All stories by ELISABETH VINCENTELLI on BroadwayStars

Monday, May 25, 2015

Pairs: when it doesn't sizzle by Elisabeth Vincentelli

When you think about David Auburn, author of the math-and-madness hit "Proof," farce isn't the first thing that comes to mind. So his decision to overhaul "The New York Idea" -- an obscure …

SOURCE: The New York Post Subscription at 05:58PM

Tabloid tycoon's tale back by popular demand by Elisabeth Vincentelli

The key character in "What the Public Wants" is a driven media tycoon who reaches millions via dozens of publications. Through them, he seeks to entertain the many and influence the mighty.…

SOURCE: The New York Post Subscription at 05:58PM

It doesn't milk Williams' work for all it's worth by Elisabeth Vincentelli

While Tennessee Williams is acknowledged as a master, his later plays are theater's answer to the madwoman in the attic: Producers and directors either ignore them entirely, or tread ginger…

SOURCE: The New York Post Subscription at 05:58PM

Civil War-era drama goes out on a limb by Elisabeth Vincentelli

An early scene in the new off- Broadway play "The Whipping Man" demonstrates the devastating power of words. We're in April 1865 and the war has just ended. A young Confederate soldier, Cal…

SOURCE: The New York Post Subscription at 05:58PM

Pain brings limited gain by Elisabeth Vincentelli

Doug is a living nightmare for health-insurance companies: He's more than accident-prone -- he's a lightning rod for calamities. In Rajiv Joseph's uneven play "Gruesome Playground Injuries,…

SOURCE: The New York Post Subscription at 05:58PM

Apartheid tale a vital revival by Elisabeth Vincentelli

Although Encores! productions such as "Gypsy," "Chicago" and "Finian's Rainbow" have made it to Broadway, fans of the long-running City Center series know such transfers are beside the poin…

SOURCE: The New York Post Subscription at 05:58PM

Can 'Spidey' fly? by Elisabeth Vincentelli

Giving a blank check to Bono, The Edge and Julie Taymor to create a musical seemed like a brilliant idea, once upon a time.U2's worldwide success and the director's track record (“The …

SOURCE: The New York Post Subscription at 05:58PM

The unveiling of 'Spider-Man: Turn Off the Dark' by Elisabeth Vincentelli

What did come as a bit of a shock was the open glee with which some critics took down the show. It's as if they were happy the musical wasn't good, and I'm not sure that's an appropriate fra…

SOURCE: The New York Post Subscription at 05:58PM

WASP-y 'Black Tie' doesn't have much sting by Elisabeth Vincentelli

The prolific A.R. Gurney has made a specialty of documenting a certain slice of America: Northeast-based, white, middle-class families bound by a strong sense of kinship and precisely delin…

SOURCE: The New York Post Subscription at 05:58PM

Staged Q&A session is a Gray area by Elisabeth Vincentelli

In the early '80s, the late mono loguist Spalding Gray created a show called "Interviewing the Audience" in which he did just that. He brought random theatergoers onstage and got them to op…

SOURCE: The New York Post Subscription at 05:58PM

French stars on stage in New York by Elisabeth Vincentelli

It's not every day that we get a former Bond Girl on a New York stage -- a Bond Girl who isn't Diana Rigg, that is.

SOURCE: The New York Post Subscription at 05:58PM

Get a rush from star's insanely good turn by Elisabeth Vincentelli

There are star vehicles, and then there's "The Diary of a Madman," which is like a gold-plated, diamond-encrusted Ferrari for Geoffrey Rush. And the Australian actor -- a leading contender …

SOURCE: The New York Post Subscription at 05:58PM

Spoiling 'The Diary of a Madman' by Elisabeth Vincentelli

Neil Armfield's production is unusually gorgeous. And yet something in the program, of all places, really bugged me.

SOURCE: The New York Post Subscription at 05:58PM

Football follies by Elisabeth Vincentelli

As a lifelong soccer fan, I'd never really paid much attention to American football. This all changed when I belatedly became obsessed with "Friday Night Lights." And clearly I'm not the onl…

SOURCE: The New York Post Subscription at 05:58PM

French Quarter tale only half-good by Elisabeth Vincentelli

Tennessee Williams would have turned 100 on March 26, and the past months have been jammed with revivals. Except we're not seeing his hits but late-period curios like “The Milk Train D…

SOURCE: The New York Post Subscription at 05:58PM

Location, location, location: enter 'Hallway' by Elisabeth Vincentelli

Shared space plays a big part in Adam Rapp's new "Hall way Trilogy." It even extends to the Rattlestick Theatre itself, where the stage now runs along the entire side of the house. Hallways…

SOURCE: The New York Post Subscription at 05:58PM

Location, location, location: enter 'Hallway' by Elisabeth Vincentelli

Shared space plays a big part in Adam Rapp's new "Hall way Trilogy." It even extends to the Rattlestick Theatre itself, where the stage now runs along the entire side of the house. Hallways…

SOURCE: The New York Post Subscription at 05:58PM

An entertaining way to get Bard by Elisabeth Vincentelli

Let's face it: You don't go to "Timon of Ath ens" expecting much -- if you go at all. Widely assumed to be co-written by Shakespeare and fellow playwright Thomas Middleton, this uneven trage…

SOURCE: The New York Post Subscription at 05:58PM

Captivating boxing drama a ringside feat by Elisabeth Vincentelli

Boxing moves are often compared to ballet. "Beautiful Burnout" -- a high-octane show set in a boxing gym -- takes this analogy literally. The training and bouts explode on the elevated ring…

SOURCE: The New York Post Subscription at 05:58PM

A mystery man in fantasy land by Elisabeth Vincentelli

Ten-year-old Michael has been going through some changes lately. His par ents are distracted by their new baby, and they've all just moved to a ramshackle house. When Michael explores the g…

SOURCE: The New York Post Subscription at 05:58PM

Onstage riches from poor folks in 'People' by Elisabeth Vincentelli

Gritty, tough-talking, blue- collar characters are hardly a rarity onstage. But most of the time their low cash balance is part of the background: It provides color and gives set designers …

SOURCE: The New York Post Subscription at 05:58PM

Rebound not worth a shot by Elisabeth Vincentelli

The most exciting mo ment in "That Championship Season" comes when Jason Patric's character, Tom, falls down a flight of stairs. For a couple of seconds, you're involved in what's happening…

SOURCE: The New York Post Subscription at 05:58PM

Little method in this badness by Elisabeth Vincentelli

Method acting, famously adopted by Marlon Brando and Montgomery Clift, involves actors digging deep within themselves to find their character's emotional truth. Though the technique's lost …

SOURCE: The New York Post Subscription at 05:58PM

Spoof's a 'Swan' fake by Elisabeth Vincentelli

You know a movie's a bona fide phenome non when it spawns a spoof or a stage version. "Black Swan" delivers on both counts with "SWAN!!!," which the irreverent troupe QWAN (Quality Without …

SOURCE: The New York Post Subscription at 05:58PM

This wilted 'Flower' should be scent back by Elisabeth Vincentelli

In the right hands, old-fash ioned farce can still kill, as the 2008 revival of "Boeing-Boeing" proved. The return of "Cactus Flower" -- another French comedy from the mid-'60s, this one ad…

SOURCE: The New York Post Subscription at 05:58PM

No drama from this mama in ‘Mothers and Sons’ by Elisabeth Vincentelli

A clunker of a Broadway show, “Mothers and Sons” asks us to endure the vacuous chit-chat of deeply unpleasant people. The worst part is, there isn’t even a good reason...

SOURCE: The New York Post at 05:58PM

‘Beyond Therapy’ is beyond saving by Elisabeth Vincentelli

Many ’80s artifacts are best gone for good: Fond memories of REO Speedwagon, shoulder pads and “ALF” are better than the reality. The same is true of Christopher Durang’s “Beyond...

SOURCE: The New York Post at 05:58PM
Sunday, May 24, 2015

The best moments from the Eurovision song contest finale by Elisabeth Vincentelli

https://youtu.be/5sGOwFVUU0I If it’s late May, it means it’s time for the annual Pop Apocalypse, aka the Eurovision Song Contest. Because when it comes to over-the-top, cray-cray musical…

SOURCE: The New York Post at 11:47AM
Friday, May 22, 2015

Off-Broadway’s ‘The Other Thing’ wants to be scary, but it’s just tiresome by Elisabeth Vincentelli

Ghosts, violence, gore: Where do we sign up?! We don’t see this stuff a lot at the theater, so “The Other Thing” at least has novelty on its side. Sadly...

SOURCE: The New York Post at 04:26PM
Thursday, May 21, 2015

‘The Sound and the Fury’ is a confusing yet engrossing Faulkner reboot by Elisabeth Vincentelli

You could expect “The Sound and the Fury” to be a tedious slog. And yet, strangely, it’s not. This fearful anticipation comes from the fact that the show is a...

SOURCE: The New York Post at 10:01PM

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