All stories by Charles McNulty on BroadwayStars

Friday, December 9, 2022

Review: If the Razzies included theater, 'Invincible' would be one of 2022's big winners by Charles McNulty

Pat Benatar and Neil Giraldo bring their musical version of Shakespeare's 'Romeo and Juliet' to the Wallis Annenberg Center for the Performing Arts. But the production can't escape the jukeb…

SOURCE: Los Angeles Times at 09:00AM
Wednesday, December 7, 2022

Commentary: The case of a mysterious Edward Albee play that has resurfaced in L.A. by Charles McNulty

Edward Albee's 'Fam and Yam,' a 1960 one-act inspired by the author's encounter with Broadway playwright William Inge, remerges at Venice's Pacific Resident Theatre.

SOURCE: Los Angeles Times at 02:27PM
Sunday, December 4, 2022

Best theater of 2022: So many L.A. bright spots in a challenging year by Charles McNulty

Theater critic Charles McNulty runs through his 2022 high points, including 'The Inheritance,' 'Slave Play' and, yes, a divisive 'Oklahoma!'

SOURCE: Los Angeles Times at 09:00AM
Saturday, December 3, 2022

Lynn Nottage on 'MJ' and 'sustaining the complexity' in her dramatic works by Charles McNulty

With an opera, a jukebox musical and a Broadway comedy running simultaneously this year, the Pulitzer Prize-winning playwright Lynn Nottage has never been busier or more determined to move A…

SOURCE: Los Angeles Times at 09:00AM
Monday, November 28, 2022

Tom Stoppard's Jewish roots: Carey Perloff on Broadway's acclaimed play of the season by Charles McNulty

Ex-leader of A.C.T. talks about "Leopoldstadt" and the remarkable admission Stoppard makes about his relationship (or lack thereof) to his Jewish past.

SOURCE: Los Angeles Times at 09:00AM
Monday, November 21, 2022

Stephen Sondheim and Mary Rodgers, late Broadway greats, have brilliant last words by Charles McNulty

D.T. Max's "Finale," about Sondheim, and "Shy," by Mary Rodgers and Jesse Green, bring the singular Broadway personalities back to life.

SOURCE: Los Angeles Times at 12:17PM
Friday, November 18, 2022

Review: Mentalist Vinny DePonto plays benevolent mind games at the Geffen Playhouse by Charles McNulty

Created and performed by theater artist and mentalist Vinny DePonto, 'Mindplay' probes the unreliable narrators of our minds in a Geffen Playhouse world premiere.

SOURCE: Los Angeles Times at 04:00PM
Sunday, November 6, 2022

Review: In the Ahmanson's '2:22 - A Ghost Story,' poltergeists are more believable than people by Charles McNulty

The play's U.S. premiere brings the horror, but wastes the talents of Constance Wu, Finn Wittrock, Anna Camp and Adam Rothenberg on creaky characters.

SOURCE: Los Angeles Times at 02:16PM
Friday, October 28, 2022

Review: 'To Kill a Mockingbird' arrives at the Hollywood Pantages with troubling timeliness by Charles McNulty

Aaron Sorkin's hit Broadway stage adaptation of Harper Lee's 'To Kill a Mockingbird' shapes the classic 1960 novel for a new era.

SOURCE: Los Angeles Times at 12:29PM
Sunday, October 23, 2022

Commentary: Redemption, writ large, in L.A. Opera's divine 'Omar' by Charles McNulty

'Omar,' the new opera by singer-songwriter Rhiannon Giddens and film composer Michael Abels, gets its West Coast premiere by L.A. Opera.

SOURCE: Los Angeles Times at 07:30PM
Tuesday, October 18, 2022

Review: Tony-winning 'The Inheritance' is better in Los Angeles than on Broadway by Charles McNulty

The Geffen Playhouse production of 'The Inheritance' superbly realizes playwright Matthew López's vision. At 6½ hours long, it's worth every minute.

SOURCE: Los Angeles Times at 04:27PM
Thursday, October 13, 2022

Review: Samuel L. Jackson stars in a not-always-in-tune Broadway revival of 'The Piano Lesson' by Charles McNulty

The first Broadway revival of August Wilson's Pulitzer Prize-winning 'The Piano Lesson' stars Samuel L. Jackson, Danielle Brooks and John David Washington.

SOURCE: Los Angeles Times at 09:00PM
Tuesday, October 11, 2022

Review: I was skeptical of Lea Michele. Then I saw her deliver a tour de force in 'Funny Girl' by Charles McNulty

I wasn't particularly excited by sitting through another 'Funny Girl' revival. But I left understanding why tickets to see Lea Michele star as Fanny Brice in the musical are going for a king…

SOURCE: Los Angeles Times at 04:37PM

Appreciation: Angela Lansbury, an instantly recognizable and readily transformable talent by Charles McNulty

Angela Lansbury, the star of stage and screen who died on Tuesday, put her talents at the service of story.

SOURCE: Los Angeles Times at 04:29PM
Friday, September 30, 2022

Review: At the Taper, 'SNL's' Cecily Strong takes on Lily Tomlin's beloved one-woman show by Charles McNulty

Cecily Strong reprises her performance in an updated version of Jane Wagner's 'The Search for Signs of Intelligent Life in the Universe.'

SOURCE: Los Angeles Times at 05:17PM
Wednesday, September 28, 2022

Commentary: Four veteran stage actors discuss taking on risky roles later in life by Charles McNulty

A conversation with four older cast members starring in Antaeus Theatre Company's production of Branden Jacobs-Jenkins' 'Everybody.' 'You learn simplicity, you learn economy.'

SOURCE: Los Angeles Times at 04:02PM
Tuesday, September 20, 2022

Review: 'Sanctuary City,' a compassionate tale of post-9/11 undocumented life, is not to be missed by Charles McNulty

Martyna Majok's 'Sanctuary City' movingly tracks the plight of those living in the shadows of citizenship.

SOURCE: Los Angeles Times at 04:56PM
Friday, September 16, 2022

Review: Daniel Fish's brooding, deconstructed 'Oklahoma!' electrifies the Ahmanson by Charles McNulty

Daniel Fish's Tony-winning revival of Rodgers & Hammerstein's 'Oklahoma!' reveals the underside of the American story.

SOURCE: Los Angeles Times at 08:59PM
Wednesday, September 14, 2022

Commentary: Torn between two careers: Matt Shakman and the dilemma of the starry-eyed Geffen Playhouse by Charles McNulty

What does Matt Shakman's decision to step down as as artistic director of the Geffen Playhouse say about the theater's future?

SOURCE: Los Angeles Times at 10:00AM
Tuesday, September 13, 2022

Review: A striking revival of 'Ghosts' at the Odyssey suffers from lack of ensemble cohesion by Charles McNulty

Bart DeLorenzo directs a revival of 'Ghosts,' Henrik Ibsen's 1881 masterpiece about family secrets that refuse to stay buried.

SOURCE: Los Angeles Times at 06:05PM
Saturday, September 10, 2022

Review: Deaf West confronts passion of 'Oedipus' at the Getty Villa in expressive new version by Charles McNulty

Sophocles' masterpiece has been reimagined in an adventurous production in American Sign Language and spoken English.

SOURCE: Los Angeles Times at 02:04PM
Tuesday, August 23, 2022

Review: Was Abraham Lincoln gay? A new play in L.A. imagines his life through a queer lens by Charles McNulty

Roger Q. Mason's play "Lavender Men," which is having its world premiere at Skylight Theatre, brings Abraham Lincoln back from the dead to relive his relationship with a law clerk to whom he…

SOURCE: Los Angeles Times at 03:47PM
Friday, August 12, 2022

Review: 'Prom' season is over the top at the Ahmanson Theatre by Charles McNulty

'The Prom,' the 2018 Broadway musical that gave rise to the 2020 film starring Meryl Streep and James Corden, has its L.A. premiere at the Ahmanson Theatre.

SOURCE: Los Angeles Times at 10:00AM
Tuesday, August 9, 2022

Review: The banality of evil is central to a disturbingly resonant 'Here There Are Blueberries' by Charles McNulty

"Here There Are Blueberries," based on the story of a photo album from Auschwitz sent to the U.S. Holocaust Memorial Museum, world premieres at La Jolla Playhouse.

SOURCE: Los Angeles Times at 08:09PM
Monday, August 8, 2022

Mike Birbiglia swims for his life in 'The Old Man and the Pool' at the Taper by Charles McNulty

Mike Birbiglia returns to Center Theatre Group with an existential stand-up show centered on a YMCA pool.

SOURCE: Los Angeles Times at 12:05PM
Friday, August 5, 2022

Robert Egan 'is Ojai': Longtime Playwrights Conference artistic director takes a final bow by Charles McNulty

As Robert Egan retires as the leader of the Ojai Playwrights Conference after 20 years, he reflects on the organization's past, present, and future.

SOURCE: Los Angeles Times at 06:47PM
Monday, July 18, 2022

Review: 'Freestyle Love Supreme' is the hip-hop improv potluck that leaves you stuffed and starved by Charles McNulty

'Freestyle Love Supreme,' the show created by Lin-Manuel Miranda, Thomas Kail and Anthony Veneziale, opens at Pasadena Playhouse after enjoying a successful run on Broadway.

SOURCE: Los Angeles Times at 03:05PM
Thursday, July 14, 2022

Inside Center Theatre Group's slow and systematic search for its next leader by Charles McNulty

Following Michael Ritchie's departure last year, Center Theatre Group is still in the early stages of its search for its next artistic leader. What does this deliberate, albeit sluggish, app…

SOURCE: Los Angeles Times at 03:33PM
Sunday, July 10, 2022

Review: Wayne Brady sashays to the rescue in 'Kinky Boots' at the Hollywood Bowl by Charles McNulty

Jerry Mitchell's Hollywood Bowl production of "Kinky Boots," Cyndi Lauper and Harvey Fierstein's Tony-winning musical, showcased a brilliant Wayne Brady.

SOURCE: Los Angeles Times at 05:45PM
Friday, July 8, 2022

Review: 'Moulin Rouge! The Musical' arrives at the Pantages in a burst of colorful excess by Charles McNulty

The Tony-winning stage adaptation of Baz Luhrmann's 2001 film, 'Moulin Rouge! The Musical' opens at the Hollywood Pantages Theatre.

SOURCE: Los Angeles Times at 05:18PM
Tuesday, July 5, 2022

Review: 'A Wicked Soul in Cherry Hill' is a charming albeit troubling true-crime musical by Charles McNulty

Mike Donahue directs the Geffen Playhouse world premiere of this new true-crime musical set in a tightknit Jewish community in New Jersey.

SOURCE: Los Angeles Times at 03:13PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre