Friday, April 26, 2024
The revival of a 2006 work by Thomas Jolly, the director masterminding the opening ceremony at the Paris Olympics, shows his gift for visual flamboyance.
SOURCE: The New York Times Subscription at 02:48PMWednesday, April 3, 2024
New productions of “Macbeth” and “Hamlet” follow a French tradition of adapting familiar works. The results are innovative, and sometimes cryptic.
SOURCE: The New York Times Subscription at 05:36AMFriday, March 8, 2024
After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she’s making a rare appearance in Manhattan.
SOURCE: The New York Times Subscription at 05:06AMWednesday, March 6, 2024
Romeo Castellucci’s production of the classic play by Jean Racine is all about the lead performer — and that’s it.
SOURCE: The New York Times Subscription at 10:48AMTuesday, February 6, 2024
A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.
SOURCE: The New York Times Subscription at 09:02AMTuesday, January 30, 2024
The new show by Alexis Michalik, a star of commercial theater, wades into political battles in France, where immigration restrictions have been at the forefront of the government’s agenda.
SOURCE: The New York Times Subscription at 10:32AMTuesday, January 16, 2024
Krystian Lupa’s latest work had its premiere in Paris after an earlier attempt collapsed. The delay would have been a good time to rethink the four-and-a-half-hour show.
SOURCE: The New York Times Subscription at 09:54AMFriday, January 12, 2024
A new show in Paris by Maëlle Poésy tells the story of the Mercury 13 space program, with choreographed movement and acrobatic sequences.
SOURCE: The New York Times Subscription at 12:12PMThursday, December 7, 2023
In Paris, a new production from Richard Nelson imagines a day on tour with Konstantin Stanislavski’s theater company in 1923, but misses the historical context.
SOURCE: The New York Times Subscription at 12:48PMSaturday, December 2, 2023
For the Scottish Ballet production of Cinderella, titled “Cinders!,” some performances flip the traditional gender roles. The dancers “were all kind of like: ‘OK. How does that work?…
SOURCE: The New York Times Subscription at 05:01AMFriday, December 1, 2023
Rébecca Chaillon’s “Carte Noire Named Desire” provoked harassment in France this summer, leading one actor to pull out of a new run in Paris.
SOURCE: The New York Times Subscription at 11:48AMMonday, November 6, 2023
The provocations in Milo Rau’s stage adaptation, featuring actors with Down syndrome, confuse the production as it grapples with weighty issues.
SOURCE: The New York Times Subscription at 04:42PMTuesday, October 24, 2023
The Théâtre de la Ville, now named for Sarah Bernhardt, reopened after a seven-year renovation. But its once-radical approach to dance is now less of a calling card.
SOURCE: The New York Times Subscription at 10:43AMMonday, October 9, 2023
“Holidays,” the first musical to include the pop icon’s songs, arrives just days before her “Celebration” tour starts. But matching the star’s talents is a challenge.
SOURCE: The New York Times Subscription at 01:55PMWednesday, October 4, 2023
Wednesday, September 20, 2023
The American choreographer has 46 engagements this year, including a monthslong retrospective of his work in Paris. But he is making plans for a “second act” away from the dance world.
SOURCE: The New York Times Subscription at 05:02AMThursday, July 13, 2023
The Avignon Festival’s new director wants to spotlight drama in a different language each year. This year’s first installment had some conventional choices.
SOURCE: The New York Times Subscription at 02:33PMWednesday, July 12, 2023
In an ethically murky show at the Avignon Festival, the Brazilian performer Carolina Bianchi opens up about how she was drugged and abused, then knocks herself out with a spiked cocktail.
SOURCE: The New York Times Subscription at 09:55AMThursday, July 6, 2023
The French choreographer Bintou Dembélé brings her desire to create “a fair ecosystem” to the Avignon Festival, which she opened with “G.R.O.O.V.E.”
SOURCE: The New York Times Subscription at 02:18PMThe opening productions of the Avignon and Aix-en-Provence Festivals brought tales of the down-and-out to well-heeled spectators. It got awkward.
SOURCE: The New York Times Subscription at 01:19PMTuesday, June 13, 2023
Friday, June 9, 2023
Ariane Mnouchkine, a grande dame of French theater, helped to set up a new festival where emerging companies can try out ambitious stagings.
SOURCE: The New York Times Subscription at 10:04AMMonday, May 15, 2023
The Swiss director Milo Rau drapes a traumatic episode of Brazilian history with a Greek tragedy on a Belgian stage.
SOURCE: The New York Times Subscription at 07:42AMThursday, May 11, 2023
In Marion Siéfert’s much-anticipated new show, the French director explores the dynamics of online grooming.
SOURCE: The New York Times Subscription at 10:18AMTuesday, April 18, 2023
The French director Joël Pommerat has created an intimate chamber work examining love from many angles, all of them laced with pain and misunderstanding.
SOURCE: The New York Times Subscription at 02:06PMSunday, March 26, 2023
The American writer’s last novel becomes surprisingly effective theater in the hands of Tiphaine Raffier at the Odéon-Théâtre de l’Europe.
SOURCE: The New York Times Subscription at 10:20PMThursday, March 9, 2023
The country has a long history of demonstrations, which often feature overtly theatrical elements. Our Paris theater critic marched along on Tuesday to soak up the spectacle.
SOURCE: The New York Times Subscription at 01:28PMMonday, February 27, 2023
The play, a hit at the Avignon Festival, explores the twists and turns of a breakup through a whimsical mix of musical numbers and dreamlike vignettes.
SOURCE: The New York Times Subscription at 01:46PMTuesday, February 7, 2023
Paris productions of Chekhov, Turgenev and Ostrovsky avoid current events and focus on profound truths. But the plays’ message is clear: If you rebel, you will be crushed.
SOURCE: The New York Times Subscription at 09:35AMThursday, January 19, 2023
A passé take on Georg Büchner’s 1835 play about the French Revolution leans into the worst instincts of the Comédie-Française, our critic writes.
SOURCE: The New York Times Subscription at 12:43PMTuesday, January 10, 2023
The 1966 American musical has opened at a venue that for decades hosted one of the city’s most famous revue troupes.
SOURCE: The New York Times Subscription at 08:14AMThursday, December 15, 2022
The Times’s three European theater critics pick their favorite productions of the year — plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 05:18AMThursday, December 1, 2022
Several intimate literary accounts of pain and suffering have been adapted for the theater recently — with varying success.
SOURCE: The New York Times Subscription at 05:06AMTuesday, November 22, 2022
At 60, and already a renowned theater maker, Irina Brook is rethinking her work and tackling the legacy of her famous parents: “I’m only just emerging from my cocoon.”
SOURCE: The New York Times Subscription at 11:03AMThursday, November 10, 2022
Songs from “Starmania” are frequently heard and covered in France, but until a new production opened in Paris, few had a chance to see the 1979 rock opera onstage.
SOURCE: The New York Times Subscription at 04:03AMFriday, October 28, 2022
Martinez, once a member of the company’s troupe and a former leader of the National Dance Company of Spain, will take up the position in December.
SOURCE: The New York Times Subscription at 10:24AMThursday, October 20, 2022
Three stage works in Paris by the incoming director of the Avignon Festival continue his preoccupation with empathy and human complexity.
SOURCE: The New York Times Subscription at 06:55AMThursday, September 29, 2022
Several Paris theaters geared up to open their seasons with the most famous English playwright. How would the plays be tackled if a woman’s name were attached to them?
SOURCE: The New York Times Subscription at 06:25AMSunday, September 11, 2022
Marion Siéfert’s “_jeanne_dark_,” about a shy teenager beginning to express her sexuality, contains no nudity yet still ran afoul of Instagram’s opaque policies.
SOURCE: The New York Times Subscription at 03:19PMThursday, September 8, 2022
As offices and schools reopen, ParisOffFestival brings a carnival atmosphere to an area of low-income housing in the city.
SOURCE: The New York Times Subscription at 05:07AM