Friday, April 22, 2016
Dynamic performer Migguel Anggelo exhilaratingly recalls the showmanship of Desi Arnaz and the performance art of Klaus Nomi in his terrific autobiographical cabaret act, "Another Son of Ven…
SOURCE: www.theaterscene.net at 04:48PMWednesday, April 20, 2016
“Our goal is not to impersonate her but to channel her,” said Mr. Sperling, the artistic director, writer and director of this entertaining event. In addition to these tasks, he also sa…
SOURCE: www.theaterscene.net at 12:52AMFriday, April 15, 2016
Scholars, critics, actors and audiences have long been entranced and intrigued by these plays. They appear to reflect Beckett’s perpetual theme of despair and joy coexisting within the hu…
SOURCE: www.theaterscene.net at 10:22PMThursday, April 14, 2016
Darryl Reilly, Critic “I’m Anne Jackson, I’m a great actress and I’m pushing a shopping cart with Lestoil and chicken breasts through Gristede’s!” That was one of many funny outb…
SOURCE: www.theaterscene.net at 03:50PMTuesday, April 12, 2016
Instead of a satirical take as in the film "The Candidate" (1972) or HBO’s television series "Veep," the treatment of the subject here is realistic in the mode of Norman Lear’s 1970’s …
SOURCE: www.theaterscene.net at 11:28AMSunday, April 10, 2016
Leonard Nimoy intended "Vincent" as a vehicle for himself that would showcase his talents. In this Off-Broadway premiere presented by Starry Night Theater, "Vincent" is now such an outlet f…
SOURCE: www.theaterscene.net at 11:40PMThursday, April 7, 2016
Rachel Hauck’s scenic design is the most outstanding feature of the interminable "Antlia Pneumatica." Ms. Hauck accurately and vividly represents the Texas ranch setting by an elaborate k…
SOURCE: www.theaterscene.net at 12:29AMTuesday, April 5, 2016
Shoving a grapefruit into Mae Clarke’s face in "Public Enemy," George M. Cohan’s "Yankee Doodle Dandy" song and dance numbers for which he won the Academy Award for Best Actor, and the �…
SOURCE: www.theaterscene.net at 03:13PMSunday, April 3, 2016
The prime instigator of the events, John Adams, was rotund and abrasive. Here he is played by the handsome Santino Fontana who was Prince Charming in the recent Broadway production of Cinder…
SOURCE: www.theaterscene.net at 10:23AMThursday, March 31, 2016
Much of "Locusts Have No King" by J. Julian Christopher appears to be in the well-mined terrain of Mart Crowley’s "The Boys in the Band," Edward Albee’s "Who’s Afraid of Virginia Woolf…
SOURCE: www.theaterscene.net at 01:05PMFriday, March 25, 2016
Virtually performed all in English with some Spanish for comic effect," ¡Figaro! (90210)" is true to the art form with recitative and arias, that is sung speech and grand solos rather then …
SOURCE: www.theaterscene.net at 12:26AMTuesday, March 22, 2016
“He was tied to the life of jazz clubs,” said Billy Stritch of Cy Coleman, the subject of The 92nd Street Y’s Lyrics & Lyricists Series Presents: "Witchcraft: The Jazz Magic of Cy…
SOURCE: www.theaterscene.net at 11:06AMMonday, March 21, 2016
“He was the premier balladeer of his generation and the first African-American to sing a song on network radio,” Malavet declared of the entertainer. Billy Eckstine (1914-1993) was a Vi…
SOURCE: www.theaterscene.net at 10:14AMFriday, March 18, 2016
Taking place in real time, Aaron Loeb's entertaining play is in the mode of Paddy Chayefsky’s "Network" with shades of "The Blair Witch Project." It also echoes the explosive style and re…
SOURCE: www.theaterscene.net at 07:46AMTuesday, March 15, 2016
In his widely produced 1977 play," The Elephant Man," Bernard Pomerance employed the theatrical device of having the grotesque John Merrick portrayed by an actor (invariably a handsome one) …
SOURCE: www.theaterscene.net at 11:53PMMonday, March 14, 2016
A pulsating medley from Kander and Ebb’s musical "Chicago" was the thrilling second act opening number of The New York Pops’ pleasant concert of eclectic show music, "42nd on 57th: Broad…
SOURCE: www.theaterscene.net at 10:04PMDirector David Staller has ingeniously staged this small-scale production with numerous theatrical flourishes. Scene transitions are accomplished with actors in character moving furniture, …
SOURCE: www.theaterscene.net at 10:35AMThursday, March 10, 2016
Patrick Brian Scherrer plays Peter, appearing in all 11 scenes, often in intense situations. The very personable Mr. Scherrer’s performance is quite heroic as he boldly embraces the play�…
SOURCE: www.theaterscene.net at 11:52AMSaturday, March 5, 2016
When the audience enters, the curtain is up and Christopher Oram’s imposing scenic design of the faded hotel lobby is in view. The visual effect of its industrial greenish walls, dirty st…
SOURCE: www.theaterscene.net at 10:42AMWednesday, March 2, 2016
Breezily delivering his erudite script from a music stand, black-backed cards that he occasionally held, and from memory, Naughton cited Jazz, Gospel, The Blues, Country and Doo-wop. He also…
SOURCE: www.theaterscene.net at 10:31PMSunday, February 14, 2016
Director Ruben Santiago-Hudson has inventively and thoughtfully staged the show with vibrant precision. Mr. Santiago-Hudson’s work combined with Camille A. Brown’s often stunning choreo…
SOURCE: www.theaterscene.net at 08:59PMThursday, February 11, 2016
His great grandnephew, the French-born and raised Alexis Chevalier has written this well researched play with music that is based in part on Maurice Chevalier’s memoirs. It is structurall…
SOURCE: www.theaterscene.net at 01:09AMThursday, February 4, 2016
Company XIV founder, director and choreographer Austin McCormick recycles his stylistic techniques that include a having troupe of physically attractive and dynamic dancers in skimpy costume…
SOURCE: www.theaterscene.net at 10:14PMWednesday, February 3, 2016
Ms. Udofia’s dialogue is richly expressive and she renders the four characters with depth and detail. The relationships between the characters are fully explored and their interactions wh…
SOURCE: www.theaterscene.net at 04:48PMMonday, February 1, 2016
Robert Langdon Lloyd’s eloquent performance as the blind prophet Tiresias energizes what had been a stilted presentation of this small-scale production of "The Burial at Thebes." Before M…
SOURCE: www.theaterscene.net at 10:46PMSaturday, January 23, 2016
The collaborative script is by the One Idiot troupe’s writers that include Jon Bershad, Aaron Burdette, Allie Kokesh, Kristy Lopez-Bernal, Nathan Min and Katelyn Trela. It’s a smart mas…
SOURCE: www.theaterscene.net at 01:59PMTuesday, January 19, 2016
This Grand Guignol concept is sensationally realized by the striking physical production. John Gromada’s chilling sound design configures his spooky original score with its dominant organ…
SOURCE: www.theaterscene.net at 07:17PMThe opening one is British author Lexi Wolfe’s delightfully wistful "Stand Up for Oneself." It’s a Chekhovian romantic comedy with clipped Noel Coward-style dialogue taking place in th…
SOURCE: www.theaterscene.net at 11:39AMSaturday, January 16, 2016
Asner’s appearance in "A Man and His Prostate" is a delightfully thrilling opportunity to experience his considerable talents live. He vividly grouses, grimaces, and perfectly lands every…
SOURCE: www.theaterscene.net at 10:50PMThursday, January 14, 2016
Director Laura Lindow’s staging is a thrilling exhibition of pure stagecraft using very simple elements. The expressive actors are choreographed at times often in arresting tableaux espec…
SOURCE: www.theaterscene.net at 12:24AMTuesday, January 12, 2016
Displaying her flawless vocal abilities, superb comic timing, dramatic range and exuberant presence, Ann Harada was the standout of the six-member company. She was in the original Broadway …
SOURCE: www.theaterscene.net at 04:10PM 
