All stories by Alexis Soloski on BroadwayStars

Sunday, August 4, 2019

At These High-End Dinner Theaters, Classics Come With Crudités by Alexis Soloski

An adaptation of “A Midsummer Night’s Dream” makes a picnic of pentameter, and decadent dining accompanies William Blake in “The Devouring.”

SOURCE: The New York Times Subscription at 05:36PM
Wednesday, July 31, 2019

Men Who Aren’t Afraid of Tears by Alexis Soloski

Jake Gyllenhaal and Tom Sturridge grapple with love, grief and vulnerability in “Sea Wall/A Life,” paired one-act plays on Broadway.

SOURCE: The New York Times Subscription at 10:32AM
Monday, July 22, 2019

Review: In ‘Get on Your Knees,’ a Comedian Goes There by Alexis Soloski

Jacqueline Novak’s show, a stand-up comedy set that inclines toward theater, offers a personal and intellectual history of oral sex.

SOURCE: The New York Times Subscription at 10:06PM
Thursday, July 18, 2019

From Russia, With Despair, Self-Loathing and Love by Alexis Soloski

What do two contemporary playwrights have in common with Anton Chekhov? A bunch.

SOURCE: The New York Times Subscription at 11:18AM
Friday, July 12, 2019

Review: 2 Women in a Cell, Grasping for Sanity in ‘No One Is Forgotten’ by Alexis Soloski

This play, a response to the rise in the deaths of journalists, is a reminder that imprisonment can happen to anyone.

SOURCE: The New York Times Subscription at 11:48PM
Monday, July 8, 2019

They Didn’t Speak for Nearly a Decade. Then They Made a Show About It. by Alexis Soloski

After starring together in “The Last Five Years” and “Dirty Rotten Scoundrels,” Norbert Leo Butz and Sherie Rene Scott had a “fracture” in their relationship. How do you set that…

SOURCE: The New York Times Subscription at 01:54PM
Wednesday, July 3, 2019

David Cale Has a New Story to Tell: His Own by Alexis Soloski

In his musical memory play at the Public Theater, he’s no longer being indirect about the violence that shaped, and shadowed, his life.

SOURCE: The New York Times Subscription at 03:03PM

Review: Criss Angel Goes Broadway, and the Blood and Spiders Follow by Alexis Soloski

What happens when the “Mindfreak” unplugs? A little less gore and a tribute to a magician who came before him. Plus: boob jokes.

SOURCE: The New York Times Subscription at 03:03PM
Monday, June 24, 2019

Review: In ‘Leap,’ a Quarter-Life Crisis Goes On for a Lifetime by Alexis Soloski

Chana Porter’s absurdist take on “Peer Gynt” finds a young woman trying on new identities but finding that none quite fit.

SOURCE: The New York Times Subscription at 04:54PM
Monday, June 17, 2019

‘Oh! Calcutta!’ at 50: Still Naked After All These Years by Alexis Soloski

John Lennon and Sam Shepard wrote sketches. The cast was unclothed. And it went on to a two-decade Broadway run. An oral history of one of theater’s unlikeliest hits.

SOURCE: The New York Times Subscription at 03:36PM
Sunday, June 16, 2019

Review: In ‘Pathetic,’ a Retelling of Racine, Love Hurts by Alexis Soloski

Julia Jarcho’s new play is a squirmy, sinister meditation on female desire, with a whiff of ancient Greece.

SOURCE: The New York Times Subscription at 01:18PM
Saturday, June 15, 2019

The Secret Life of Bees review – sweet, buzzy musical is one to watch by Alexis Soloski

Linda Gross Theater at the Atlantic Theater Company, New York The latest from Spring Awakening’s Duncan Sheik is a lush and emotionally impactful production with a smart book from Pulitzer…

SOURCE: The Guardian at 06:06AM
Tuesday, June 11, 2019

Michelle Wolf: 'My new period joke is for men – and they love it' by Alexis Soloski

The upfront standup took down Trump with a blistering routine at the White House correspondents’ dinner. But she won’t joke about him again Here are some things the comedian Michelle Wol…

SOURCE: The Guardian at 07:18AM
Monday, June 10, 2019

Why this year's Tony awards lacked that Broadway magic by Alexis Soloski

With most of the awards landing in predictable hands and a host who failed to add the requisite pizzazz, the annual Broadway love-in felt rather flat The 2019 Tony awards began with James Co…

SOURCE: The Guardian at 04:03PM
Monday, June 3, 2019

Review: ‘Nomad Motel,’ a Play With Vacancies by Alexis Soloski

In this untidy but often poignant drama, Carla Ching brings together the young and the rootless in Southern California.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, May 30, 2019

Bernadette Peters: 'Every role I've played, I've thought – that's me!' by Alexis Soloski

The Broadway powerhouse talks about trusting Sondheim, hearing others sing her songs and waiting to be taken seriously Cafe Luxembourg, the closet-sized New York bistro Bernadette Peters cho…

SOURCE: The Guardian at 04:42AM
Monday, May 27, 2019

Bronx Gothic: one woman shaking oppression to the core by Alexis Soloski

Assaulting the audience with its ‘twerking gone wrong’, Okwui Okpokwasili’s dance-theatre hybrid draws on difficult memories of her childhood Okwui Okpokwasili wants to shake you. Up a…

SOURCE: The Guardian at 06:48AM
Wednesday, May 22, 2019

Review: In ‘Lunch Bunch,’ You Are What Eats You by Alexis Soloski

Sarah Einspanier’s play centers on beleaguered public defenders trying to find ways to nourish themselves and maybe one another.

SOURCE: The New York Times Subscription at 04:06PM

3 Days in a Van With a Shakespeare Troupe. Daggers and Dunkin’ Donuts. by Alexis Soloski

The intrepid young actors from Shakespeare & Company perform on a four month tour, not unlike the traveling players from Elizabethan times.

SOURCE: The New York Times Subscription at 02:32PM
Friday, May 17, 2019

How Annette Bening Puts It All Onstage. But Keeps Something for Herself. by Alexis Soloski

The film star is nominated for a Tony for “All My Sons,” a play with which she has a personal connection.

SOURCE: The New York Times Subscription at 10:48AM
Tuesday, May 14, 2019

Critic’s Pick: Review: A Rollicking Trek ‘Around the World in 80 Days’ by Alexis Soloski

Laura Eason’s adaptation of the Jules Verne novel is a reminder of how to make stage magic from simple elements.

SOURCE: The New York Times Subscription at 03:06PM
Sunday, May 5, 2019

Review: In ‘Hans Christian Andersen: Tales Real and Imagined,’ No Happily Ever After by Alexis Soloski

The Ensemble for the Romantic Century’s production synthesizes dramatic narrative with chamber music and some fantastic puppetry.

SOURCE: The New York Times Subscription at 10:18PM
Friday, May 3, 2019

What Inspired a New Musical? Conspiracy Theories. And Yodeling. by Alexis Soloski

Dave Malloy, the “Great Comet” composer, unpacks three songs from “Octet,” his (yes) a cappella musical about digital addiction.

SOURCE: The New York Times Subscription at 11:04AM
Thursday, April 25, 2019

Beetlejuice review – fun, freaky Tim Burton adaptation haunts Broadway by Alexis Soloski

The Winter Garden, New York A stage transfer for the spirited 80s comedy struggles to produce any memorable songs but provides an enjoyably silly night out nonetheless A specter is haunting …

SOURCE: The Guardian at 09:30PM
Tuesday, April 23, 2019

Tootsie review – Broadway adaptation is a giddy night out by Alexis Soloski

The Marquis Theatre, New York Crazy Ex-Girlfriend star Santino Fontana gives a charming performance as a man dressing up as a woman to get ahead What if all that stood between you and succes…

SOURCE: The Guardian at 09:30PM
Monday, April 22, 2019

All My Sons review – Annette Bening and Tracy Letts power sturdy revival by Alexis Soloski

The American Airlines Theatre, New York Thrilling, note perfect performances elevate yet another staging of Arthur Miller’s transgressive tragedy A play about the rancid heart of the Ameri…

SOURCE: The Guardian at 09:30PM

Gary review – Taylor Mac's Titus sequel is a bloody mess by Alexis Soloski

The Booth Theatre, New York An inspired idea, a comedic follow-up to Shakespeare’s brutal tragedy, is sadly not enough to sustain a disappointingly thin show Nine onstage deaths, three sev…

SOURCE: The Guardian at 10:47AM
Sunday, April 21, 2019

Ben Platt: 'Beyoncé gave me flowers. I'm afraid to touch them' by Alexis Soloski

He played ‘anxious weirdo nerds’ in Pitch Perfect and Dear Evan Hansen, but on his soul-baring new album Ben Platt has a new role ... himself ‘I really like playing people who aren’t…

SOURCE: The Guardian at 10:00AM
Friday, April 19, 2019

Hillary and Clinton review – Laurie Metcalf on winning form in solid drama by Alexis Soloski

The Golden Theatre, New York The Tony award winner dominates as the politician in a 2008-set work of speculative stage drama with John Lithgow as her supportive husband Remember when Hillar…

SOURCE: The Guardian at 09:07AM
Thursday, April 18, 2019

In John Cameron Mitchell’s Podcast, a Rock Musical That’s All in Your Head by Alexis Soloski

“Anthem: Homunculus” is a six-hour, 10-episode epic about a man and his teratoma. The tumor sings. As do Glenn Close, Patti LuPone and Cynthia Erivo.

SOURCE: The New York Times Subscription at 04:00AM
Tuesday, April 16, 2019

Burn This review – Adam Driver ignites patchy Broadway revival by Alexis Soloski

Hudson Theatre, New York A standout performance from the brooding actor is the main selling point of an 80s-set comedy drama that fails to match him A small play about big words – sex, dea…

SOURCE: The Guardian at 09:30PM