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Thursday, February 19, 2015

The Faction's 2015 rep season: Romeo and Juliet/The Talented Mr Ripley/Joan of Arc , January 6-February 28, PN various by Honour Bayes

January 6-February 28, PN various: The Faction season at the New Diorama is now a staple for any Off-West End theatregoer, always getting the year going with a bang. It's no different i…

SOURCE: The Stage Registration at 01:10PM
Wednesday, February 18, 2015

Fringe Focus: Some theatre programmes should come with a spoiler alert by Honour Bayes

How much information do you want in your theatre programme? I want a lot, but of a certain type. I love the ones you get at the opera, full of left-field articles and so glossy…

SOURCE: The Stage Registration at 04:00AM
Monday, February 16, 2015

How I Learned to Drive , Southwark Playhouse, London by Honour Bayes

Southwark Playhouse, London: Paula Vogel's How I Learned to Drive is a sticky play that brilliantly explores manipulation, the desperate search for human connection and paedophilia. It&…

SOURCE: The Stage Registration at 06:55AM
Wednesday, February 11, 2015

Fringe Focus: Why aren’t we using more libraries for theatre? by Honour Bayes

Recently, Amy Golding from Newcastle-based theatre company Curious Monkey held a Future of Fringe symposium for artists and companies from the North East. The reports have yet to come out bu…

SOURCE: The Stage Registration at 04:00AM
Monday, February 9, 2015

Inigo , White Bear Theatre, London by Honour Bayes

White Bear Theatre, London: Long before Pope Francis began making waves by highlighting the extravagances of the Catholic Church, the father of his order - the Jesuits - Ignatius of Loyola (…

SOURCE: The Stage Registration at 07:44AM
Wednesday, February 4, 2015

Fringe Focus: Political work should create dialogue, not shut it down by Honour Bayes

Last week, mini-season Walking the Tightrope set out to explore issues of freedom of expression, censorship and boycotts in the arts through a series of microplays (which you can download al…

SOURCE: The Stage Registration at 02:00AM
Wednesday, January 28, 2015

Fringe Focus: Context, Grit and Islands by Honour Bayes

Caroline Horton’s Islands at the Bush Theatre has well and truly put the cat among the pigeons. Most of the critics have had their claws out, slating it as self indulgent and toothless. A …

SOURCE: The Stage Registration at 04:00AM
Wednesday, January 21, 2015

Fringe Focus: Listening out for talent on stage by Honour Bayes

I saw the film Birdman for the second time on Sunday. It’s as blisteringly good on repeat viewing, still making me feel tearful and calm all at once. This time my brain was in gear…

SOURCE: The Stage Registration at 04:00AM
Wednesday, January 14, 2015

Fringe Focus: The case for a revolution in fringe pricing by Honour Bayes

Last week Alan Lane from Leeds-based company Slung Low wrote an impassioned blog on asking audiences to pay what they wanted, rather than adhere to a fixed-fee structure. In it he argued tha…

SOURCE: The Stage Registration at 07:00AM
Wednesday, January 7, 2015

Fringe Focus: Should we have a Fringe 100 to complement The Stage 100? by Honour Bayes

It’s out. The Stage 100, billed as “UK theatre’s definitive power list”, has been published. But 2015’s list has caused both celebration and consternation. Anger has been voiced ab…

SOURCE: The Stage Registration at 04:00AM
Wednesday, December 31, 2014

Fringe Focus: 2015: the year ahead in fringe theatre by Honour Bayes

After a stonking end to 2014, I can’t wait to see what 2015 is going to bring to the fringe. With that in mind, I’ve put together a selection of treats heading our way over…

SOURCE: The Stage Registration at 02:00AM
Monday, December 29, 2014

Opinion: 2014 in review: fringe/Off-West End by Honour Bayes

On bullish form in 2014, fringe winners included cerebral explorations, feminist fightbacks and provocative journeys into darkness. Honour Bayes says it was a good year to be called Chris. T…

SOURCE: The Stage Registration at 02:00AM
Tuesday, December 23, 2014

The Winter's Tale , The Lion and Unicorn, London by Honour Bayes

The Lion and Unicorn, London: Okai Collier Company's The Winter's Tale brings the Lion and Unicorn's Shakespeare Sessions to a tidy end for 2014. In a savvy move, the company …

SOURCE: The Stage Registration at 05:19AM
Wednesday, December 17, 2014

Fringe Focus: Fringe venues: take some risks or risk your reputation by Honour Bayes

Last week I was talking to a director who explained how hard it is to pitch to some fringe venues due to their year-long programming schedules. This worries me a bit. For a big theatre…

SOURCE: The Stage Registration at 07:00AM
Tuesday, December 16, 2014

It's A Wonderful Life , Bridge House Theatre, Penge, London by Honour Bayes

Bridge House Theatre, Penge, London: Guy Retallack's decision to stage It's A Wonderful Life as a tongue in cheek 1940's radio play is inspired. It adds a bit of savvy satire …

SOURCE: The Stage Registration at 12:17PM
Wednesday, December 10, 2014

Fringe Focus: Watford’s Rifco is leading the charge for Asian audiences by Honour Bayes

Meera Syal has said that theatres need to cater more for Asian audiences and take advantage of the “brown pound” and one theatre company in Watford is doing just that. Rifco Art…

SOURCE: The Stage Registration at 07:00AM
Monday, December 8, 2014

A Christmas Carol , The Puppet Theatre Barge, London by Honour Bayes

The Puppet Theatre Barge, London: Nestled on a canal in Little Venice bobs the Puppet Barge, a marionette theatre specialising in shows for children. It's lined with dark wooden panels …

SOURCE: The Stage Registration at 06:59AM
Thursday, December 4, 2014

Usagi Yojimbo , Southwark Playhouse, London by Honour Bayes

Southwark Playhouse, London: Miyamoto Usagi is a samurai, the greatest in the land - well, he's not yet but after this coming of age tale, I think we can be pretty sure he will be. He&#…

SOURCE: The Stage Registration at 10:44AM
Wednesday, December 3, 2014

Fringe Focus: Christmas and anti-Christmas theatre on the fringe by Honour Bayes

Christmas season is well and truly upon us and I couldn’t be happier. The idea of pantos as far as the eye can see makes me as happy as those kids that surround you when…

SOURCE: The Stage Registration at 08:12AM
Friday, November 28, 2014

Silent Planet , Finborough Theatre, London by Honour Bayes

Finborough Theatre, London: There's a strong taste of George Orwell's 1984 in Eve Leigh's first full-length play, although Leigh is more hopeful about the resilience of the hu…

SOURCE: The Stage Registration at 09:28AM
Thursday, November 27, 2014

Fringe Focus: The Orange Tree gets a deliciously bitter tang from Pomona by Honour Bayes

I went to see Pomona last week with a knot in my stomach. I was ready to be made deeply uncomfortable, if not a little disturbed. I came out having felt awkward but vicariously so….

SOURCE: The Stage Registration at 07:00AM
Tuesday, November 25, 2014

Saxon Court , Southwark Playhouse, London by Honour Bayes

Southwark Playhouse, London: There's nothing much to like about the people in Daniel Anderson's strident debut Saxon Court and it nearly drowns under the weight of its own unpleasa…

SOURCE: The Stage Registration at 07:47AM
Wednesday, November 19, 2014

Fringe Focus: Welcome to the end-of-year fringe festival frenzy by Honour Bayes

Right, before we get all festive (which I positively refuse to do – at least in print – until the last week of November), I want to talk about fringe festivals because golly there are…

SOURCE: The Stage Registration at 07:00AM
Wednesday, November 12, 2014

Fringe Focus: The Hunger Games is a licence to print money by Honour Bayes

News that The Hunger Games is to be turned into a ‘theatrical experience’ in a purpose-built theatre outside Wembley Stadium brought about mixed emotions last week. I love the Hunger Gam…

SOURCE: The Stage Registration at 07:00AM
Monday, November 10, 2014

Camera Lucida , The Pit, Barbican Theatre, London by Honour Bayes

The Pit, Barbican Theatre, London: Three silent figures in black sit by laptops powered via clusters of red cords that pour out of the back of them like blood vessels. Behind floats a fluore…

SOURCE: The Stage Registration at 05:29AM
Thursday, November 6, 2014

Fringe Focus: Empty Space Peter Brook Awards prove anything but empty by Honour Bayes

Its time to dust off your sparkly gold stilettos, sequin dress and velvet bow tie – awards season is upon us. Arguably theatre has never had the sort of glamorous gung-ho attitude to award…

SOURCE: The Stage Registration at 07:00AM
Friday, October 31, 2014

Coolatully , Finborough Theatre, London by Honour Bayes

Finborough Theatre, London: The winner of this year's <a href="http://papatango.co.uk/" target=_blank>Papatango new writing prize</a> is further proof of the high …

SOURCE: The Stage Registration at 07:20AM
Wednesday, October 29, 2014

Fringe Focus: Local theatres should have local interests by Honour Bayes

These days new fringe theatres are popping up everywhere. After the London Theatre Workshop in Fulham and the Twickenham Theatre (which lost its venue but promises to find another) this mont…

SOURCE: The Stage Registration at 05:00AM
Monday, October 27, 2014

The Wild Duck , The Barbican, London by Honour Bayes

The Barbican, London: Simon Stone's production is as devastating as it is dazzling. Stone and co-writer Chris Ryan take a scalpel to Ibsen's original in a reincarnation that is mor…

SOURCE: The Stage Registration at 06:51AM
Wednesday, October 22, 2014

Fringe Focus: Should immersive theatre be reviewed by groups, not individuals? by Honour Bayes

The Fringe Focus column sees Honour Bayes look outside the world of cavernous auditoria and into the more intimate world of fringe and immersive theatre. Every week she will try to navigate …

SOURCE: The Stage Registration at 04:00AM
Thursday, October 16, 2014

Bird , Hackney Downs Studio by Honour Bayes

Hackney Downs Studio: Laura Lomas' Bird delicately unpicks the provocative issue of child sexual exploitation. In form, it slightly echoes Philip Ridley's Dark Vanilla Jungle, but …

SOURCE: The Stage Registration at 09:32AM

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2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards