All stories by Elisabeth Vincentelli on BroadwayStars

Sunday, January 13, 2013

‘Picnic’ a feast by Elisabeth Vincentelli

In William Inge’s bittersweet 1953 hit “Picnic,” a hunky charmer appears out of nowhere to unsettle the women of a small Kansas town — especially the local beauty, aimless and bored …

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Thursday, January 10, 2013

Metcalf’s mesmerizing in a dark ‘Place’ by Elisabeth Vincentelli

‘The Other Place” is billed as “a riveting new thriller.” That’s putting it loosely. The play is less riveting than it is reasonably engaging. It’s not entirely new, either, hav…

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Wednesday, January 9, 2013

Tepid ‘Water’ pours on the schmaltz by Elisabeth Vincentelli

When the curtain drops on “Water by the Spoonful,” the first thing that comes to mind is: This fine but innocuous show won last year’s Pulitzer Prize? Over “Other Desert Cities” an…

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Wednesday, January 2, 2013

Theater fest goes the offbeat path by Elisabeth Vincentelli

This isn’t your daddy’s Chekhov. Popping up twice this month alone, the melancholy Russian continues his run as New York’s most popular dead playwright. But don’t expect anything tra…

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Thursday, December 27, 2012

It’s no Page-turner by Elisabeth Vincentelli

Patti Page, the subject of the new jukebox musical “Flipside,” was one of the most popular acts of the 1940s and ’50s. Over a 65-year career, the canary — now 85 and still singing �…

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Wednesday, December 26, 2012

New Year, new B’way by Barbara Hoffman and Elisabeth Vincentelli

It’s Boxing Day, when one typically returns the gifts you don’t want for things you do. Isn’t it a shame you can’t get the same deal at the theater? If that were the case, we’d ret…

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Monday, December 24, 2012

Hands-on drama by Elisabeth Vincentelli and Frank Scheck

Maybe it’s because we live in a world where everybody’s connected, but this year has seen an explosion of “immersive” shows that blur the line between audience and performers. In som…

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Wednesday, December 19, 2012

‘Hanu-mas’ for everybody by Elisabeth Vincentelli

Being showbiz pros, Marc Kudisch and Jeffry Denman know full well the secret to a good comedy team is opposing personalities. You suspect they exaggerate their differences for their goofy ne…

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Tuesday, December 18, 2012

Not quite enough heat for ‘Pan’ by Elisabeth Vincentelli

In most crime novels, you try to figure out who did the deed. In Amy Herzog’s new drama, “The Great God Pan,” the big question is whether the deed even happened. The play opens with t…

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Monday, December 17, 2012

‘Grinch’ missing the means by Elisabeth Vincentelli

We’re lucky that this year brought several excellent options for family entertainment: “A Christmas Story, The Musical,” “The Radio City Christmas Spectacular” and “Elf — The M…

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Thursday, December 13, 2012

P.S. It’s slight, silly fun by Elisabeth Vincentelli

Peter Jackson spent gazillions of dollars to tell the story of “The Hobbit.” For the new off-Broadway epic “P.S. Jones and the Frozen City,” playwright Robert Askins and director Jos…

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‘Chanukah’ brings holiday joy to the world by Elisabeth Vincentelli

Jackie Hoffman should know better than mixing things that shouldn’t be mixed. In this case, it’s not dairy and meat but pills, which her stage alter ego washes down with a splash of Man…

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Wednesday, December 12, 2012

‘America’ the beautiful by Elisabeth Vincentelli

Don’t go to “What Rhymes With America” expecting a traditional plot, or even a satisfying explanation for the title. Melissa James Gibson’s quirky play meanders gently from cryptic s…

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Nice ‘Working’ if you can get it, and they do by Elisabeth Vincentelli

‘working” is best described by the subtitle of the book it’s based on, Studs Terkel’s 1974 oral history: “People Talk About What They Do All Day and How They Feel About What They D…

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Sunday, December 9, 2012

More fizzle than sizzle by Elisabeth Vincentelli

It’s nice to see the folks behind the new Broadway revival of “Glengarry Glen Ross” get on the immersive-theater bandwagon. A premium seat is $377, while a cup of soda will set you bac…

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‘Volpone’ is mostly Tovah! Tovah! Tovah! by Elisabeth Vincentelli

When the title character in “Volpone, or the Fox” wakes up, his first impulse is to fondle his beloved gold and praise its glories: “Thou being the best of things, and far transcendin…

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Thursday, December 6, 2012

‘Golden Boy’ is a knockout — for the most part by Elisabeth Vincentelli

Here’s one way you know “Golden Boy” is set in the past: Its hero is torn between idealistic music-making and a lucrative sports career. But instead of micro-managing him to a Nike end…

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Wednesday, December 5, 2012

Snow biz like showbiz by Elisabeth Vincentelli

Every December, seasonal shows take over our local stages, and resistance is futile. But which one is right for you — and your finicky friends and relatives? Help has arrived! Let this sel…

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‘Civil War Christmas’ sets you free by Elisabeth Vincentelli

Some Christmas tales are so straightforward and intimate, you can tell them around a fireplace with a cup of cocoa.“A Civil War Christmas” isn’t one of those stories. Set in December 1…

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Tuesday, December 4, 2012

Glittering ‘Golden age’ is a diva-ine comedy by Elisabeth Vincentelli

Opera has been very good to Terrence McNally. He scored one of his biggest hits with “Master Class,” inspired by Maria Callas’ infamous voice lessons. “Golden Age,” which opened la…

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Sunday, December 2, 2012

‘Anarchist’ simply isn’t that radical by Elisabeth Vincentelli

Broadway prefers comfort food: a familiar classic here, a new comedy there, maybe a hot-button-issue drama to look relevant. So David Mamet’s “The Anarchist” stands out as a new play o…

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Thursday, November 29, 2012

Play is ‘Dead’ on arrival by Elisabeth Vincentelli

A lot of eating takes place in the new Broadway comedy “Dead Accounts,” but there’s little for the audience to chew on. While the producers were busy signing up Katie Holmes and Norber…

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Wednesday, November 28, 2012

Drawn to axis of easel by Elisabeth Vincentelli

One of the best things about the new off-Broadway drama “My Name Is Asher Lev” is how old-fashioned it is. Although there are moments of levity, the show isn’t afraid to be deeply earn…

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Monday, November 19, 2012

‘Christmas Story’ has legs by Elisabeth Vincentelli

Writing a musical is hard. Writing a musical based on a movie with a passionate cult following is harder yet. A lot of your customers are going to feel personally betrayed by any change to w…

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Sunday, November 18, 2012

Writers define a culture by Elisabeth Vincentelli

Most of the new play “The Twenty-Seventh Man” takes place in a 1952 Soviet prison cell. It contains four men, part of a larger group of 27 rounded up on Stalin’s orders. They’re more…

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To better one’s ‘Elf’ by Elisabeth Vincentelli

Holiday shows can get away with murder. They have familiar subjects, a captive audience and a limited run, so too often they don’t try as hard as they should. When it first appeared a coup…

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Friday, November 16, 2012

Monotonous: ‘The Life and Trials’ by Elisabeth Vincentelli

There are many who say that Broadway has been taking pointers from Vegas lately. But the new musical “Scandalous: The Life and Trials of Aimee Semple McPherson” has its eye on another en…

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‘Giant’ just isn’t big enough by Elisabeth Vincentelli

As befits its title, the new musical “Giant” doesn’t lack for ambition. Based on Edna Ferber’s Texas saga — which inspired a classic 1956 movie with James Dean — this isn’t the…

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Wednesday, November 14, 2012

XXX ‘Performers’ flaccid by Elisabeth Vincentelli

In case you were wondering: No, an avalanche of lewd double-entendres and sex jokes isn’t enough to carry a comedy — you still need trivial things like, oh, a plot and characters. David…

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‘Mystery’ always solved by Dickens of an ending by Elisabeth Vincentelli

You’d think a good musical could satisfy a theatergoer’s craving for entertainment. Some catchy songs, maybe a few dances, a bit of romance: Who could ask for anything more? Rupert Holm…

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Tuesday, November 13, 2012

Chekhov for chuckles in the US by Elisabeth Vincentelli

You can’t hide from Chekhov! Not only are his classics revived again and again — even “Ivanov” just came back to us — the long-dead Russian playwright is infiltrating new works, to…

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