All stories by James Fennemore on BroadwayStars

Friday, August 29, 2014

Edinburgh Review: Wuthering Heights, Summerhall by James Fennemore

Sometimes we read to escape ourselves. But, more often, we read ourselves into the novel and the novel into ourselves. We place its narrative alongside our own, and we measure the characters…

SOURCE: A Younger Theatre at 06:38PM

Edinburgh Review: The Penelopiad, C by James Fennemore

The Penelopiad is the tails-side of a coin with Odysseus’s face on it. It’s the domestic story behind the Homeric epic, following the life of Penelope, left on Ithaca with her son Telema…

SOURCE: A Younger Theatre at 06:27PM

Edinburgh Review: Thrill Me: The Leopold and Loeb Story, C by James Fennemore

It’s been done several times on stage and on film before, but the story of Nathan Leopold and Richard Loeb has been given the musical treatment here, with book, music and lyrics by Stephen…

SOURCE: A Younger Theatre at 06:12PM
Tuesday, August 26, 2014

Edinburgh Review: Verbatopolis, C by James Fennemore

Verbatopolis is the germ of something excellent. For a school Fringe production, this is an inventive and engaging piece. The vast cast of 17 lead the audience through a series of scenarios,…

SOURCE: A Younger Theatre at 10:12AM

Edinburgh Review: The Improv Musical, C by James Fennemore

Calling this show ‘The’ Improv Musical is stretching it a bit. In a Fringe where there are other improvised musicals, this production from Music Theatre Warwick is a fun but pretty ordin…

SOURCE: A Younger Theatre at 04:04AM

Edinburgh Review: Lavender Junction, C nova by James Fennemore

Haven’t we heard this story enough times now? Lisa White’s one-woman show, in which she performs material from an interview with an elderly relative, tells of a woman growing up in colon…

SOURCE: A Younger Theatre at 03:39AM
Sunday, August 24, 2014

Edinburgh Review: The Closure of Craig Solly, Underbelly Bristo Square by James Fennemore

The Closure of Craig Solly is Russell Kane’s debut Fringe theatre performance, a monologue given by a convicted mobster, Craig Solly, from his prison cell. This is accomplished writing and…

SOURCE: A Younger Theatre at 05:59AM

Edinburgh Review: Feral, Underbelly Bristo Square by James Fennemore

Feral exhibits extraordinary puppetry and multimedia techniques. It’s skilful and very impressive, but lacks the human touch that would make it a really satisfying theatrical experience. T…

SOURCE: A Younger Theatre at 05:55AM

Edinburgh Review: UCAS, Greenside @ Nicolson Square by James Fennemore

UCAS forms are actually pretty dull. Writing a personal statement, aged 18, is a rather strained and dismal experience, which seems like the most important thing at the time, but quickly rec…

SOURCE: A Younger Theatre at 05:50AM
Saturday, August 23, 2014

Edinburgh Review: MenSWEAR Collection: Spunk, C nova by James Fennemore

Don’t be fooled by the title – Spunk is a heartfelt and accomplished exploration of intimacy, confronting society’s discomfort over disability and sex. James (Grant Robert Keelan) is w…

SOURCE: A Younger Theatre at 04:24PM
Friday, August 22, 2014

Edinbrugh Review: Zombie Science: Worst Case Scenario, C by James Fennemore

Zombie Science: Worst Case Scenario is a science lesson disguised as a zombie apocalypse show. It’s occasionally a little bit patronising, and some of its jokes fall a little flat, but thi…

SOURCE: A Younger Theatre at 09:54AM

Edinburgh Review: The Future for Beginners, Summerhall by James Fennemore

The Future for Beginners explores what it might be like to plan every moment of our existence. It’s an idea that shows some early promise, but lacks the legs for a successful or particular…

SOURCE: A Younger Theatre at 09:50AM

Edinburgh Review: Macbheatha, Summerhall by James Fennemore

Watching a familiar play in a language entirely unknown to you is a peculiar experience. That’s what David Walker and White Stag Theatre Company have created (for me, at least) in this eco…

SOURCE: A Younger Theatre at 09:48AM
Thursday, August 21, 2014

Edinburgh Review: I Promise You Sex and Violence, Northern Stage at King’s Hall by James Fennemore

I Promise You Sex and Violence aims to shock. But if the company thinks this show is making an urgent socio-political statement, it certainly doesn’t come across. Instead the production is…

SOURCE: A Younger Theatre at 03:09PM

Edinburgh Review: Raymondo, Summerhall by James Fennemore

Raymondo is a proper story. Like one you’d actually make up, with larger-than-life characters, in a weird and wicked world, battling it out for love and happiness. Annie Siddons’s quirky…

SOURCE: A Younger Theatre at 09:44AM

Edinburgh Review: Good Timin’, Northern Stage at King’s Hall by James Fennemore

Good Timin’ is the story of Ian Mclaughlin’s search for his estranged father. It’s warm and tender, and an interesting reflection on what makes us who we are. Mclaughlin’s tale begin…

SOURCE: A Younger Theatre at 09:39AM

Edinburgh Review: Dreams of Peace and Freedom, C south by James Fennemore

Dreams of Peace and Freedom is a tribute to David Maxwell Fyfe, who was one of the Nuremberg prosecutors and an important advocate of the European Convention of Human Rights. Put together by…

SOURCE: A Younger Theatre at 09:19AM
Wednesday, August 20, 2014

Edinburgh Review: Broke, Pleasance Dome by James Fennemore

Paper Birds’ Broke brims with urgency. It proves that personal experiences of debt and financial insecurity tessellate to produce a politically-charged bigger picture. Paper Birds has inse…

SOURCE: A Younger Theatre at 11:35AM

Edinburgh Review: Inheritance Blues, Pleasance Courtyard by James Fennemore

Inheritance Blues is a perfect fit for the talented DugOut Theatre performers. The three-piece band, The Hot Air Ballues, tell the story of their first job, playing at a wake in Dorset pub. …

SOURCE: A Younger Theatre at 04:38AM
Tuesday, August 19, 2014

Edinburgh Review: Bond! ZOO by James Fennemore

There’s certainly potential in the idea of a fun, sharp stage parody of the James Bond franchise – but this isn’t it. Gavin Robertson’s one-man mime-led Bond spoof doesn’t have any…

SOURCE: A Younger Theatre at 10:31AM

Edinburgh Review: Life on the One Wheel, ZOO by James Fennemore

Palpably nervous, the company of Life on the One Wheel appeared unready and unhappy to deliver the first performance of their underdeveloped devised show. The content here is sparse. The pie…

SOURCE: A Younger Theatre at 10:27AM

Edinburgh Review: I Am the Wind, Greenside @ Nicolson Square by James Fennemore

When Simon Stephens’s version of Jon Fosse’s I Am the Wind opened in 2011, it was met with suspicion by most British critics. Predictably for Stephens, when it then toured Europe, the pr…

SOURCE: A Younger Theatre at 10:18AM

Edinburgh Review: Nothing, Summerhall by James Fennemore

Nothing inspires faith in the capability of theatre to serve a whole generation. It feels urgent and necessary, and is about as good as young, emerging fringe theatre gets. Lulu Raczka’s w…

SOURCE: A Younger Theatre at 09:49AM
Tuesday, July 29, 2014

Feature: Edinburgh preview – Clara Brennan’s ‘Spine’ by James Fennemore

Writing recently for Exeunt, Catherine Love recalled an experience that epitomises the Edinburgh Fringe for her. It was hearing a play read in the Traverse bar, producing “some strange…

SOURCE: A Younger Theatre at 07:10AM
Wednesday, October 16, 2013

Feature: 1984 – simultaneously particular and universal by James Fennemore

As Headlong’s new production of Orwell’s 1984 tours the UK, AYT talks to Robert Icke, co-writer and co-director of the piece 1984 is a book known for its concepts more than as …

SOURCE: A Younger Theatre at 07:11AM
Thursday, October 18, 2012

Tennessee Williams’ Hotel Plays: three different times and places by James Fennemore

Most people stay in hotels, Tennessee Williams lived in them and now Defibrilator Theatre are performing in one. James Fennemore discovers their Hotel Plays.

SOURCE: A Younger Theatre at 09:35AM
Monday, September 24, 2012

Spotlight On: Ockham’s Razor by James Fennemore

James Fennemore profiles the work of celebrated aerial physical theatre company, Ockham's Razor, and their new show Not Until We Are Lost.

SOURCE: A Younger Theatre at 02:25PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards