Monday, March 25, 2019
This Whitney Houston tribute show has been touring Europe for a couple of years now. Queen of the Night recreates her best
SOURCE: The Stage Registration at 11:27AMThursday, March 21, 2019
The new play by Pulitzer-winner and liberal-bubble-busting Bruce Norris asks: what should we do with paedophiles? Incarcerate, rehabilitate, or pity them? Care
SOURCE: The Stage Registration at 06:21AMWednesday, March 20, 2019
It’s the Soviet Union in the 1950s and a museum thinks it may have come across a genuine Matisse. So it calls
SOURCE: The Stage Registration at 07:29AMTuesday, March 12, 2019
There’s something pleasantly jarring about seeing Anne Washburn’s weird and fondly mocking adaptation of The Twilight Zone in the West End: the
SOURCE: The Stage Registration at 08:01PMThursday, March 7, 2019
An astonishing statistic about this Broadway transfer is that it’s the first Broadway show with an all-female creative team, and the same
SOURCE: The Stage Registration at 05:45PMTuesday, March 5, 2019
Without a nomination-sucking behemoth like Harry Potter and the Cursed Child or Hamilton to dominate, it’s the first time that the Oliviers
SOURCE: The Stage Registration at 01:40PMWednesday, February 27, 2019
Next month, the Royal Opera House is appealing against a landmark ruling in which a viola player was compensated for irreparable hearing
SOURCE: The Stage Registration at 03:00AMMonday, February 18, 2019
Before jet engines, aircraft travelling across the Atlantic from Europe had to stop for fuel on Newfoundland, an island on Canada’s most
SOURCE: The Stage Registration at 06:14PMSunday, February 17, 2019
The beloved 1980 film, starring Dolly Parton, Lily Tomlin and Jane Fonda, was a pioneering moment in feminist cinema. When she came
SOURCE: The Stage Registration at 06:00PMWednesday, February 13, 2019
There’s a great deal this lesser-known Arthur Miller play has in common with the other lesser-known Arthur Miller play that opened up
SOURCE: The Stage Registration at 07:25PMMonday, February 11, 2019
It’s great to see this fabulous, uplifting, be-yourself show still smashing it in the West End. Eighteen months after it opened at
SOURCE: The Stage Registration at 07:01PMThis is the first of this year’s many Arthur Miller revivals. The next few months will see stagings of his work at
SOURCE: The Stage Registration at 06:59PMAs the veteran director returns with the London premiere of lost Harley Granville Barker play Agnes Colander, he tells Tim Bano why
SOURCE: The Stage Registration at 07:30AMMonday, February 4, 2019
The Watermill staged this piece of pulpy pleasure in 2017 for its 50th anniversary season, and it’s great that they’ve brought it
SOURCE: The Stage Registration at 05:00PMThursday, January 24, 2019
It’s hard not to get excited about the idea of this new musical, a gay love story created by Bloc Party’s Kele
SOURCE: The Stage Registration at 06:31PMThat Victor Hugo has done alright for himself, inspiring two of the biggest musicals of all time. But the French global musical
SOURCE: The Stage Registration at 06:00AMTuesday, January 15, 2019
After appearing in acclaimed productions from Les Blancs to the Shakespeare trilogy at the Donmar, Sheila Atim broke out last year in
SOURCE: The Stage Registration at 07:30AMThursday, January 10, 2019
Aspects of Love is responsible for the success of Michael Ball. Its big tune, Love Changes Everything, made him a star. But,
SOURCE: The Stage Registration at 06:11PMMonday, January 7, 2019
As the NT’s senior armourer, Paul Wanklin is in charge of the firearms and blades used on its stages, but he is
SOURCE: The Stage Registration at 12:00PMFriday, January 4, 2019
With every role that Sheila Atim aces – and she aces every role she takes – she reaffirms that she should, and
SOURCE: The Stage Registration at 06:00AMWednesday, December 19, 2018
The obvious way to stage a play like Richard II, about power grabs, backstabbing and loss of authority in the highest political
SOURCE: The Stage Registration at 06:20AMTuesday, December 18, 2018
In the absence of attention-stealing shows such as Hamilton, there was a stunning mix of old-fashioned classics, innovation and some new British
SOURCE: The Stage Registration at 03:00AMThursday, December 13, 2018
Alun Armstrong’s Edward is retiring after 45 years at the same comprehensive school – a career which included doling out strokes to
SOURCE: The Stage Registration at 06:59PMTuesday, December 11, 2018
Patrick Barlow’s work has always managed to undercut the artifice of theatre while remaining immensely theatrical. That’s certainly true for this reworking
SOURCE: The Stage Registration at 07:25PMThursday, December 6, 2018
There’s a paradox at the heart of Fiddler on the Roof. While the show keeps coming back to this idea that progress
SOURCE: The Stage Registration at 03:11AMWednesday, December 5, 2018
There’s still no better, or more bitter, attack on austerity and inequality than A Christmas Carol. Returning after its success last year
SOURCE: The Stage Registration at 07:01PMThursday, November 29, 2018
At first this looks like it might be a musical about feeling sorry for a very rich guy because he doesn’t have
SOURCE: The Stage Registration at 05:34AMWednesday, November 28, 2018
It’s based on a good idea – to take the books and worlds of Dr Seuss and mash them into a musical
SOURCE: The Stage Registration at 05:38AMTuesday, November 27, 2018
Almost 10 years and four revivals after its inception, Jonathan Miller’s light-touch take on the Puccini classic is still doing good business.
SOURCE: The Stage Registration at 05:49AMTuesday, November 20, 2018
Designer Terry Parsons is back where it all began, at Belgrade Theatre, five decades after getting his first job there. He tells
SOURCE: The Stage Registration at 12:18PMThursday, November 15, 2018
Following Bananaman and Eugenius, here’s another in what’s becoming a trend: the comic book-based musical. But while those two shows focused on
SOURCE: The Stage Registration at 04:11PM 
