The British have few peers when it comes to humor that manages to be bracingly smart and deeply silly at the same time. Think Monty Python.
SOURCE: Boston Globe at 01:03PMLOWELL — When you think of Afghanistan at this particular moment in history, comedy is not the first thing that comes to mind. It might be the last, actually.
SOURCE: Boston Globe at 06:54PMWhen “Broke-ology’’ opened last week at Lyric Stage Company, with an all-black cast performing a work by a black playwright under the guidance of a black director, the rema…
SOURCE: Boston Globe at 11:30AMWith a demeanor as formal and stiff as his high, old-fashioned collar, Dick Pricey seems the perfect emcee for the sedate history lesson that “Chautauqua!’’ at first shapes…
SOURCE: Boston Globe at 01:07AMWhen F. Murray Abraham, as Shylock, faces his contemptuous foes and delivers the most famous speech in “The Merchant of Venice’’ (“Hath not a Jew eyes? . . . If you p…
SOURCE: Boston Globe at 12:48PMWhen we first see William King, the ebullient, hard-working family man at the center of “Broke-ology,’’ he is such a larger-than-life figure that his house seems barely abl…
SOURCE: Boston Globe at 08:11PMWhen Bruce Myers began his performance of “The Grand Inquisitor’’ at the Paramount Black Box on Thursday night, it seemed as if the audience was in for a special evening.
SOURCE: Boston Globe at 09:38PM“We’ll never hear the human voice again,’’ laments a one-legged old man in “Rough for Theatre I,’’ one of five short plays by Samuel Beckett now at …
SOURCE: Boston Globe at 12:11PMA cultural touchstone for some and a cultural hot button for others, the 1960s long outlived the actual end of the decade.
SOURCE: Boston Globe at 12:53PMPAWTUCKET, R.I. — “How do I get ‘faith’?’’ a former temple guard named Barnabas asks the title character in “Paul,’’ a retelling of Chri…
SOURCE: Boston Globe at 12:35PMNear the beginning of the second act in the Huntington Theatre Company’s production of “Educating Rita,’’ the effervescent title character struggles to open a window …
SOURCE: Boston Globe at 12:10PMWhen you adapt a novel whose characters are mired in inertia and ennui and aimlessness much of the time, how do you prevent the stage version from succumbing to those same forces?
SOURCE: Boston Globe at 12:09PMPROVIDENCE — No one who has seen the protean transformations of Joe Wilson Jr. at Trinity Repertory Company over the years will be surprised by the breadth and depth of his performance…
SOURCE: Boston Globe at 12:36PMTo those of us cursed with two left feet, there is something almost otherworldly about supremely skilled dancing.
SOURCE: Boston Globe at 12:43PMNEW YORK — With regard to dramas set in South Boston, the law of diminishing returns is bound to kick in at some point.
SOURCE: Boston Globe at 01:13PMCAMBRIDGE — Shame and humiliation, Sophocles knew, are foes that even the bravest and most relentless warrior cannot defeat.
SOURCE: Boston Globe at 12:18PMWhen Asher Lev’s strict Hasidic father gets his first look at the crucifixions and nudes his 12-year-old son has drawn after the boy visited an art museum, the father hits the roof.
SOURCE: Boston Globe at 06:13PMSOMERVILLE — In the Actors’ Shakespeare Project’s most recent foray into the works of its namesake playwright, the company pulled out all the stops with an ambitious, swash…
SOURCE: Boston Globe at 06:11PMIf Hieronymus Bosch were alive today and decided to turn his hand to playwriting rather than painting, he might concoct a nightmarish vision akin to that of Mark O’Rowe’s “…
SOURCE: Boston Globe at 12:44PMNEW HAVEN — Anyone who saw the Yale Repertory Theatre’s sizzling 1984 premiere of the play that established August Wilson’s reputation, “Ma Rainey’s Black Botto…
SOURCE: Boston Globe at 04:38PMMY NAME IS ASHER LEV Anne Gottlieb, Joel Colodner, and Jason Schuchman star in Aaron Posner’s adaptation of Chaim Potok’s novel about an artistically talented Jewish youth whose …
SOURCE: Boston Globe at 11:30AMMartin McDonagh never wants you to get too comfortable. Frequently hilarious though it is, there is a lacerating and unpredictable edge to the playwright’s “The Cripple of Inishm…
SOURCE: Boston Globe at 12:27PMPlaywright uses a small Irish town as a study of the good and bad of human nature.
SOURCE: Boston Globe at 05:40PMWhen I covered Rose Kennedy’s 1995 funeral at a North End church, it wasn’t the tributes to her storied resiliency in the face of unthinkable loss that were most striking. Rather…
SOURCE: Boston Globe at 06:55PMPAWTUCKET, R.I. — When we first see Nora in the Gamm Theatre’s production of “A Doll’s House,’’ she and her two children are belting out “Santa Clau…
SOURCE: Boston Globe at 12:23PM"Most dreams last only five to 20 minutes,’’ an authoritative voice intones in the opening moments of “PSY,’’ purporting to impart nuggets of psychological wisd…
SOURCE: Boston Globe at 01:20PMWhen he was a teenager, Paul Daigneault saw the original 1982 production of “Nine.’’ It was the first Broadway show he ever saw.
SOURCE: Boston Globe at 09:02PMHell hath no fury like a neighborhood dissed, especially if said neighborhood is located in the pugnacious, dukes-up borough of Brooklyn.
SOURCE: Boston Globe at 01:04PMWATERTOWN — Life is hard. The afterlife is harder. That’s one reading of Steve Yockey’s “afterlife: a ghost story.’’ But this unsettling new drama, which …
SOURCE: Boston Globe at 12:36PMCAMBRIDGE — The last time Thomas Derrah appeared in an American Repertory Theater production, in the September “Cabaret’’ that starred Amanda Palmer, he wore a dress …
SOURCE: Boston Globe at 12:35PM