Wednesday, February 14, 2018
The production of “Harry Clarke,” a one-man show starring Billy Crudup, is the latest step in the audiobook maker’s investment in contemporary theater.
SOURCE: The New York Times Subscription at 02:26PMMonday, February 12, 2018
Performers in the experiential show Sleep No More allege that they were sexually assaulted by patrons, raising concerns about the vulnerability of actorsLast week, Buzzfeed published an arti…
SOURCE: The Guardian at 11:45AMMonday, February 5, 2018
Steph Del Rosso’s new play, “Fill Fill Fill Fill Fill Fill Fill,” has breakneck banter and frisky wordplay. But is there anything new to say about a bad romance?
SOURCE: The New York Times Subscription at 04:17PMFriday, February 2, 2018
In his solo show at Rattlestick Playwrights Theater, Mashuq Mushtaq Deen traces his journey of gender transition through the eyes of onlookers.
SOURCE: The New York Times Subscription at 09:45PMRude Mechs boil down the 800 pages of “The Brothers Karamazov” to a searching but silly 80-minute show. Hot tub included.
SOURCE: The New York Times Subscription at 12:42PMWednesday, January 31, 2018
After a near-death experience, the audacious Soho Rep moves back into its longtime home with a typically challenging production.
SOURCE: The New York Times Subscription at 11:10AMTuesday, January 23, 2018
Monday, January 15, 2018
“Parable of the Sower” is an earnest call to action, while the irreverent “Pursuit of Happiness” finds a Slovenian dance troupe in unfamiliar territory.
SOURCE: The New York Times Subscription at 04:52PMThursday, January 11, 2018
An updated version of the star’s stage performance of both personal tales and published short stories is a disappointingly ordinary experienceAmerican Airlines Theatre, New York Maybe some…
SOURCE: The Guardian at 09:00PMWednesday, January 10, 2018
Take two electronic music concept albums. Add a glamorous performer and lots of spandex. The result: a rock opera battle for the soul of the universe.
SOURCE: The New York Times Subscription at 09:42PMHer new Jim Crow-era play, “He Brought Her Heart Back in Box,” shows that even late in an influential career, she’s not mellowing.
SOURCE: The New York Times Subscription at 12:11PMTuesday, January 2, 2018
Alison S.M. Kobayashi was determined to figure out who made a set of puzzling 1950s recordings. Her detective work led to a sneakily moving interactive play.
SOURCE: The New York Times Subscription at 05:29PMBlockbuster movie musicals are set to dominate over the next 12 months while a host of big star names will also be jostling for Tonys2017? Let it go. After an unusually bleak year on Broadwa…
SOURCE: The Guardian at 06:00AMWednesday, December 27, 2017
Monday, December 25, 2017
All our critic wanted was to stop judging and share a holiday show with her daughter. But her pint-size companion had other ideas.
SOURCE: The New York Times Subscription at 05:33AMWednesday, December 20, 2017
In “Mankind,” the playwright imagines a world in which women are extinct. “You have to go for the throat,” he says.
SOURCE: The New York Times Subscription at 11:12AMTheatrical dystopias are in the air, as playwrights conjure nuclear fallout, insectoid aliens and everyday assassinations.
SOURCE: The New York Times Subscription at 11:12AMMonday, December 18, 2017
The teen riff on Les Liaisons Dangereuses is now an off-Broadway stage show complete with signature cocktails and an Alanis Morissette/REM mash-upOnstage at a cabaret club in New York’s Gr…
SOURCE: The Guardian at 04:24PMFriday, December 15, 2017
Before heading to rehearsals for the Off Broadway play “Cardinal,” Ms. Chlumsky shopped for candles, perfumes and other holiday presents.
SOURCE: The New York Times Subscription at 02:24PMTuesday, December 12, 2017
Jimmy Fowlie’s one-man show satirizes the struggling, self-involved actress played by Emma Stone in the movie.
SOURCE: The New York Times Subscription at 11:33AMMonday, December 11, 2017
The venerable experimental troupe Mabou Mines incorporates “Frankenstein,” fetishwear and puppetry in excavating the playwright’s obsessions.
SOURCE: The New York Times Subscription at 02:24PMThursday, December 7, 2017
Political themes inevitably emerged alongside star turns from Bette Midler and Kevin Kline but despite some promising new plays, disappointment lingered In 2017, Broadway broke record after …
SOURCE: The Guardian at 08:18AMMonday, December 4, 2017
The Palace Theatre, New YorkAn eclectic selection of original songs, written by everyone from John Legend to Aerosmith, meshes awkwardly with vibrant production design in this entertaining y…
SOURCE: The Guardian at 10:24PMIn this Public Theater Mobile Unit production, streamlining Shakespeare makes the plot turns and mood swings hard to comprehend.
SOURCE: The New York Times Subscription at 02:18PMSunday, December 3, 2017
Pershing Square Signature CenterSeth Zvi Rosenfeld draws on a real and frightening event from the bicentennial year but his play feels like an early draft, stronger on sensation than insight…
SOURCE: The Guardian at 08:06PMThursday, November 30, 2017
The Ripe Time adaptation of Haruki Murakami’s short story focuses on an unnamed housewife who finds exhilaration in sleeplessness
SOURCE: The New York Times Subscription at 03:04PMWednesday, November 29, 2017
The comedian stars alongside Keegan-Michael Key and Laura Benanti in Steve Martin’s mixed bag of sitcom humor and raunchy jokesBooth Theatre, New YorkSteve Martin’s lump of sight gags, o…
SOURCE: The Guardian at 10:54PMMonday, November 27, 2017
He-said, she-said ambiguities are certainly dramatic. But they also ignore hard truths that we need to hear right now.
SOURCE: The New York Times Subscription at 11:33AMSunday, November 26, 2017
Susan Miller’s sweet but softhearted play finds old friends challenged when the photographer among them wants to display group images taken over 40 years.
SOURCE: The New York Times Subscription at 11:04PMFriday, November 24, 2017
A pair of magic shows set in unusual sites have even jaded New York audiences happily losing their minds.
SOURCE: The New York Times Subscription at 08:18AMMonday, November 20, 2017
Toggling between the years 2017 and 73, this play about American Jews on a trip to Israel seems confused about what it is trying to say.
SOURCE: The New York Times Subscription at 01:36PM 
