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Sunday, March 19, 2017

Royal Ballet triple bill review – five stars for Crystal Pite by Luke Jennings

Royal Opera House, LondonThe Canadian choreographer cuts to the heart with the Royal Ballet’s first new work by a female dance-maker in 18 yearsThe Canadian choreographer Crystal Pite is o…

SOURCE: The Guardian at 05:06AM

Project Polunin review – a ballet rebel lost in ego by Luke Jennings

Sadler’s Wells, LondonSergei Polunin’s new triple bill tries to find a way forward outside a traditional career – but extracurricular activities have taken a visible tollSince 2012, wh…

SOURCE: The Guardian at 04:03AM
Sunday, March 12, 2017

Julie Cunningham & Company review – words get in the way by Luke Jennings

Barbican, LondonJulie Cunningham’s first works as head of her own company have passion and subtlety, but struggle to compete with a forceful spoken soundtrackWhen dancers become choreograp…

SOURCE: The Guardian at 04:42AM
Sunday, March 5, 2017

Meeting and Vestige review – Wayne Parsons makes his mark by Luke Jennings

Rich Mix, LondonParsons proves himself a distinctive narrative voice with his compelling new work about a fictional celebrityWayne Parsons is a familiar figure on the UK contemporary dance s…

SOURCE: The Guardian at 04:12AM
Sunday, February 26, 2017

Danza Contemporánea de Cuba review – hot and horny in Havana by Luke Jennings

Barbican, LondonSensuality, isolation and identity are explored in three stellar works by this joyous Cuban troupeThere can be few dance companies in the world as handsome and accomplished a…

SOURCE: The Guardian at 03:42AM
Wednesday, February 22, 2017

MoveTube: A young Gelsey Kirkland makes Giselle her own by Luke Jennings

The detail, the exquisite control, the lyrical flow ... this clip shows why Kirkland remains a cherished legend of American balletThis is Gelsey Kirkland dancing the Act 1 variation, or solo…

SOURCE: The Guardian at 02:42PM

Sexism in dance: where are all the female choreographers? by Luke Jennings

Want to be a ballerina? No problem. But any girl dreaming of a career in choreography had better mind the glass ceiling…As a nation we are well supplied with choreographers. Matthew Bourne…

SOURCE: The Guardian at 09:18AM
Sunday, February 19, 2017

Matthew Bourne’s Early Adventures review – fully formed from the off by Luke Jennings

Richmond theatre, LondonWorks from the choreographer’s early career show all his trademark wit, originality and eye for detailThe three works comprising Matthew Bourne’s Early Adventures…

SOURCE: The Guardian at 03:36AM
Sunday, February 12, 2017

Tanztheater Wuppertal Pina Bausch: Masurca Fogo – review by Luke Jennings

Sadler’s Wells, LondonThe choreographer’s piece inspired by Lisbon is sunny and seductive, but ultimately insubstantialIn 1997 the German choreographer Pina Bausch took the dancers of he…

SOURCE: The Guardian at 03:36AM
Sunday, February 5, 2017

Les Enfants Terribles review – dark sibling fantasy by Luke Jennings

Barbican, LondonTop dancers, Javier de Frutos choreography, Philip Glass score and Cocteau’s twisted tale don’t quite add upJean Cocteau’s 1929 novel Les Enfants Terribles is the story…

SOURCE: The Guardian at 03:48AM
Sunday, January 29, 2017

Marzo review – whimsy levels are set high by Luke Jennings

The Pit, Barbican, LondonDewey Dell’s weird, manga comics-inspired show is an intriguing curio that overstays its welcomeDewey Dell are an Italian experimental performance group that, sinc…

SOURCE: The Guardian at 04:03AM
Sunday, January 22, 2017

Giselle review – Xander Parish steals the show by Luke Jennings

Coliseum, LondonEnglish National Ballet guest artist Xander Parish – British star of the Mariinsky – is world-class. Isn’t it time he was lured back to London?Mary Skeaping’s product…

SOURCE: The Guardian at 03:48AM
Friday, January 20, 2017

Royal Ballet: Woolf Works review – a compellingly moving experience by Luke Jennings

Royal Opera House, LondonWayne McGregor’s ambitious triptych based on the multi-dimensional works of Virginia Woolf was a gamble that has paid off in exhilarating styleWhen the final curta…

SOURCE: The Guardian at 10:24AM
Sunday, January 15, 2017

Blak Whyte Gray review – rich and melancholy joy by Luke Jennings

Barbican, LondonHip-hop dance crew Boy Blue Entertainment tackle the nature of identity in an awesome three-part showBoy Blue Entertainment is a hip-hop dance company founded in 2002 by the …

SOURCE: The Guardian at 04:06AM
Sunday, January 8, 2017

Beauty and the Beast review – Northern Ballet give their all by Luke Jennings

Grand theatre, LeedsDominique Larose’s serene Beauty leads the way in David Nixon’s timely take on the fairytaleNorthern Ballet’s Beauty and the Beast is a traditional fairy story chor…

SOURCE: The Guardian at 04:06AM
Sunday, December 18, 2016

The Red Shoes review – Bourne choreographs with lightest of touches by Luke Jennings

Sadler’s Wells, LondonBourne’s deft and sumptuous new adaptation of The Red Shoes sticks closely to Powell and Pressburger’s film, but is still finding its feet dramaticallyMatthew Bou…

SOURCE: The Guardian at 03:24AM
Sunday, December 11, 2016

Up & Down review – nothing tender about Eifman's night by Luke Jennings

Coliseum, LondonBoris Eifman’s reworking of F Scott Fitzgerald is beautifully danced but stunningly insensitiveBoris Eifman is one of Russia’s most prolific choreographers. In 1977, aged…

SOURCE: The Guardian at 03:18AM
Sunday, December 4, 2016

Luke Jennings: best dance of 2016 by Luke Jennings

Times were tough but inventive, with fine work from old hands and female dance-makers forcing change• Observer critics’ reviews of the year in fullThis has been a year in which experienc…

SOURCE: The Guardian at 03:12AM

Swan Lake/Loch na hEala – thrillingly wild and free by Luke Jennings

Sadler’s Wells, LondonMichael Keegan-Dolan has moved Swan Lake to the middle of Ireland and made it a thing of wonderThere are so many new versions of Swan Lake, and almost all of them are…

SOURCE: The Guardian at 03:12AM

Sexbox review – free love gets a dance workout by Luke Jennings

Hackney Showroom, LondonImpermanence Dance Theatre are going on a sexploration, delving into the ideas of Wilhelm Reich and the pioneering electronic music of Ursula BognerImpermanence Dance…

SOURCE: The Guardian at 03:12AM
Sunday, November 27, 2016

Hetain Patel: American Man review – Nutcracker with a difference by Luke Jennings

Lilian Baylis Studio, Sadler’s Wells, LondonHetain Patel swaggers, sashays and speaks out in his deeply unsettling satire on misogynyHetain Patel is a performance artist from Bolton whose …

SOURCE: The Guardian at 03:36AM
Sunday, November 20, 2016

Rambert: The Creation review – impeccable, if a little coy by Luke Jennings

Sadler’s Wells, LondonRambert dance Haydn beautifully, but was the Garden of Eden quite this decorous?Mark Baldwin, artistic director of Rambert, is not a man to shrink from a challenge. J…

SOURCE: The Guardian at 03:54AM
Sunday, November 13, 2016

Wayne McGregor triple bill; Virgin Territory – review by Luke Jennings

Royal Opera House; the Place, LondonWayne McGregor celebrates a decade at the Royal Ballet with dystopias and dreamy la-la lands. And Charlotte Vincent patrols the pre-teen battlegroundIn ce…

SOURCE: The Guardian at 03:31AM
Saturday, November 12, 2016

BalletBoyz: Young Men review – far too many sorrowful cradlings by Luke Jennings

Sadler’s Wells, LondonChoreographer Iván Pérez’s attempt to conjure up the horrors of trench warfare is overlong and over-beautifiedThe suffering of the young men who fought in the fir…

SOURCE: The Guardian at 03:31PM
Sunday, November 6, 2016

Stepmother/Stepfather review – all horribly entertaining by Luke Jennings

Jerwood Dance House, IpswichArthur Pita’s latest is a little bit Snow White, a little bit HellraiserArthur Pita is one of today’s most original choreographic voices. He’s an accomplish…

SOURCE: The Guardian at 03:42AM
Sunday, October 30, 2016

Anastasia review – method in her madness by Luke Jennings

Royal Opera House, LondonFine performances lift this Royal Ballet revival of MacMillan’s strange ballet about the woman who claimed to be a lost RomanovIn 1967 Kenneth MacMillan choreograp…

SOURCE: The Guardian at 03:42AM
Sunday, October 23, 2016

Jérôme Bel: Gala review – doing what comes naturally by Luke Jennings

Sadler’s Wells, LondonJérôme Bel’s mixed ability show is full of charm, if not entirely artlessJérôme Bel is a French choreographer whose work challenges the conventions of dance as …

SOURCE: The Guardian at 03:56AM
Sunday, October 16, 2016

The Tempest review – drowning in the past by Luke Jennings

Birmingham HippodromeDavid Bintley’s uninvolving new version of The Tempest is symptomatic of an identity crisis in British balletThe Tempest, David Bintley’s new work for Birmingham Roy…

SOURCE: The Guardian at 03:06AM
Sunday, October 9, 2016

The Classical Farewell; Michael Clark Comp review – dance’s elder statesmen bow out by Luke Jennings

Royal Albert Hall; Barbican, LondonCarlos Acosta bids a glorious goodbye, while Michael Clark keeps ploughing his weird and wonderful furrowLast week Carlos Acosta, the greatest male classic…

SOURCE: The Guardian at 03:08AM
Sunday, October 2, 2016

Akram Khan’s Giselle review – a modern classic in the making by Luke Jennings

Palace theatre, ManchesterEnglish National Ballet’s dancers delight in Khan’s 21st-century Giselle. All it needs now is a plot…Akram Khan’s new production of Giselle for English Nati…

SOURCE: The Guardian at 03:51AM
Sunday, September 25, 2016

OCD Love review – striking fusion of techno, dance and OCD by Luke Jennings

Sadler’s Wells, LondonSix dancers move as one in Sharon Eyal’s gravely beautiful exploration of the obsessive-compulsive stateL-E-V is an Israeli dance company created by choreographer S…

SOURCE: The Guardian at 03:28AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards