All stories by Frank Scheck on BroadwayStars

Sunday, November 27, 2011

This ‘Horse’ really bucks by Frank Scheck

In case you didn’t know it yet, drugs are bad. That’s the not-very-revelatory message of Dael Orlandersmith’s “Horsedreams,” her “Reefer Madness”- style drama about the evils o…

SOURCE: The New York Post Subscription at 10:29PM
Friday, November 25, 2011

Review: Radio City Christmas Spectacular by Frank Scheck

There’s a chill in the air. The tourists are packing the streets. And the Christmas decorations are blanketing the stores. It can only mean one thing. The Radio City Christmas Spectacu…

SOURCE: Scheck on the Arts at 06:15AM
Tuesday, November 22, 2011

Review: An Evening with Patti LuPone and Mandy Patinkin by Frank Scheck

There’s a lot of love being expressed at the Ethel Barrymore Theatre. Not only by the audience towards Patti LuPone and Mandy Patinkin, the veteran musical stars who have been performi…

SOURCE: Scheck on the Arts at 07:02AM
Monday, November 21, 2011

CIA intrigue adds up to Afghani-standout by Frank Scheck

With so many playwrights indulging in theatrical navel gazing, it’s exciting to find someone who’s looking out at the world. That’s the case with J.T. Rogers, whose last play, “The O…

SOURCE: The New York Post Subscription at 11:26PM

Review: Seminar by Frank Scheck

In the opening minutes of Theresa Rebeck’s new play, four young students nervously await the arrival of a famous novelist who they’ve hired to conduct a series of private seminar…

SOURCE: Scheck on the Arts at 05:34AM
Sunday, November 20, 2011

The cotton is high and shakin’ at Encores! show by Frank Scheck

In the opening number of “Cotton Club Parade,” Duke Ellington’s “Daybreak Express,” the Jazz at Lincoln Center Orchestra re-creates the sound of a railroad train loudly barreling d…

SOURCE: The New York Post Subscription at 10:18PM
Friday, November 18, 2011

Review: Private Lives by Frank Scheck

It’s not surprising that Noel Coward’s Private Lives is so often produced on Broadway. This delicious 1930 comedy, which has been seen here no less than four times in the last th…

SOURCE: Scheck on the Arts at 06:37AM
Wednesday, November 16, 2011

Mucho clowning around by Frank Scheck

Language isn’t the only thing separating the new theatrical production of “La Strada” from its inspiration. This Spanish-language adaptation of Federico Fellini’s classic 1954 Italia…

SOURCE: The New York Post Subscription at 10:50PM

Review: Bebe Neuwirth: Stories with Piano #3 by Frank Scheck

The Tony-winning star shows off her strong interpretive skills in her show at Feinstein's at Loews Regency.

SOURCE: TheaterMania at 10:00AM
Tuesday, November 15, 2011

Review: Burning by Frank Scheck

Thomas Bradshaw’s new play Burning is playing at the New Group’s theater on 42nd Street, but it would have been right at home on the old 42nd Street as well. This sprawling, ambi…

SOURCE: Scheck on the Arts at 07:06AM
Sunday, November 13, 2011

Minimalist approach maximizes Beckett’s bits by Frank Scheck

‘Fragments” is both an accurate and deceptive name for the evening of Samuel Beckett pieces being presented by Theatre for a New Audience. These five short works, collectively lasting un…

SOURCE: The New York Post Subscription at 11:15PM
Friday, November 11, 2011

Review: Hugh Jackman: Back on Broadway by Frank Scheck

There’s a mass seduction going on nightly at the Broadhurst Theatre. In his one-man show Hugh Jackman, Back on Broadway, the Aussie performer has the audience eating out of the palm of…

SOURCE: Scheck on the Arts at 05:14AM
Wednesday, November 9, 2011

Punting in the burbs by Frank Scheck

At the start of “All-American,” a father coaches his teenager in the fine art of the quarterback sneak as his other child watches in bored silence, smoking a cigarette. As it happens, th…

SOURCE: The New York Post Subscription at 10:10PM
Tuesday, November 8, 2011

Review: Godspell by Frank Scheck

Just in case you didn’t you didn’t get your hippy-dippy fix with the recent revival of Hair, there’s now the 40th anniversary production of Godspell to help you get your gr…

SOURCE: Scheck on the Arts at 04:26AM
Monday, November 7, 2011

‘Suicide’ comes to a bad end by Frank Scheck

Andrew Hinderaker’s “Suicide, Incorporated” is at first wickedly satirical, almost Kafkaesque: It concerns a firm called Legacy Letters, which specializes in crafting suicide notes. Si…

SOURCE: The New York Post Subscription at 10:56PM

Review: Sons of the Prophet by Frank Scheck

Santino Fontana continues to emerge as one of the great talents of the New York stage in Sons of the Prophet, the latest confident from Stephen Karam. As some might remember, it was another …

SOURCE: Scheck on the Arts at 06:14AM
Sunday, November 6, 2011

Not worth taking plunge for Niagara Falls tale by Frank Scheck

As musical subjects go, Anna Edson Taylor’s hardly the Unsinkable Molly Brown. In 1901, the real-life heroine of Michael John LaChiusa’s new show went over Niagara Falls in a barrel at a…

SOURCE: The New York Post Subscription at 11:49PM
Thursday, November 3, 2011

Don’t let this wind instrument pass you by by Frank Scheck

The title of the show is “The Fartiste.” There will now be a brief pause; the review will resume after you’ve stopped tittering. All right then. You may be surprised to learn that th…

SOURCE: The New York Post Subscription at 10:51PM

Review: Asuncion by Frank Scheck

Jesse Eisenberg certainly hasn’t written an attractive part for himself in his debuting playwriting effort, now being presented by the Rattlestick Playwrights Theater. In his dark come…

SOURCE: Scheck on the Arts at 05:54AM

Review: We Live Here by Frank Scheck

I don’t envy actress-turned-emerging-playwright Zoe Kazan; it’s hard to write a family play that steers clear of the usual tropes of long-simmering resentment and buried history.…

SOURCE: Scheck on the Arts at 05:52AM
Wednesday, November 2, 2011

If only ‘Charity’ had stayed home by Frank Scheck

Titling your play “A Charity Case” is just asking for it, and Australian playwright Wendy Beckett doesn’t make it any easier to resist. This play about adoption “from the adoptee’s…

SOURCE: The New York Post Subscription at 11:29PM

‘Milk’ it for all it’s got by Frank Scheck

Cellphones ring incessantly during “Milk Like Sugar,” but don’t bother to check whether you’ve left yours on. They belong to the teenage girls at the heart of Kirsten Greenidge’s e…

SOURCE: The New York Post Subscription at 12:18AM
Sunday, October 30, 2011

Cheever’s ‘Children’ pack a WASP-y sting by Frank Scheck

John Cheever was exploring the mores of the American WASP long before A.R. Gurney wrote his first play. So it’s fitting that the playwright’s debut effort, 1974’s “Children,” now b…

SOURCE: The New York Post Subscription at 11:44PM
Friday, October 28, 2011

Review: Chinglish by Frank Scheck

Miscommunication—of the linguistic, cultural and relationship kind—is the subject of David Henry Hwang’s Chinglish. Receiving its Broadway premiere after an acclaimed run e…

SOURCE: Scheck on the Arts at 06:23AM
Tuesday, October 25, 2011

Flashes of wit, but the jocks fall flat by Frank Scheck

The Reduced Shakespeare Company has managed to distill and find the funny in Shakespeare, the Bible and the history of America. But it seems to have fumbled with “The Complete World of Spo…

SOURCE: The New York Post Subscription at 11:11PM
Sunday, October 23, 2011

Leave Godot out of it, ‘Blame’ the blue dress by Frank Scheck

There have been plays about ambitious interns scheming their way to the top ever since there’ve been interns. But John Morogiello’s comedy “Blame It on Beckett” puts a knowing theatr…

SOURCE: The New York Post Subscription at 11:02PM
Friday, October 21, 2011

Review: Relatively Speaking by Frank Scheck

Relatively Speaking, the new evening of comic one-acts by Woody Allen, Elaine May and Ethan Coen, has just opened on Broadway, and all I can say is…oy! That this level of writing talen…

SOURCE: Scheck on the Arts at 05:26AM
Tuesday, October 18, 2011

Review: The Agony and the Ecstasy of Steve Jobs by Frank Scheck

The recent death of Steve Jobs provides a fascinating conundrum for Mike Daisey, the writer/performer of the solo piece The Agony and Ecstasy of Steve Jobs. On the one hand, it provides an a…

SOURCE: Scheck on the Arts at 06:39AM
Monday, October 17, 2011

Cyber fun pure joy-shtick by Frank Scheck

It’s hard to get anything done when the Internet beckons -- with yet another friend request, Twitter updates and the latest YouTube video of a dancing cat. It’s even harder when your com…

SOURCE: The New York Post Subscription at 10:38PM
Sunday, October 16, 2011

Upper Fest Side: talent shows are a steal by Frank Scheck

For the next month at Ars Nova, every night is opening night. That’s because the Upper West Side theater is outdoing itself with its showcase for emerging artists. ANT Fest 2011 -- it sta…

SOURCE: The New York Post Subscription at 09:28PM
Friday, October 14, 2011

Review: The Mountaintop by Frank Scheck

One of history’s greatest ironies is that Martin Luther King, Jr. delivered his soaring “I’ve have been to the mountaintop” speech on the very night before his death.…

SOURCE: Scheck on the Arts at 12:37AM

All that Chat