All stories by Arifa Akbar on BroadwayStars

Thursday, November 10, 2022

Days in Quarantine review – looking back to lockdown by Arifa Akbar

White Bear theatre, LondonInspired by real-life accounts, Jules Chan’s play returns the audience to the early months of the pandemic but doesn’t create enough drama This part-verbatim dr…

SOURCE: The Guardian at 12:03PM

Arts Council funding: organisations head into the unknown amid cuts by Arifa Akbar, Imogen Tilden and Chris Wiegand

In the first of a series of case studies exploring the impact of Arts Council England’s new funding decisions, we consider the view from the Watermill theatre, Welsh National Opera and Pai…

SOURCE: The Guardian at 07:36AM
Wednesday, November 9, 2022

Noor review – compelling story of wartime spy Noor Inayat Khan by Arifa Akbar

Southwark Playhouse, LondonExploring the agent’s life after she fell into Nazi hands, this beguilingly played story reflects on bravery and culpability Not enough is known of Noor Inayat K…

SOURCE: The Guardian at 09:36AM
Sunday, November 6, 2022

The UK Drill Project review – arresting journey into demonised rap scene by Arifa Akbar

The Pit, Barbican, London With live music, video and spoken word testimony, a dramatic rap subculture energetically seizes the chance to present its own complicated story on stage Seven bala…

SOURCE: The Guardian at 09:24AM
Friday, November 4, 2022

Not One of These People review – the playwright as puppet-master by Arifa Akbar

Royal Court theatre, LondonMartin Crimp’s show uses AI and deep-fake technology to question the definition of drama – and what it is to be human There are circles within circles of inqui…

SOURCE: The Guardian at 08:54AM
Thursday, November 3, 2022

Beautiful Evil Things review – hair-raising, heart-quickening whirl of myths by Arifa Akbar

North Wall Arts Centre, OxfordDeborah Pugh delivers a brilliantly intense take on the ancient tales, foregrounding the heroism of women ‘This is the story of my severed head.” As first l…

SOURCE: The Guardian at 12:02PM

Sherlock Holmes: The Valley of Fear review – an elegant last adventure by Arifa Akbar

Available onlineEffectively filmed for streaming audiences in a sharply told adaptation, this adventure stars Luke Barton as the bumptious master detective “If this is to be our final adve…

SOURCE: The Guardian at 04:18AM
Tuesday, November 1, 2022

Mary review – Douglas Henshall’s courtier defends a Queen in quick-fire debate by Arifa Akbar

Hampstead theatre, LondonRona Munro’s engaging debate drama has some thrilling exchanges as three characters argue the case for and against Mary Queen of Scots The Mary of the title refers…

SOURCE: The Guardian at 09:48AM
Sunday, October 30, 2022

A Dead Body in Taos review – a spiritual exploration of what it means to be really free by Arifa Akbar

Wilton’s Music Hall, LondonSet in the New Mexico desert, David Farr’s unusual play dips into virtual reality in order to raise questions of love, life and what constitutes the human esse…

SOURCE: The Guardian at 11:07AM
Friday, October 28, 2022

Daddy Issues review – morbid monologue labours under its weighty themes by Arifa Akbar

Seven Dials Playhouse, LondonA distressed woman unravels after her father’s suicide in a play that strikes the wrong balance between humour and sorrow Daddy Issues sets itself a tall order…

SOURCE: The Guardian at 08:13AM
Thursday, October 27, 2022

‘I’m not saying Shakespeare is an anti-black racist. But …’ – the festival tackling an incendiary issue by Arifa Akbar

They have suffered vicious abuse and ugly trolling, but the team behind the Globe’s Shakespeare and Race festival tell our writer why their work feels more urgent than ever When Farah Kari…

SOURCE: The Guardian at 08:19AM

Tammy Faye: A New Musical review – Elton John’s hymn to biblical kitsch by Arifa Akbar

Almeida, London Songs belt out deliriously in this romp through rise and fall of the Bakker televangelists and latterday gay icons – so thick and fast the James Graham script and Jake Shea…

SOURCE: The Guardian at 08:19AM
Tuesday, October 25, 2022

King Hamlin review – trapped teens face up to lives at knife-point by Arifa Akbar

Park theatre, LondonExcellent performances enhance this story of three young boys hurtling towards gang culture King Hamlin begins with a teenager’s funeral. We learn of the boy’s stabbi…

SOURCE: The Guardian at 11:33AM
Monday, October 24, 2022

A Single Man review – Isherwood’s melancholy mourner falls apart in 60s California by Arifa Akbar

Park theatre, LondonThis adaptation of Christopher Isherwood’s novel about a gay man grieving for his lover lacks the depth of Tom Ford’s movie version Christopher Isherwood’s 1964 nov…

SOURCE: The Guardian at 10:13AM
Thursday, October 20, 2022

Hamlet review – slick tragedy fuelled by fury by Arifa Akbar

Bristol Old VicWith inky backdrops, jagged sound and frenzied violence, John Haidar’s production stars Billy Howle as a prince emanating unhinged anger The opening scene suggests that this…

SOURCE: The Guardian at 11:19AM
Wednesday, October 19, 2022

My Neighbour Totoro review – dazzling staging of the Studio Ghibli classic by Arifa Akbar

Barbican, LondonThe Royal Shakespeare Company’s production has astonishing puppetry, magical music and huge emotional impact How to adapt an iconic film made by the creative giants at Stud…

SOURCE: The Guardian at 04:49AM
Tuesday, October 18, 2022

Local Hero review – musical misses the magic of Bill Forsyth’s classic by Arifa Akbar

Minerva theatre, ChichesterIn spite of a nifty set and new songs, this story of an oil-man trying to buy a Highlands village never quite comes alive This adaptation of Bill Forsyth’s 1983 …

SOURCE: The Guardian at 10:13AM
Sunday, October 16, 2022

The Moors review – deliciously dark Brontë pastiche by Arifa Akbar

The Hope theatre, LondonThe characters might be the Brontës themselves or they might be from novels such as Jane Eyre and Wuthering Heights, mashed-up with wandering strays from a zombie mo…

SOURCE: The Guardian at 06:55AM
Friday, October 14, 2022

Jekyll and Hyde review – Stevenson’s shocker rewired as a riveting solo by Arifa Akbar

Reading Rep theatrePlaywright Gary McNair turns the gothic novel into a brilliantly bewitching show performed by Audrey Brisson The small square stage looks more fitted up for a standup gig…

SOURCE: The Guardian at 10:49AM
Thursday, October 13, 2022

Good review – David Tennant is magnificent in chilling drama by Arifa Akbar

Harold Pinter theatre, LondonRevived with a superb cast, CP Taylor’s play about a professor embracing nazism is fascinating psychological theatre with the feel of a fever dream There is an…

SOURCE: The Guardian at 07:19AM
Wednesday, October 12, 2022

Textplay review – Beckett and Stoppard SMS comedy is short on lols by Arifa Akbar

Available onlineA virtual exchange imagined between two theatrical greats is full of literary references, mannered jokes and inconsequential chatter This virtual conversation between Samuel …

SOURCE: The Guardian at 08:13AM
Tuesday, October 11, 2022

Ruckus review – chilling countdown of coercive control by Arifa Akbar

Southwark Playhouse, LondonJenna Fincken’s one-woman play, inspired by real stories, gets inside the head of a young woman in a toxic relationship Jenna Fincken’s one-woman play anatomis…

SOURCE: The Guardian at 09:13AM
Monday, October 10, 2022

Grandad Anansi review – Windrush tale spun from legend of spider by Arifa Akbar

Half Moon theatre, LondonElayne Ogbeta’s play explores intergenerational love as a man struggles to tell his granddaughter that he is leaving Britain I have not told my nieces what Grandad…

SOURCE: The Guardian at 10:07AM
Sunday, October 9, 2022

The Doctor review – a repeat prescription for acute intellectual stimulation by Arifa Akbar

Duke of York’s Theatre, LondonRobert Icke’s combative 2019 play about medical ethics, identity politics and antisemitism returns to the West End to divide and challenge audiences The ret…

SOURCE: The Guardian at 07:49PM
Friday, October 7, 2022

Windrush Secret: the diplomat, the racist politician and the government official by Arifa Akbar

Rodreguez King-Dorset takes the stage as three protagonists in a coruscating drama about the Windrush scandal Rodreguez King-Dorset’s drama about racism and the Windrush scandal first took…

SOURCE: The Guardian at 08:33AM
Tuesday, October 4, 2022

Ravenscourt review – NHS drama zings with grim humour by Arifa Akbar

Hampstead theatre, LondonGeorgina Burns’ debut play about an overburdened counselling unit presents perceptive insights and no easy answers A therapist at an NHS counselling unit jokes dar…

SOURCE: The Guardian at 09:43AM
Monday, October 3, 2022

Scene Unseen review – cabaret song cycle seems both too short and too long by Arifa Akbar

Available onlineWriter Jessica Walker sings strongly but this tale of family dysfunction and abuse doesn’t hang together It is reassuring to see online shows being made beyond pandemic nec…

SOURCE: The Guardian at 12:37PM
Sunday, October 2, 2022

Iphigenia in Splott review – a shattering modern classic that distils all our troubles by Arifa Akbar

Lyric Hammersmith, LondonGary Owen’s magnificent one-woman monologue brings Greek tragedy to Cardiff and reveals the terrible emotional costs of our societal shortfalls This monologue was…

SOURCE: The Guardian at 10:19AM
Friday, September 30, 2022

John Gabriel Borkman review – Simon Russell Beale stunning as the shamed alpha-male banker by Arifa Akbar

Bridge theatre, LondonTurning to a lesser-staged work by Ibsen might seem risky, but Nicholas Hytner’s production is held together by some powerhouse performances Reviving a lesser-staged …

SOURCE: The Guardian at 01:13PM
Thursday, September 29, 2022

The Crucible review – stylish restaging is all beauty and no bite by Arifa Akbar

National Theatre, LondonDirector Lyndsey Turner misses the opportunity to give Arthur Miller’s allegory modern resonance with a too-faithful interpretation Arthur Miller’s play used the …

SOURCE: The Guardian at 08:43AM
Wednesday, September 28, 2022

Jews. In Their Own Words review – appalling revelations in a gallop through centuries of bigotry by Arifa Akbar

Royal Court, London Jonathan Freedland has turned 180,000 words drawn from interviews into a potent verbatim play about antisemitism and the blindspots of liberal institutions. The results f…

SOURCE: The Guardian at 09:43PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic