Thursday, June 21, 2012
Most musical revues come across as a scattershot collection of songs. But “Closer Than Ever,” now receiving a sterling revival by the York Theatre Company, contains plenty of story lines…
SOURCE: The New York Post Subscription at 12:18AMTuesday, June 19, 2012
The Costa Rican jungle is the evocative setting for “Slowgirl,” the new play by Greg Pierce. But while the ever-present sounds of birds and mysterious animals provide some atmospheric te…
SOURCE: The New York Post Subscription at 12:29AMMonday, June 18, 2012
There’s one thing that can be definitely said about the Soho Rep’s production of Chekhov’s Uncle Vanya: You’ll probably again feel so closely involved with its charac…
SOURCE: Scheck on the Arts at 09:03AMThursday, June 14, 2012
Jim Parsons works magic in the Roundabout Theatre Company’s revival of Harvey. I had my doubts that this old chestnut would have much impact these days. But Mary Chase’s 1944 com…
SOURCE: Scheck on the Arts at 10:49PMWednesday, June 13, 2012
It’s appropriate that Gina Gionfriddo’s new play has been compared favorably to Wendy Wasserstein’s The Heidi Chronicles. Like that groundbreaking work, this delicious come…
SOURCE: Scheck on the Arts at 08:12AMMonday, June 11, 2012
You can get dizzy trying to keep track of the comings and goings in “Escape,” Susan Mosakowski’s comedy about three troubled couples. Performed in separate, distinct areas of the tiny …
SOURCE: The New York Post Subscription at 11:08PMSo, Ludwig van Beethoven and Quasimodo are giving a panel discussion . . .
It’s no joke, but rather the off-the-wall premise of “The Hunchback Variations.” Not for the intellectually f…
SOURCE: The New York Post Subscription at 12:29AMWednesday, June 6, 2012
From its startling opening image of a naked prisoner to its climactic reading of a jury’s verdict, “Murder in the First” is the sort of juicy courtroom drama we rarely get these days.
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SOURCE: The New York Post Subscription at 11:45PMFriday, June 1, 2012
Tv viewers groaned when Barbara Walters asked Katharine Hepburn what kind of a tree she’d be — a sign Dulcy Rogers should have heeded. Her one-woman play begins and ends with the writer/…
SOURCE: The New York Post Subscription at 10:55PMA good rule of thumb about circus acts is that the less clothing the performers wear, the better. It’s clearly a philosophy shared by Spiegelworld, the Australian creators of “Absinthe,.…
SOURCE: The New York Post Subscription at 12:03AMWednesday, May 30, 2012
The most memorable thing about “Two Intimate” is the audience seating: men on one side, women on the other, as if at an Orthodox Jewish wedding. Not only does this make for a rotten firs…
SOURCE: The New York Post Subscription at 10:54PMFriday, May 25, 2012
Sometimes, memories are best left alone. Such is my experience with seeing the new revival of Simon Gray’s The Common Pursuit being presented by the Roundabout Theatre Company. This hi…
SOURCE: Scheck on the Arts at 08:15AMThursday, May 24, 2012
August Strindberg wasn't known for his comedies. The current revival of the Swedish playwright’s rarely seen 1893 work "Playing With Fire" isn’t going to change that.
SOURCE: The New York Post Subscription at 12:47AMWednesday, May 23, 2012
It may not sound like much, but take my word for it. An elderly man reciting the lyrics of “Ol’ Man River” in a Yiddish accent is one of the funniest things to be found on …
SOURCE: Scheck on the Arts at 12:26PMTuesday, May 22, 2012
What better place to see “Into the Woods” than, well, in the woods?
Stephen Sondheim’s 1987 musical classic — not seen here since its Broadway revival a decade ago — will be presen…
SOURCE: The New York Post Subscription at 11:48PMMonday, May 21, 2012
Good luck searching for meaning in Title and Deed, Will Eno’s latest Rorschach test of a play being presented by the Signature Theatre. This monologue related by a nameless figure abou…
SOURCE: Scheck on the Arts at 08:24AMFriday, May 18, 2012
Get your mind out of the gutter.
Yes, the title of Mike Bartlett’s play might seem salacious considering that it concerns a gay couple whose relationship is threatened when one…
SOURCE: Scheck on the Arts at 07:58AMWednesday, May 16, 2012
Religious and ethnic jokes abound in “Miracle on South Division Street,” the new sitcom — excuse me, play — being appropriately presented in St. Luke’s Theatre located in the bowel…
SOURCE: The New York Post Subscription at 11:14PMEver felt trapped at a party listening to a windbag telling an endless story with no apparent point? Such is the experience of watching “Are You There, McPhee?” John Guare’s new play, …
SOURCE: The New York Post Subscription at 12:34AMMonday, May 14, 2012
George Bernard Shaw’s 1903 classic “Man and Superman” is a weighty philosophical treatise disguised as a frothy rom-com.
The Irish Rep’s revival successfully has it both ways.
On t…
SOURCE: The New York Post Subscription at 11:10PMMonday, May 7, 2012
No one makes depression as attractive as Topher Grace. In “Lonely, I’m Not,” the former star of TV’s “That ’70s Show” manages to make abject misery seem the only rational way t…
SOURCE: The New York Post Subscription at 11:32PMThere were high expectations for the revival of Harold Pinter’s “The Caretaker” at the Brooklyn Academy of Music. Starring Tony Award winner Jonathan Pryce (“Miss Saigon”), the pro…
SOURCE: The New York Post Subscription at 12:33AMFriday, May 4, 2012
If names like “Zork,” “Minecraft” and “Zelda” mean nothing to you, then you are definitely not the target audience for “You Are in an Open Field.” Described as the first “n…
SOURCE: The New York Post Subscription at 01:14AMWednesday, May 2, 2012
‘The City Club” has everything you’d want in a 1930s-set musical: a deeply flawed nightclub-owner hero, long-limbed chorus girls in a frequent state of undress, vicious fedora-wearing …
SOURCE: The New York Post Subscription at 11:48PMThe pixiesh performer applies a distinctly modern stamp to a surprising range of material in her superb cabaret show at the Café Carlyle.
SOURCE: TheaterMania at 02:30PM‘Glee” meets “Hairspray” in “Fat Camp,” a diverting musical about a group of overweight teens who find love and friendship at Camp Overton, where “You’ve got nothing to gain …
SOURCE: The New York Post Subscription at 12:33AMTuesday, May 1, 2012
The most haunting character in “Headstrong” isn’t onstage. He’s Ronnie, a 35-year-old ex-football player who killed himself after sustaining head injuries while playing in the NFL.Hi…
SOURCE: The New York Post Subscription at 12:20AMFriday, April 27, 2012
Raul Esparza is one of the few leading men who can carry a Broadway musical, but even his formidable talents are adrift in Leap of Faith. This musical adaptation of the little-seen 1992 Stev…
SOURCE: Scheck on the Arts at 05:33AMThursday, April 26, 2012
In his first significant effort since his Tony and Pulitzer Prize-winning Proof, playwright David Auburn delivers a biographical drama about a once famous figure little known today: Joseph A…
SOURCE: Scheck on the Arts at 05:38AMWednesday, April 25, 2012
The dissolute playboy played by Matthew Broderick in Nice Work If You Can Get It is frequently inebriated, and it wouldn’t be a bad idea to be in a similar state to enjoy the slight ch…
SOURCE: Scheck on the Arts at 05:43AMTuesday, April 24, 2012
The current spate of Broadway musicalizations of hit movies hits another nadir with Ghost. This adaptation of the 1990 Patrick Swayze/Demi Moore film is mainly notable for its extravag…
SOURCE: Scheck on the Arts at 03:56AM 
