All stories by Mark Fisher on BroadwayStars

Monday, February 19, 2024

Two Sisters review – a wry look at the perils of nostalgia by Mark Fisher

Royal Lyceum, EdinburghDavid Greig’s entertaining and immaculately performed new play is about adults seduced by memories of their own emotionally heightened teenage pasts Two Sisters smel…

SOURCE: The Guardian at 02:06AM
Sunday, February 18, 2024

Shed: Exploded View review – love, loss and horrific male violence by Mark Fisher

Royal Exchange, ManchesterPhoebe Eclair-Powell’s prize-winning play is about three related relationships which seem increasingly characterised by powerlessness, menace and dislocation Phoe…

SOURCE: The Guardian at 03:12PM
Thursday, February 15, 2024

The Gap review – Denise Welch and Matthew Kelly swing low in 60s Soho by Mark Fisher

Hope Mill theatre, ManchesterJim Cartwright’s riches-to-rags comedy reunites an abrasive northern couple who turned to sex work for survival in a hedonistic London adventure The lust for l…

SOURCE: The Guardian at 09:54AM
Wednesday, February 14, 2024

A Leap in the Dark review – drama paying homage to the dawn of radio falls flat by Mark Fisher

New Vic, Newcastle-under-LymeRon Hutchinson’s comedy marks 100 years since the first radio play but succumbs to cliches and jarring humour Playwright Ron Hutchinson sets his tribute to the…

SOURCE: The Guardian at 07:42AM

Animal Farm review – Orwell’s unsettling allegory still resonates in the age of Trump, Johnson and Sunak by Mark Fisher

Octagon, BoltonIqbal Khan’s production lays bare the uncomfortable parallels between a mid-20th century Soviet Union and today’s marauding politicians How George Orwell would despair at …

SOURCE: The Guardian at 07:42AM
Sunday, February 11, 2024

A Song for Ella Grey review – Orpheus casts a fateful spell over teenage dreamers by Mark Fisher

Northern Stage, Newcastle upon Tyne David Almond’s young adult novel is brought to life in a soulful production that weaves its mythical elements with imagination There are three intangibl…

SOURCE: The Guardian at 07:42AM
Monday, February 5, 2024

Edinburgh’s Manipulate festival: rubbery robot Swan Lake leads celebration of the unexpected by Mark Fisher

The annual festival of visual theatre delivers an inventive mix of wry commentary, daft puppetry and high-precision performance You can rely on Edinburgh’s Manipulate festival to give you …

SOURCE: The Guardian at 07:42AM
Sunday, February 4, 2024

The Moira Trilogy review – Alan Bissett’s cleaner-cum-cannabis-farmer tells it like it is by Mark Fisher

Theatre Royal, DumfriesThe well-crafted jokes are a cover for reflections on sectarianism, asylum seekers, Scottish independence, inequality, Covid conspiracy theories and pandemic isolation…

SOURCE: The Guardian at 11:06AM
Thursday, January 4, 2024

Oliver Emanuel obituary by Mark Fisher

Playwright and radio dramatist whose imaginative productions explored grief and lossOliver Emanuel, who has died aged 43 from brain cancer, was a playwright, teacher and radio dramatist who …

SOURCE: The Guardian at 02:48AM
Wednesday, December 13, 2023

Same Team: A Street Soccer Story review – high drama on and off the pitch by Mark Fisher

Traverse, EdinburghRobbie Gordon and Jack Nurse’s tale follows a team of Scots women’s footballers, but its most powerful scenes move well beyond the game There is plenty of talent on th…

SOURCE: The Guardian at 03:36PM
Monday, December 11, 2023

Beauty and the Beast review – energetic cast make five a festive stageful by Mark Fisher

Stephen Joseph theatre, ScarboroughNick Lane’s witty and rounded adaptation stars a no-nonsense Rosabelle, and manages to convey fear and fun with pop hits If ever you find yourself in a s…

SOURCE: The Guardian at 04:02PM
Sunday, December 10, 2023

Cinderella: A Fairytale review – Ella and her prince bond over shared passion, not money or status by Mark Fisher

Northern Stage, NewcastleThis production rows back on panto excess, but boisterous audience interaction and bright songs keep it lively Directors Katy Weir and Jake Smith think it is time to…

SOURCE: The Guardian at 08:24AM
Friday, December 8, 2023

Three Acts of Love review – pain and pleasure in a trio straight from the heart by Mark Fisher

Live theatre, NewcastleThese one-act plays covering passion, acceptance and obsession are connected by a seasonally warming theme about community In their trilogy of one-act plays, Laura Lin…

SOURCE: The Guardian at 03:12PM
Friday, December 1, 2023

John Byrne: the maverick Scottish playwright and artist was a master observer by Mark Fisher

Byrne, who has died aged 83, used his life as a constant source of inspiration for exuberant plays and paintings If John Byrne had been known only for The Slab Boys, he would be considered o…

SOURCE: The Guardian at 07:18AM
Wednesday, November 29, 2023

Pinocchio review – no wooden acting in an action-packed musical voyage by Mark Fisher

Hull TruckEliza Blair plays the puppet-child on an adventure of self-discovery in this slightly muddled yet well-performed version When Ivor MacAskill and Rosana Cade staged The Making of Pi…

SOURCE: The Guardian at 07:06AM
Monday, November 27, 2023

The Snow Queen review – bold, imaginative and richly musical by Mark Fisher

Royal Lyceum, EdinburghYoung Gerda is sent on an epic quest across mythical Scotland by steam train, cross-country skis, fishing boat and unicorn in Morna Young’s version When the curtain …

SOURCE: The Guardian at 04:03AM
Wednesday, November 22, 2023

A Little Princess review – richly vibrant reverse Cinderella story by Mark Fisher

Theatre by the Lake, KeswickRiches-to-rags tale is set against the backdrop of Indian independence, amplifying the injustice and adding extra texture to this rewarding show ‘I didn’t pro…

SOURCE: The Guardian at 07:02AM
Thursday, November 16, 2023

The Scouse Dick Whittington review – all-singing delight for adults by Mark Fisher

Royal Court, Liverpool Traditional tale is recast as a daft quest across Europe, built on a giddy score powering through hits from Bon Jovi to Kraftwerk The dick jokes are, of course, inevit…

SOURCE: The Guardian at 06:32AM
Tuesday, November 14, 2023

‘It’s got to be evocative’ … why has a famous Glasgow bar been built at the RSC? by Mark Fisher

She cast an armchair as Mr Bennet in a Pride and Prejudice reboot. Now Isobel McArthur’s been let loose on lusty romp The Fair Maid of the West. So is she worried about outraging mothbally…

SOURCE: The Guardian at 12:02PM
Thursday, November 9, 2023

Viking procession brings Yorkshire poets’ Beowulf to streets of Huddersfield by Mark Fisher

New version of the Anglo-Saxon epic features a massive cast of singers, actors and members of the community Ian McMillan is contemplating the greats who have gone before him. He is one of fi…

SOURCE: The Guardian at 09:48AM
Wednesday, October 18, 2023

Nae Expectations: Andy Arnold on a gallus Dickens, Glasgow’s Tron and ‘catastrophic’ arts cuts by Mark Fisher

As he stages Gary McNair’s twist on the tale of Pip, the director reflects on 16 years of spotting and developing raw talent while running the Tron Andy Arnold is a director with staying p…

SOURCE: The Guardian at 03:49PM
Sunday, October 15, 2023

Beyond Caring review – a low-key meditation on love, loss and care homes by Mark Fisher

Queen’s Hall arts centre, HexhamAn 83-year-old resident rails against the lack of liberty, settling herself on a bench outside and refusing to return despite legal threats and offers of ho…

SOURCE: The Guardian at 08:33AM
Friday, September 22, 2023

Boys from the Blackstuff review – powerful portrayals of working-class pride by Mark Fisher

Royal Court, LiverpoolJames Graham’s funny and violent TV adaptation belies a sensitive study of male mental health, as right-wing economics hits a group of road layers’ lives The emotio…

SOURCE: The Guardian at 10:37AM
Thursday, September 21, 2023

The Real & Imagined History of the Elephant Man review – vigorous call for inclusivity by Mark Fisher

Nottingham PlayhouseWith excellent performances, Tom Wright’s play about the man who became a Victorian freakshow attraction is an at times uneasy mix of circus and polemic Entrances don�…

SOURCE: The Guardian at 08:49AM

Metamorphosis review – Lemn Sissay adaptation is more poetic than dramatic by Mark Fisher

Curve, LeicesterThis staging of Kafka’s story is physically exciting, even tireless, but it hits an early peak of terror then has nowhere to go for two hours It is linguistically playful, …

SOURCE: The Guardian at 05:33AM
Thursday, September 14, 2023

A View from the Bridge review – a fresh look at an elemental tragedy by Mark Fisher

Octagon theatre, BoltonIn Holly Race Roughan’s thrilling and dynamic production, Arthur Miller’s classic about a Brooklyn longshoreman and his family roils with primal passions If Arthur…

SOURCE: The Guardian at 06:33AM
Wednesday, September 13, 2023

Constant Companions review – Ayckbourn’s sex robots show our need for messy humanity by Mark Fisher

Stephen Joseph theatre, ScarboroughAlan Ayckbourn has fun imagining the hazards of malfunctioning android lovers and misbehaving auto-maids – but there’s a deeper message too about human…

SOURCE: The Guardian at 05:33AM
Friday, September 8, 2023

Dracula: Mina’s Reckoning review – compelling feminist spin unsettles from the shadows by Mark Fisher

His Majesty’s Theatre, AberdeenAll-female production tells Bram Stoker’s story from the perspective of women trying to escape patriarchy – it’s often urgent, but sometimes sucked of …

SOURCE: The Guardian at 06:43AM
Thursday, September 7, 2023

Macbeth review – zombies, haggis and a little bit of disco by Mark Fisher

Shakespeare North Playhouse, PrescotHorror-movie witches haunt the unhappy couple throughout this touring co-production. It’s one of many interesting ideas that are dropped too soon There …

SOURCE: The Guardian at 06:33AM
Friday, September 1, 2023

To the Bone review – intimate three-hander about the grip of the past by Mark Fisher

Pitlochry festival theatreIsla Cowan’s quietly intelligent new drama goes inside a three-way relationship and each person’s different attachments to their rural cottage retreat On the fa…

SOURCE: The Guardian at 06:55AM
Thursday, August 31, 2023

Group Portrait in a Summer Landscape review – Chekhovian attempt to capture a political turning point by Mark Fisher

Pitlochry festival theatreAt a dinner party attended by a child ghost and a goading TV pundit warning of apocalypse, a middle-class literati find themselves on the brink of social upheaval P…

SOURCE: The Guardian at 01:49PM

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