All stories by Caroline Crampton on BroadwayStars

Wednesday, January 14, 2015

Liberian Girl, Royal Court Jerwood Theatre Upstairs by Caroline Crampton

When a play is preceded by a long list of content warnings, it’s hard not to let your judgement be coloured in advance. Sexual violence, strong language, strobe lighting, smoke effects, au…

SOURCE: The Arts Desk at 03:08AM
Wednesday, November 5, 2014

Made in Dagenham, Adelphi Theatre by Caroline Crampton

A significant milestone was passed this week - Tuesday, 4 November, was Equal Pay Day. From that day until the end of the year, the average woman in this country effectively works for free c…

SOURCE: The Arts Desk at 08:01PM
Thursday, October 2, 2014

Rachel, Finborough Theatre by Caroline Crampton

As a political act, the first performance of Angelina Weld Grimké’s Rachel in 1916 is exceptionally important. It was staged in Washington DC by the drama committee of the …

SOURCE: The Arts Desk at 06:35PM
Saturday, September 27, 2014

Flowers of the Forest, Jermyn Street Theatre by Caroline Crampton

As we arrive at the last few months of 2014, the temptation to say “Enough! No more!” to representations of the First World War creeps up. The centenary of 1914 has been so comprehensive…

SOURCE: The Arts Desk at 07:16AM
Saturday, August 30, 2014

Toast, Park Theatre by Caroline Crampton

Richard Bean has had a busy year, and it isn’t over yet. Great Britain, his bawdy play about press ethics and police corruption, is transferring to the West End after hitting the spot at t…

SOURCE: The Arts Desk at 04:22AM
Monday, August 11, 2014

Lady Windermere's Fan, King's Head Theatre by Caroline Crampton

“We are all in the gutter, but some of us are looking at the stars,” declares Lord Darlington in Act II of Oscar Wilde’s Lady Windermere’s Fan. He’s the classic Wildean cad - unpri…

SOURCE: The Arts Desk at 03:19AM
Saturday, July 12, 2014

In Lambeth, Southwark Playhouse by Caroline Crampton

When the lights go up on Jack Shepherd’s In Lambeth, you could be forgiven for assuming you were looking at a biblical scene. A man and a woman sit naked in the branches of a tree, a table…

SOURCE: The Arts Desk at 06:11AM
Thursday, June 26, 2014

Statements After an Arrest Under the Immorality Act, Jermyn Street Theatre by Caroline Crampton

For a play that involves a lot of movement, it is the freeze-frame stillnesses in Athol Fugard’s Statements After an Arrest Under the Immorality Act that linger before the eyes once it is …

SOURCE: The Arts Desk at 04:15AM
Thursday, June 12, 2014

Mr Burns, Almeida Theatre by Caroline Crampton

In creating Mr Burns, Anne Washburn was trying to answer a question overlooked by most purveyors of dystopian fictions: what would happen to pop culture after an apocalypse? The physical and…

SOURCE: The Arts Desk at 09:40PM
Saturday, May 31, 2014

A Human Being Died That Night, Hampstead Theatre by Caroline Crampton

Is there such a thing as a human right to forgiveness? Nicholas Wright's riveting play about the Truth and Reconciliation Commission (TRC) in post-apartheid South Africa circles around this …

SOURCE: The Arts Desk at 04:47AM
Saturday, May 24, 2014

Squirrels/The After-Dinner Joke, Orange Tree Theatre by Caroline Crampton

In French, when you want to end a digression and get a conversation back on point, you say "revenons à nos moutons". It's a commonly used idiom, meaning literally "let's get back to our she…

SOURCE: The Arts Desk at 05:18AM
Monday, April 21, 2014

The School for Scheming, Orange Tree Theatre by Caroline Crampton

Usually, to describe a play as "of its time" is a criticism. It is suggestive of drama that hasn't aged well, that doesn't work quite as well for today's audience as it did for the original …

SOURCE: The Arts Desk at 04:49AM
Saturday, March 29, 2014

Thérèse Raquin, Finborough Theatre by Caroline Crampton

Thérèse Raquin is not a happy sort of production. This musical adaptation of Émile Zola's 1867 novel transports you to the dank darkness of the Passage du Pont Neuf in 19th century Paris,…

SOURCE: The Arts Desk at 05:12AM
Monday, March 17, 2014

Invincible, Orange Tree Theatre by Caroline Crampton

It's unusual for a play to be political without being preachy, or dull, or both. As obsessed as we are with class distinctions, we aren't as good as we should be at pulling them apart. Invin…

SOURCE: The Arts Desk at 08:09PM
Saturday, March 15, 2014

The Husbands, Soho Theatre by Caroline Crampton

The Husbands is set in a feminist utopia – or so it appears at first glance. Shaktipur, the place the characters call home, is a rural matriarchal community in which women are leaders…

SOURCE: The Arts Desk at 05:20AM
Tuesday, February 11, 2014

It Just Stopped, Orange Tree Theatre by Caroline Crampton

Would you be able to tell if the world had ended? For Beth and Franklin, the wannabe intellectuals at the heart of Stephen Sewell's play, it proves quite difficult to ascertain whether life …

SOURCE: The Arts Desk at 06:49PM
Saturday, January 25, 2014

What the Women Did, Southwark Playhouse by Caroline Crampton

Barely a month of 2014 has passed, and yet already the opportunities to remember the First World War seem to be presenting themselves at every turn. In this trio of short plays, we get a mor…

SOURCE: The Arts Desk at 02:11AM
Tuesday, January 14, 2014

Not I, Footfalls, Rockaby, Royal Court Theatre by Caroline Crampton

In many ways, the darkness is the most memorable aspect of this production. It's so deep and all-encompassing that your eyes start to play tricks on you, seeing spots of light and shadow whe…

SOURCE: The Arts Desk at 02:53AM
Tuesday, January 7, 2014

Bloodshot, St James Studio by Caroline Crampton

There is no point during Bloodshot where you can be entirely sure just what you are watching. At times it seems like a straightforward one-man show, with sole cast member Simon Slater chargi…

SOURCE: The Arts Desk at 07:12PM
Tuesday, December 10, 2013

Beauty and the Beast, Young Vic by Caroline Crampton

"My mum was given this new wonder-drug for morning sickness when she was pregnant with me," explains Mat Fraser at the start of Beauty and the Beast. "It was called Thalidomide. That's why I…

SOURCE: The Arts Desk at 04:55AM
Tuesday, November 12, 2013

Jeeves and Wooster: Perfect Nonsense, Duke of York's Theatre by Caroline Crampton

In several of P.G. Wodehouse's Jeeves and Wooster stories, reference is made to something called "a knockabout cross-talk act". It's a two-handed sketch, usually performed at a village hall …

SOURCE: The Arts Desk at 07:09PM
Friday, November 8, 2013

The Dead Wait, Park Theatre by Caroline Crampton

A single movement is all it takes. A wounded man is held at gunpoint, and instead of cringing away from the inevitable bullet, he lifts his head and looks his would-be executioner in eye. Th…

SOURCE: The Arts Desk at 02:40PM
Wednesday, October 30, 2013

The Dumb Waiter, The Print Room by Caroline Crampton

‏The best moment in this production of Pinter's The Dumb Waiter is when one of the protagonists snatches up a piece of paper and bellows "Scampi!" at his bewildered partner in crime. The l…

SOURCE: The Arts Desk at 07:18PM
Friday, October 11, 2013

Adult Supervision, Park Theatre by Caroline Crampton

It's often a sign of a good drama when, as it concludes, you find it hard to tell which character you dislike most. And so it is with Adult Supervision - all the way through, first-time play…

SOURCE: The Arts Desk at 05:13AM
Saturday, September 28, 2013

A Tale of Two Cities, King's Head Theatre by Caroline Crampton

The opening of Charles Dickens's novel A Tale of Two Cities is among the most famous ever written: "It was the best of times, it was the worst of times, it was the age of wisdom, it was the …

SOURCE: The Arts Desk at 04:31AM
Friday, August 30, 2013

Blue Stockings, Shakespeare's Globe by Caroline Crampton

Could you choose between love and knowledge? Between a life of acceptance and affection, and one of self-improvement and learning? These are the questions that Jessica Swale's new play Blue …

SOURCE: The Arts Desk at 04:28AM
Sunday, July 21, 2013

Josephine and I, Bush Theatre by Caroline Crampton

Cush Jumbo could very easily have put on a hit show about Josephine Baker. There would have been a chorus line of flappers, replete with spangles and feathers. She would have belted out some…

SOURCE: The Arts Desk at 03:11AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards