All stories by Devawn Wilkinson on BroadwayStars

Monday, March 24, 2014

Review: Head Hand Head, Battersea Arts Centre by Devawn Wilkinson

Head Hand Head: the mantra and the motion of the obsessive compulsive. From thought to action, internal anxiety is manifested – part-safety, part-affliction. Laura Jane Dean’s so…

SOURCE: A Younger Theatre at 03:38PM
Saturday, March 1, 2014

Review: Karaoke, Battersea Arts Centre by Devawn Wilkinson

Imagine a panic-stricken stream-of-consciousness calibrated into an auto-cue. Imagine looking into a fun-house mirror, with the way it takes what you know then stretches and bends it, giving…

SOURCE: A Younger Theatre at 07:45PM
Wednesday, February 26, 2014

Feature: INCOMING Preview – Bucket Club by Devawn Wilkinson

It’s been quite a year for Bucket Club, and to be honest, this new company’s progress is a little enviable. Formed in May 2013, a gang of like-minded Bristol graduates itching to…

SOURCE: A Younger Theatre at 05:17AM
Thursday, February 13, 2014

Feature: Chris Thorpe – starting the conversation by Devawn Wilkinson

“This is not an interview, this is a conversation,” asserts Chris Thorpe fervently, as I’m apologising for offering a stream of personal observations on his work rather than any st…

SOURCE: A Younger Theatre at 07:24AM
Tuesday, November 5, 2013

Feature: Brian Lobel’s ‘Purge’ – a space for dialogue by Devawn Wilkinson

Would you let a panel of strangers choose your outfit in the morning? Or perhaps select your date for the evening? How about letting them make the call on whether to keep or delete your Face…

SOURCE: A Younger Theatre at 05:03AM
Monday, November 4, 2013

Review: Billy the Girl, Soho Theatre by Devawn Wilkinson

Billy’s back home after a year in prison and, whilst she’s bright-eyed and beaming, her conversation a mishmash of motivational ‘positive thinking’ slogans, her mothe…

SOURCE: A Younger Theatre at 09:26AM
Monday, October 14, 2013

Review: Best of BE Festival, Barbican Pit Theatre by Devawn Wilkinson

The Barbican plays host to the touring Best of Birmingham European Festival, offering a tasty interval meal along with this line-up of similarly appetising, if not entirely consistent, new w…

SOURCE: A Younger Theatre at 09:12AM
Sunday, October 13, 2013

Review: Caesarean Section: Essays on Suicide by Devawn Wilkinson

In the darkness, the sound of glass shattering, ragged breaths, the dull thud of bodies thrown heavily against the floor. An orange rolls through a spreading pool of blood-red wine. A woma…

SOURCE: A Younger Theatre at 05:55AM
Thursday, August 29, 2013

Edinburgh International Festival Review: First Love by Devawn Wilkinson

The plot of Samuel Beckett’s 1946 novella, First Love, is so very plausible that, if given only the synopsis, you’d be forgiven for thinking the work had been misattributed. T…

SOURCE: A Younger Theatre at 06:02AM

Edinburgh Fringe Review: Roughs by Devawn Wilkinson

(3/5 stars) East 15 Acting School has developed rather a reputation recently for churning out talented all-rounder artists, and assured actor-directors Adam El Hagar and Michael Rivers of …

SOURCE: A Younger Theatre at 03:24AM
Tuesday, August 27, 2013

Edinburgh Fringe Review: Economy of Thought by Devawn Wilkinson

(2/5 stars) When a tasteless office prank goes disastrously awry, the shadowy world of investment bankers becomes a whole lot darker. Against the gloomy backdrop of our current economic clim…

SOURCE: A Younger Theatre at 10:00AM

Edinburgh Fringe Review: Je ne sais quoi by Devawn Wilkinson

(2/5 stars) What might now be called ‘cabaret’ was a very different experience in 1890s France. Forget raunchy repartee, damaged divas and any trace of glitter – Nathalie Joly&…

SOURCE: A Younger Theatre at 07:34AM
Monday, August 26, 2013

Edinburgh Fringe Review: Genesis/Golgatha by Devawn Wilkinson

(4/5 stars) In a rather obscure Assembly venue space tucked behind a construction site, two of the most famous people in the world take the stage in order to speak to us. It’s been a l…

SOURCE: A Younger Theatre at 09:10AM

Edinburgh Fringe Review: The Tin Ring by Devawn Wilkinson

(5/5 stars) Dignity, passion and human resilience take centre stage in this compelling and considered adaptation of Zdenka Fantlova’s memoir, The Tin Ring, the eponymous ring being …

SOURCE: A Younger Theatre at 08:12AM
Sunday, August 25, 2013

Edinburgh Fringe Review: Long Distance Affair (make possible an impossible trip) by Devawn Wilkinson

(3/5 stars) “Would you like a kiss?” asks my Long Distance Affair guide during her off-beat and quasi-poetic opening speech that explains the practicalities of what’s about…

SOURCE: A Younger Theatre at 07:51PM

Edinburgh International Festival Review: Dido and Aeneas/Bluebeard’s Castle by Devawn Wilkinson

Some valuable life advice: if you’re a female character in an opera, do not fall in love. Chances are you’ll end up cursed, dead or trapped forever in your murderous lover’…

SOURCE: A Younger Theatre at 12:17PM
Saturday, August 24, 2013

Edinburgh Fringe Review: The Boss of It All by Devawn Wilkinson

(4/5 stars) A struggling actor takes on a corporate role-play job – not a particularly innovative story line, you might think, but when it’s New Perspective’s The Boss of It Al…

SOURCE: A Younger Theatre at 09:34PM

Edinburgh Fringe Review: Peep – ‘La Petite Mort’ and ‘Sex Life’ by Devawn Wilkinson

[author post rating] (3/5 stars) You have to hand it to whoever at Natural Shocks thought of pitching the PEEP tent – all black industrial plastic and lurid pink neon – right in the mid…

SOURCE: A Younger Theatre at 09:36AM

Edinburgh Fringe Review: It Needs Horses/Home for Broken Turns by Devawn Wilkinson

(3/5 stars) Acclaimed choreographer duo Lost Dog uphold their reputation for provocative and dynamic work with this delectable double bill of dance theatre pieces, It Needs Horses and Home …

SOURCE: A Younger Theatre at 05:22AM
Friday, August 23, 2013

Edinburgh Fringe Review: The Epicene Butcher and Other Stories for Consenting Adults by Devawn Wilkinson

(2/5 stars) The Japanese art of Kamishibai – which translates as ‘paper drama’ – receives a drastically modern incarnation in this curiousity arousing but ultimately unsatisf…

SOURCE: A Younger Theatre at 10:29PM
Thursday, August 22, 2013

Edinburgh Fringe Review: Two is the Beginning of the End by Devawn Wilkinson

(2/5 stars) In a palatable mixture of J.M Barrie and autobiographical material, Fishbowl Theatre offers up a unique deliberation on growing up and ‘getting real’… whatever …

SOURCE: A Younger Theatre at 10:53PM

Edinburgh Fringe Review: Yellow Pears by Devawn Wilkinson

(2/5 stars) I’ve a soft spot for generous and unpretentious performers, so before I cast aspersions on Swept Up Theatre’s Yellow Pears, I have to emphasise that it’s a lovingl…

SOURCE: A Younger Theatre at 10:17PM

Edinburgh Fringe Review: Whatever Gets You Through the Night by Devawn Wilkinson

(4/5 stars) Ever felt homesick for a place you’ve never lived? Such is the effect of Cora Bissett’s multi-disciplinary multi-authored mini-odyssey across Scottish cities at night…

SOURCE: A Younger Theatre at 08:59PM

Edinburgh Fringe Review: Damned by Devawn Wilkinson

(2/5 stars) Think watered-down Waiting for Godot, populated by characters from Carroll’s Wonderland who are dressed like characters from Brideshead Revisited (go on, Google it – …

SOURCE: A Younger Theatre at 01:17PM

Edinburgh Fringe Review: Daughters by Devawn Wilkinson

(3/5 stars) Some of the most considered and exciting work I’ve seen at the Fringe so far has come from surprisingly young companies, and Hot Bear’s dark and involving drama Daug…

SOURCE: A Younger Theatre at 06:18AM
Wednesday, August 21, 2013

Edinburgh Fringe Review: XY by Devawn Wilkinson

(2/5 stars) I was left more than a little cold by today’s line-up at Papercut Theatre’s rotating showcase of short plays, XY. The project is an infinitely intriguing one to say t…

SOURCE: A Younger Theatre at 10:23PM

Edinburgh Fringe Review: The Beginning by Devawn Wilkinson

(3/5 stars) Hovering somewhere between rehearsal and the real thing, between table read and tech-run, Michael Pinchbeck’s The Beginning is an intricate and quietly compelling deliberat…

SOURCE: A Younger Theatre at 09:59PM

Edinburgh International Festival Review: Madame Freedom by Devawn Wilkinson

It’s difficult to launch confidently into my response to Hyo Jin Kim’s Madame Freedom. I wish I could say such difficulty was due to the fact that Madame Freedom is a profound an…

SOURCE: A Younger Theatre at 07:00AM
Tuesday, August 20, 2013

Edinburgh Fringe Review: (As/Des)cent by Devawn Wilkinson

(2/5 stars) Though positing itself as a great British ghost story, DBS Productions’s two-hander (As/Des)cent is disturbing for all the wrong reasons. Plot-wise, there’s a pretty…

SOURCE: A Younger Theatre at 11:01PM

Edinburgh Fringe Review: Snap out of It! by Devawn Wilkinson

It’s always a difficult moment when the “customer under a train” announcement is made on the Underground. There’s a discomfort that arises not merely from the event i…

SOURCE: A Younger Theatre at 09:41PM

Edinburgh Fringe Review: Turbulence by Devawn Wilkinson

(2/5 stars) Entita Company’s Turbulence, billed as a prequel to The Tempest,  asks a novel but really quite needless ‘what if..? of Shakespeare’s final play. The contest…

SOURCE: A Younger Theatre at 08:36PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards