetlejuice” spawned a cult following for the freshly minted “gothic fantasy” style of its director, Tim Burton, and for Michael Keaton’s delicious performance as a …

SOURCE: Variety at 04:14PM
Sunday, November 4, 2018

Broadway Review: ‘American Son’ Starring Kerry Washington by Gordon Cox

It’s four a.m. on a dark and rainy morning in playwright Christopher Demos-Brown’s gripping play, “American Son,” and Kendra Ellis-Connor (Kerry Washington) and Scott Connor …

SOURCE: Variety at 08:32PM
Thursday, November 1, 2018

Broadway Review: ‘Torch Song’ by Gordon Cox

Following an Off Broadway run at Second Stage Theater last year, “Harvey Fierstein’s Torch Song” opened on Broadway Nov. 1 with the same cast and creative team. The followi…

SOURCE: Variety at 08:42PM
Tuesday, October 30, 2018

Listen: Stockard Channing Doesn’t Love ‘Grease’ as Much as You Do by Gordon Cox

For most of us, “Grease” stands in our memory as an iconic movie musical, one that’s launched a million karaoke singalongs of “Summer Lovin’.” You might t…

SOURCE: Variety at 03:39PM
Thursday, October 25, 2018

Broadway Review: Kenneth Lonergan’s ‘The Waverly Gallery’ With Lucas Hedges by Gordon Cox

In 1989, Greenwich Village was still the kind of place where a nice old lady like Gladys Green could own and operate an art gallery for unknown artists who never sold a painting to impoveris…

SOURCE: Variety at 08:33PM

London Theater Review: Martin McDonagh’s ‘A Very Very Very Dark Matter’ by Gordon Cox

Hans Christian Andersen had his secrets. By day, a revered children’s writer — the Greatest of Danes; by night, a repressed brothel habitué. Whitewashed as his legacy has been, it�…

SOURCE: Variety at 01:08PM
Tuesday, October 23, 2018

Listen: Secrets of the ‘Dear Evan Hansen’ Novel by Gordon Cox

A novel based on a Broadway show is a rare thing — but there’s one on the shelves now, thanks to the recently released young-adult adaptation of “Dear Evan Hansen.” A…

SOURCE: Variety at 02:05PM
Monday, October 22, 2018

London Theater Review: ‘Wise Children’ by Gordon Cox

“What a joy it is to dance and sing!” The words run throughout Angela Carter’s last novel “Wise Children,” a headlong tumble through the world of London theater, and their spirit i…

SOURCE: Variety at 12:55PM
Thursday, October 18, 2018

Broadway Review: ‘The Lifespan of a Fact’ Starring Daniel Radcliffe by Gordon Cox

Harry Potter had no sense of humor whatsoever, but Daniel Radcliffe proves to be a master of comedy in “The Lifespan of a Fact,” the brainy Broadway play that Jeremy Kareken, Dav…

SOURCE: Variety at 09:12PM
Wednesday, October 17, 2018

Off Broadway Review: ‘Mother of the Maid’ With Glenn Close by Gordon Cox

After a disastrous foray into the world of Joan of Arc with the musical “Joan of Arc: Into the Fire,” the Public Theater makes an ill-advised return to the subject with its new productio…

SOURCE: Variety at 08:06PM

West End Review: ‘Company’ by Gordon Cox

Here comes “Company,” remade for today. With Stephen Sondheim’s blessing, director Marianne Elliott has given the marital musical an incisive gender-flip. Bobby has become Bobbie; bach…

SOURCE: Variety at 06:30PM
Tuesday, October 16, 2018

Listen: How Aasif Mandvi Told ‘a Story About Brown People That Nobody Else Was Telling’ by Gordon Cox

Aasif Mandvi thinks Hollywood and the entertainment industry are making some positive strides toward inclusion and diversity — but there’s still a lot of work to be done. “…

SOURCE: Variety at 01:52PM
Tuesday, October 9, 2018

Listen: Why the Digital Revolution Is Good for Broadway by Gordon Cox

The digital revolution may be making things tough for the recording industry, and the film and TV business — but it’s a big reason Broadway is as popular as it is today, accordin…

SOURCE: Variety at 11:32AM
Tuesday, October 2, 2018

Listen: Conor McPherson on Bob Dylan and Why All Plays Aspire to Be Music by Gordon Cox

When Bob Dylan’s management team first approached playwright Conor McPherson to create a theater piece using Dylan’s songs, the Irish playwright didn’t exactly leap at the …

SOURCE: Variety at 01:09PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic