All stories by Elisabeth Vincentelli on BroadwayStars

Sunday, May 12, 2013

There’s life & magic in ‘Death of Walt Disney’ by Elisabeth Vincentelli

Broadway these days is specializing in famous people played by even more famous people: Tom Hanks as the tabloid columnist Mike McAlary, Bette Midler as super-agent Sue Mengers and Holland T…

SOURCE: The New York Post Subscription at 11:31PM
Thursday, May 9, 2013

Mutiny on the ‘Bunty’: Bollywood satire by Elisabeth Vincentelli

Life and showbiz got uncomfortably close in “Bunty Berman Presents . . .,” a likable but overlong new musical set in the demented world of Bollywood movies. As it happened, Erick Avari, …

SOURCE: The New York Post Subscription at 11:17PM

These ‘Toes’ sure twinkle by Elisabeth Vincentelli

According to current conventional wisdom, 1936’s “On Your Toes” could never cut it again on Broadway. After all, it features a goofy fun plot, songs by Richard Rodgers and Lorenz Hart,…

SOURCE: The New York Post Subscription at 11:17PM
Wednesday, May 8, 2013

Richard Foreman’s ‘Old-Fashioned Prostitutes’ is yet another incomprehensible brain teaser by Elisabeth Vincentelli

There’s no right or wrong way to approach “Old-Fashioned Prostitutes (A True Romance).” Since the late 1960s, Richard Foreman has been creating cryptic, bizarre shows that can be compa…

SOURCE: The New York Post Subscription at 10:13AM
Tuesday, May 7, 2013

Smothering ‘Others’ by Elisabeth Vincentelli

It’s not fun being the newbie at a party where the other guests already know each other. You watch them chat about their jobs, laugh at old anecdotes, exchange updates about relationships …

SOURCE: The New York Post Subscription at 01:02AM
Sunday, May 5, 2013

Lady’s good man-ners by Elisabeth Vincentelli

Drag queens and female impersonators have always had a place in theater. Just look at this year’s Tonys, where several Best Actor nominees — Billy Porter in “Kinky Boots,” Bertie Car…

SOURCE: The New York Post Subscription at 10:51PM
Thursday, May 2, 2013

Gladiators, corporate-style by Elisabeth Vincentelli

In Mike Bartlett’s off-Broadway hit “Cock” — alternatively titled, for weaker hearts and newspapers, “The Cockfighting Play” — a man couldn’t make up his mind between his boy…

SOURCE: The New York Post Subscription at 11:26PM
Wednesday, May 1, 2013

Alzheimer’s? Forget it by Elisabeth Vincentelli

The Transport Group has had great success matching shows with unusual settings — placing the basketball musical “Lysistrata Jones” in an actual gym, letting the gay-male bitch-a-thon �…

SOURCE: The New York Post Subscription at 02:15AM
Thursday, April 25, 2013

‘Pippin’: Pip pip hooray! by Elisabeth Vincentelli

Talk about going out with a bang! Broadway’s ending its season with a sensational revival of “Pippin” — a thrilling piece of eye-popping razzle dazzle filled with daredevil acrobatic…

SOURCE: The New York Post Subscription at 11:31PM
Wednesday, April 24, 2013

A sassy and sure Bette by Elisabeth Vincentelli

For her first Broadway appearance since “Clams on the Half Shell” 38 years ago, Bette Midler split the difference between playing it safe and taking a risk. Instead of trotting out her h…

SOURCE: The New York Post Subscription at 11:45PM

Lively Imelda musical on firm footing by Elisabeth Vincentelli

David Byrne and big-beat master Fatboy Slim’s new musical, “Here Lies Love,” owes less to the Great American Songbook than to the disco. With their booming bass and propulsive rhythms,…

SOURCE: The New York Post Subscription at 12:36AM

A ‘Trip’ well worth taking by Elisabeth Vincentelli

Few shows are as deceptively simple as “The Trip to Bountiful.” Horton Foote’s play is about an elderly woman, Carrie Watts, who’s dead set on seeing her childhood home in Bountiful,…

SOURCE: The New York Post Subscription at 12:24AM
Monday, April 22, 2013

A ‘Testament’ to greatness by Elisabeth Vincentelli

The narrator in Broadway’s “The Testament of Mary” didn’t have the easiest relationship with her late son — she can’t even bring herself to call him by his name. He tended to ig…

SOURCE: The New York Post Subscription at 11:17PM
Sunday, April 21, 2013

When a king crowns himself by Elisabeth Vincentelli

A word of warning before you sit down for this latest version of “Macbeth” on Broadway: read or reread Shakespeare’s tragedy, or at least the playbill’s synopsis. Because if you’re…

SOURCE: The New York Post Subscription at 11:51PM
Thursday, April 18, 2013

Run & ‘Hyde’ from ridiculous revival by Elisabeth Vincentelli

The climax of “Jekyll & Hyde — The Musical” is the infamous “Confrontation” scene, the peak of the evening-long battle between good Dr. Henry Jekyll and evil Edward Hyde. The tric…

SOURCE: The New York Post Subscription at 11:10PM

Humor raises ‘Orphans’ by Elisabeth Vincentelli

Considering its agitated gestation, it’s amazing how smooth “Orphans” is. During rehearsals, actor Shia LaBeouf had well-publicized — by himself — arguments with co-star Alec Baldw…

SOURCE: The New York Post Subscription at 11:09PM
Wednesday, April 17, 2013

Bridge over troubled comedy collapses by Elisabeth Vincentelli

The downtown actress Hannah Cabell is a whiz at physical comedy, especially when it’s driven by manic desperation. This comes in handy in Allison Moore’s new play, “Collapse,” in whi…

SOURCE: The New York Post Subscription at 11:45PM

A very ‘Oy vey!’ holiday by Elisabeth Vincentelli

If you’re a glass-half-full kind of person, you may see Richard Greenberg’s “The Assembled Parties” as warmly catering to the Manhattan Theatre Club’s audience. If your glass is h…

SOURCE: The New York Post Subscription at 11:02PM

‘Knife’ lacks edge by Elisabeth Vincentelli

Clifford Odets’ “The Big Knife” is about disillusion and compromise, but it’s not a pity party. Fueled by Odets’ loathing for Hollywood, this hard-boiled 1949 play packs a wallop. …

SOURCE: The New York Post Subscription at 12:29AM
Tuesday, April 16, 2013

Lane plays it gay & unhappy by Elisabeth Vincentelli

If your public personality is the same as your personal one, you can safely be yourself, right? Not so for Nathan Lane’s character in Broadway’s “The Nance.” His Chauncey Miles, a bu…

SOURCE: The New York Post Subscription at 12:30AM
Sunday, April 14, 2013

‘Call’ rings true for duos adapting while adopting by Elisabeth Vincentelli

The premise of “The Call” is ripped from the headlines — or rather from the parenting chat rooms where some white middle-class couples share their thoughts about adopting kids from Afr…

SOURCE: The New York Post Subscription at 11:40PM

Lots of soul, tells slim story by Elisabeth Vincentelli

Here’s what a $150 orchestra seat gets you at “Motown: The Musical”: bargain-basement sets, basic choreography performed merely adequately, and laughable dialogue. But then there are t…

SOURCE: The New York Post Subscription at 11:37PM
Thursday, April 11, 2013

Drama’s ‘Rough’ going all around by Elisabeth Vincentelli

‘Sleeping Rough” has just three characters, but none of them makes much of an impression. By the end of the show, the first thing that comes to mind is, “Bye. It was dull not knowing y…

SOURCE: The New York Post Subscription at 11:40PM

‘Matilda’ one for the books by Elisabeth Vincentelli

Once in a blue moon, a show comes out blazing and restores your faith in Broadway. “Matilda The Musical” is that show. “Matilda” landed at the Shubert Theatre with daunting advance w…

SOURCE: The New York Post Subscription at 11:36PM
Friday, April 5, 2013

Theater’s primate instinct by Elisabeth Vincentelli

This season, chimps are champs. In the recent dark comedy “Trevor,” a chimpanzee dreams of making it as an actor, while in David Ives’ newly revived “All in the Timing,” three prim…

SOURCE: The New York Post Subscription at 11:34PM
Thursday, April 4, 2013

More of a loner by Elisabeth Vincentelli

In David Harrower’s intense 2007 drama “Blackbird,” Alison Pill played a grown woman seeking out the man (Jeff Daniels) she slept with back when she was 12 to his 40.The past also catc…

SOURCE: The New York Post Subscription at 12:29AM

Funny-girl Babs inspires comedy by Elisabeth Vincentelli

When shows are inspired by stars, they tend to be either fawning tributes or studies in self-destruction. With Judy Garland alone, just think of Rufus Wainwright’s enamored cover of her Ca…

SOURCE: The New York Post Subscription at 12:23AM
Wednesday, April 3, 2013

Romance blooms in ‘Five Years’ by Elisabeth Vincentelli

If you judge a show’s popularity by how many productions it’s had, then “The Last Five Years” is a “Wicked”-size blockbuster. In the 11 years since its brief off-Broadway run, t…

SOURCE: The New York Post Subscription at 12:14AM
Tuesday, April 2, 2013

Hanks for the memories by Elisabeth Vincentelli

Nora Ephron’s “Lucky Guy” is a eulogy. A really fun, really entertaining eulogy. You may have heard that Tom Hanks, making his Broadway debut, is the star of the show — and he is, h…

SOURCE: The New York Post Subscription at 02:17AM
Sunday, March 31, 2013

Use ‘Trees’ for firewood by Elisabeth Vincentelli

Fittingly for a show about art, “Three Trees” has the speed and intensity of drying paint. Alvin Eng’s new play centers on the intense bond between the painter/sculptor Alberto Giacom…

SOURCE: The New York Post Subscription at 10:57PM
Wednesday, March 27, 2013

Fitful ‘Dream’ doesn’t beam by Elisabeth Vincentelli

When August Strindberg wrote “A Dream Play,” in 1901, he was mentally shaky, having just emerged from a bout of paranoid psychosis. This may explain why the plotless work is a lot more f…

SOURCE: The New York Post Subscription at 11:49PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic