All stories by Kate Kellaway on BroadwayStars

Saturday, April 6, 2013

Smack Family Robinson; Before the Party; A Doll's House – review by Kate Kellaway

Rose, Kingston; Almeida; Young Vic, LondonRichard Bean's new comedy, Smack Family Robinson, is perfectly tailored for the Rose theatre because it's packed with gags about local geography (ev…

SOURCE: The Guardian at 07:05PM
Saturday, March 23, 2013

The Winslow Boy – review by Kate Kellaway

Old Vic, LondonThe Winslow Boy seems to be a storm in a teacup. Did Ronnie, a 14-year-old cadet, steal a postal order for five shillings, forge a signature and deserve expulsion from naval c…

SOURCE: The Guardian at 08:06PM

Sara Kestelman: 'I didn't enjoy my immersion in Shakespeare. I was frightened of it' by Kate Kellaway

The actor on her time at the RSC, working with Peter Brook, sleeping on a scarlet feather and appearing in 4000 MilesYou are about to open in Amy Herzog's play 4000 Miles, playing Vera, a de…

SOURCE: The Guardian at 08:04PM
Sunday, March 10, 2013

Royal Court theatre prepares to bid farewell to King Dominic by Kate Kellaway

The artistic director of London's Royal Court theatre, Dominic Cooke, is soon to bow out. We talk to him and some of the exciting new playwrights whose work he has helped showcaseDominic Coo…

SOURCE: The Guardian at 03:00AM
Saturday, February 23, 2013

Macbeth; If You Don't Let Us Dream, We Won't Let You Sleep; A Chorus Line – review by Kate Kellaway

Trafalgar Studios; Royal Court; Palladium, LondonThe wonderful thing about Jamie Lloyd's production of Macbeth is that the Scottish play is Scottish. There is a rightness about the accents �…

SOURCE: The Guardian at 07:04PM
Saturday, December 8, 2012

Sam Mendes: 'I did Skyfall to wake myself up. It has certainly done that' by Kate Kellaway

The director of Skyfall talks about the pleasures and pains of making Britain's highest-grossing film everSam Mendes, director of Skyfall, hesitates. He is thinking about James Bond. It is, …

SOURCE: The Guardian at 07:04PM
Saturday, October 27, 2012

Medea; 55 Days – review by Kate Kellaway

Watford Palace theatre; Hampstead theatre, LondonMedea has moved into the suburbs. She is living in a modern house in a street of identical houses. The facade slides open and we see the inte…

SOURCE: The Guardian at 07:07PM
Saturday, October 6, 2012

Private Lives; Berenice; The Loneliness of the Long Distance Runner – review by Kate Kellaway

Minerva, Chichester; Donmar, London; Old Rep, BirminghamNoël Coward's Private Lives, with its unforgettable balcony scene, could be seen as a wink in the direction of Romeo and Juliet, a lo…

SOURCE: The Guardian at 07:05PM

Adrian Lester on Ira Aldridge: 'He was a pioneer for black actors' by Kate Kellaway

A new era is dawning at London's Tricycle theatre under Indhu Rubasingham, its first new artistic director in three decades. Her inaugural play – starring Adrian Lester, and written by his…

SOURCE: The Guardian at 07:05PM
Saturday, September 8, 2012

Forests; Branches: The Nature of Crisis – review by Kate Kellaway

Old Rep, Birmingham; Wepre Park, WalesIt is a bold idea to graft Shakespeare's thoughts about forests and make something original out of them – to turn over a new narrative leaf. And the C…

SOURCE: The Guardian at 07:06PM

Freddie Fox: 'I liked throwing the toys out of my pram' by Kate Kellaway

Freddie Fox on playing Oscar Wilde's lover Bosie – and the joys of being the baby in an acting dynastyFreddie Fox is deliciously debonair. He walks into Hampstead theatre wearing his silk …

SOURCE: The Guardian at 07:05PM

Freddie Fox: 'I liked throwing the toys out of my pram' by Kate Kellaway

Freddie Fox on playing Oscar Wilde's lover Bosie – and the joys of being the baby in an acting dynasty Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, August 18, 2012

Samuel Barnett: 'I love acting – it's like competing at sport' by Kate Kellaway

The actor on audience taming, tap-dancing dreams and how life mirrored art at the OlympicsWhen Samuel Barnett asks whether I'd like a coffee, it sounds familiar – and it's only belatedly t…

SOURCE: The Guardian at 07:05PM

Samuel Barnett: 'I love acting – it's like competing at sport' by Kate Kellaway

The actor on audience taming, tap-dancing dreams and how life mirrored art at the Olympics Continue reading...

SOURCE: The Guardian at 07:05PM
Wednesday, August 1, 2012

Spamalot – review by Marcus Brigstocke and Kate Kellaway

Harold Pinter theatre, LondonArthur's Round Table has never looked so square. Spamalot, the 2005 musical adapted by Eric Idle and John Du Prez from Monty Python and the Holy Grail, is back i…

SOURCE: The Guardian at 01:32PM
Saturday, July 21, 2012

Metamorphosis: Titian 2012 – review by Kate Kellaway

Royal Opera House/National Gallery, LondonThe National Gallery and the Royal Ballet are collaborating in an uncommon and marvellous way with Metamorphosis: Titian 2012. Leading artists (Mark…

SOURCE: The Guardian at 07:05PM
Saturday, July 7, 2012

The Only True History of Lizzie Finn; The Taming of the Shrew; How Like an Angel – review by Kate Kellaway

Southwark Playhouse; Globe, London; Norwich CathedralThere is nothing theatre likes better than an unhappy marriage, and this makes Sebastian Barry's The Only True History of Lizzie Finn (fi…

SOURCE: The Guardian at 07:05PM
Saturday, June 23, 2012

The Last of the Haussmans; The Match Box; Minsk, 2011: A Reply to Kathy Acker – review by Kate Kellaway

Lyttelton, London; Playhouse Studio, Liverpool; Young Vic, LondonIt is with disbelief that one discovers that The Last of the Haussmans is actor Stephen Beresford's first play. It is a knock…

SOURCE: The Guardian at 07:04PM
Saturday, May 26, 2012

Chariots of Fire; Posh; Children's Children – review by Kate Kellaway

Hampstead; Duke of York's; Almeida, LondonRunners surge endlessly along a white beach, and it is this victorious image, from the 1981 film Chariots of Fire, that continues to blaze in the mi…

SOURCE: The Guardian at 07:10PM
Tuesday, May 22, 2012

As You Like It – review by Kate Kellaway

Shakespeare's Globe, LondonIf all the theatre in Georgia comes anywhere close to the standard of the Marjanishvili company, then the job of theatre critic there must be the most covetable in…

SOURCE: The Guardian at 05:51AM
Saturday, May 19, 2012

What the Butler Saw – review by Kate Kellaway

Vaudeville, LondonMadness is as madness does in Joe Orton's 1969 farce What the Butler Saw, and by the end it's straitjackets all round. We're in a psychiatrist's consulting room (with …

SOURCE: The Guardian at 07:03PM
Saturday, May 12, 2012

Brimstone and Treacle – review by Kate Kellaway

Arcola, LondonDennis Potter regarded this as his best play. But be prepared for unrelenting bleakness, and the darkest of laughs: a scoop of the blackest treacle. London has been enjoying an…

SOURCE: The Guardian at 07:03PM
Saturday, March 17, 2012

Moon on a Rainbow Shawl; Can We Talk about This?; Shivered – review by Kate Kellaway

Cottesloe; Lyttelton; Southwark Playhouse; all LondonIn 1957 Moon on a Rainbow Shawl, by Errol John, a young Trinidadian, won an Observer drama contest. The task was to write a play set afte…

SOURCE: The Guardian at 08:05PM
Saturday, March 10, 2012

Abigail's Party – review by Kate Kellaway

Menier Chocolate Factory, LondonThe fun starts, in Lindsay Posner's triumphant production of Mike Leigh's best-known play, before Beverly has even sorted out the nibbles, as we inspect Mike …

SOURCE: The Guardian at 07:06PM
Saturday, March 3, 2012

Hay Fever – review by Kate Kellaway

Noël Coward theatre, LondonGoing to Howard Davies's glorious production of Noël Coward's Hay Fever is like being invited to an irregular house party; the relief is that, unlike the hapless…

SOURCE: The Guardian at 07:04PM
Saturday, February 25, 2012

Eve Best: 'Marlowe is like learning to eat with a chainsaw' – interview by Kate Kellaway

Eve Best is famous for her role as glamorous Dr O'Hara in Nurse Jackie. But she made her name in Jacobean theatre – and she is back in London for moreEve Best has just walked into an unpre…

SOURCE: The Guardian at 07:04PM

Lindsay Duncan: 'There's pain as well as laughter in Noël Coward's farces' by Kate Kellaway

Lindsay Duncan talks about tackling Noël Coward's 1924 farce, Hay Fever, his most challenging play"I've never seen it," exclaims Lindsay Duncan. We are talking about Hay Fever, one of Noël…

SOURCE: The Guardian at 07:04PM
Saturday, February 18, 2012

Absent Friends – review by Kate Kellaway

Harold Pinter theatre, LondonAlan Ayckbourn's Absent Friends (1974) was his first play to experiment with almost no action – it is funny but there is reason not to laugh. The play is not o…

SOURCE: The Guardian at 07:05PM

Lindsay Duncan: 'There's pain as well as laughter in Noël Coward's farces' by Kate Kellaway

Lindsay Duncan on playing the lead in Noël Coward's Hay Fever"I've never seen it," exclaims Lindsay Duncan. We are talking about Hay Fever, one of Noël Coward's greatest hits, which he wro…

SOURCE: The Guardian at 07:05PM
Saturday, February 11, 2012

Romeo and Juliet; The Changeling; Master Class – review by Kate Kellaway

Nuffield, Southampton; Young Vic; Vaudeville, LondonI watched Romeo and Juliet in the company of several Southampton school parties – bracing myself for a noisy night ahead. But Headlong, …

SOURCE: The Guardian at 07:04PM
Saturday, December 10, 2011

Pippin – review by Kate Kellaway

Chocolate Factory, LondonWe are inside cyberspace, at the court of emperor Charlemagne and in a 70s musical – complete with some of Bob Fosse's original choreography remastered by Chet Wal…

SOURCE: The Guardian at 07:04PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime