All stories by Catherine Rampell on BroadwayStars

Tuesday, April 23, 2013

Theater Review: ‘Apple,’ Vern Thiessen’s Play, at the Drilling Company Theater by Catherine Rampell

A lust triangle is the framework for “Apple,” a play by Vern Thiessen fueled by bathos, tragic illness, coincidences, alcoholism and tearful confessions of star-crossed love.  …

SOURCE: The New York Times Subscription at 06:10PM
Sunday, April 21, 2013

Theater Review: Matthew Paul Olmos’s ‘so go the ghosts of méxico, part one’ by Catherine Rampell

Laura Butler Rivera stars in “so go the ghosts of méxico, part one,” a Matthew Paul Olmos play inspired by a female sheriff of a town dominated by drug cartels in Mexico.  &nb…

SOURCE: The New York Times Subscription at 06:02PM
Tuesday, April 9, 2013

Theater Review: ‘Spring Fling: The Morning After,’ at Medicine Show Theater by Catherine Rampell

Six short plays, including one that features the playwright Annie Baker as an actress, are onstage at the Medicine Show Theater in Manhattan.

SOURCE: The New York Times Subscription at 05:24PM
Thursday, April 4, 2013

Theater Review: ‘_______ Up Everything’ at the Elektra Theater by Catherine Rampell

Everyone in “_______ Up Everything,” a rock musical and winsome love story, is a Brooklyn faux-hemian desperately trying to prove anti-establishment bona fides.

SOURCE: The New York Times Subscription at 06:08PM
Tuesday, April 2, 2013

Theater Review: ‘Three Trees,’ a Play About Giacometti, by Alvin Eng by Catherine Rampell

The Pan Asian Repertory Theater’s production of “Three Trees” looks at the life of Alberto Giacometti.

SOURCE: The New York Times Subscription at 05:27PM
Tuesday, February 26, 2013

Theater Review: Lope de Vega’s ‘Fuenteovejuna,’ at Repertorio Español by Catherine Rampell

In a modernization of Lope de Vega’s “Fuenteovejuna” at Repertorio Español, oppressed office workers rise up against their tyrannical overlord.

SOURCE: The New York Times Subscription at 04:16PM
Monday, February 25, 2013

Theater Review: ‘Iphigenia in Aulis,’ at La MaMa by Catherine Rampell

Masks, comic-book drawings and a rock band are incorporated into a new production of “Iphigenia in Aulis” at La MaMa.

SOURCE: The New York Times Subscription at 05:14PM
Tuesday, February 12, 2013

Theater Review: ‘Foodacts,’ at the Lion Theater, Draws on Food-Related Texts by Catherine Rampell

In “Foodacts” the cast members perform excerpts from novels, essays and other literary works that touch on food-related themes.

SOURCE: The New York Times Subscription at 05:50PM

Theater Review: ‘Totally Tubular Time Machine,’ at the Culture Club by Catherine Rampell

“Totally Tubular Time Machine” is a mash-up of pop music set in 1989 that includes celebrity impersonators from today.

SOURCE: The New York Times Subscription at 04:09PM
Wednesday, January 30, 2013

Theater Review: ‘Here We Are,’ by Judith Malina, at the Living Theater by Catherine Rampell

Like many Living Theater productions, “Here We Are” is part examination of historical anarchist movements, part indictment of the current sociopolitical order and part team-building love…

SOURCE: The New York Times Subscription at 05:19PM
Sunday, January 27, 2013

Theater Review: ‘The Truth Quotient’ at the Beckett Theater by Catherine Rampell

In “The Truth Quotient” a billionaire hires a company to create pleasant doppelgänger robots of dead relatives with whom he had not always had good relations.

SOURCE: The New York Times Subscription at 05:41PM
Monday, January 21, 2013

Theater Review: ‘Le Cid’ at the Theater of the Church of Notre Dame by Catherine Rampell

In Corneille’s play “Le Cid,” a man faces the dilemma of letting an insult stand or responding with deadly force.

SOURCE: The New York Times Subscription at 06:51PM
Friday, December 21, 2012

Theater Review: ‘Ingenious Nature,’ at SoHo Playhouse by Catherine Rampell

“Ingenious Nature,” playing at SoHo Playhouse, is the rapper Baba Brinkman’s latest theatrical take on love, psychology, politics and more.

SOURCE: The New York Times Subscription at 12:26PM
Wednesday, December 5, 2012

Theater Review: ‘Let’s Kill Grandma This Christmas’ at St. Clement’s by Catherine Rampell

In “Let’s Kill Grandma This Christmas” a family considers permanently getting rid of an especially difficult grandmother.

SOURCE: The New York Times Subscription at 04:59PM
Tuesday, November 27, 2012

Theater Review: ‘The Boss,’ at Metropolitan Playhouse by Catherine Rampell

“The Boss,” a 1911 melodrama revived by Metropolitan Playhouse, paints a portrait of a ruthless plutocrat with emotional extremes.

SOURCE: The New York Times Subscription at 04:43PM
Friday, November 23, 2012

Theater Review: ‘The Golden Land,’ at Baruch Performing Arts Center by Catherine Rampell

“The Golden Land” traces the New York Jewish experience, in Yiddish and English.

SOURCE: The New York Times Subscription at 04:44PM
Wednesday, November 21, 2012

Theater Review: ‘Skin Tight’ by Gary Henderson at 59E59 Theaters by Catherine Rampell

The lovers in Gary Henderson’s “Skin Tight” fight like cats and dogs.

SOURCE: The New York Times Subscription at 05:10PM
Tuesday, October 23, 2012

Theater Review: ‘In the Summer Pavilion,’ by Paul David Young, at 59E59 by Catherine Rampell

“In the Summer Pavilion,” by Paul David Young, three recent Princeton grads spend a night boozing and living out their possible futures together and apart.

SOURCE: The New York Times Subscription at 05:54PM

Theater Review: ‘The Other Josh Cohen,’ at SoHo Playhouse by Catherine Rampell

In “The Other Josh Cohen,” the tale of an unlucky Josh whose New York apartment was robbed, except for a Neil Diamond CD, is recounted from the future by Narrator Josh, a version of the …

SOURCE: The New York Times Subscription at 05:23PM
Friday, September 28, 2012

Theater Review: ‘Open Up, Hadrian,’ From Magic Futurebox by Catherine Rampell

A Greek-loving, man-adoring Roman emperor is the center of a new play by Javierantonio González.

SOURCE: The New York Times Subscription at 06:46PM
Thursday, September 27, 2012

Theater Review: ‘Open Up, Hadrian,’ From Magic Futurebox by Catherine Rampell

A Greek-loving, man-loving Roman emperor is the center of “Open Up, Hadrian,” a new play by Javierantonio González.

SOURCE: The New York Times Subscription at 07:19PM
Tuesday, September 25, 2012

Theater Review: ‘Rent a White Guy,’ a Musical at the Secret Theater by Catherine Rampell

Anna Grace Carter’s new musical, “Rent a White Guy,” follows a recent college graduate who finds that being a Caucasian in China can be a good thing.

SOURCE: The New York Times Subscription at 06:45PM
Thursday, September 13, 2012

Theater Review: Jorge Ignacio Cortiñas’s ‘Bird in the Hand’ at the New City by Catherine Rampell

In “Bird in the Hand” the playwright Jorge Ignacio Cortiñas chronicles the teenage years of a lonely, gay, precocious Cuban-American boy in Miami, with flamingos helping tell the tale.

SOURCE: The New York Times Subscription at 06:12PM
Tuesday, September 11, 2012

Theater Review: ‘Auditions, Zoe’s Auditions Part 2,’ With Suzanna Geraghty by Catherine Rampell

Suzanna Geraghty stars in the one-woman comedy “Auditions, Zoe’s Auditions Part 2,” part of the 1st Irish Theater Festival.

SOURCE: The New York Times Subscription at 06:03PM
Wednesday, August 22, 2012

New York Fringe Festival Report: 'The Particulars' by Catherine Rampell

In "The Particulars" Brian Silliman plays a persnickety young crank frustrated by the limits of household pest control.

SOURCE: The New York Times Subscription at 05:03PM
Thursday, August 9, 2012

Theater Review: ‘My Mind Is Like an Open Meadow,’ at 59E59 by Catherine Rampell

This piece by Erin Leddy is a meditation on the dignity of aging, the fragility of memory, and the inescapability of our own mortality.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, August 8, 2012

Theater Review: ‘Coriolanus’ From Shakespeare in the Park(ing) Lot by Catherine Rampell

“Coriolanus” is this summer’s second offering by the Drilling Company in its Shakespeare in the Park(ing) Lot series.

SOURCE: The New York Times Subscription at 05:50PM
Thursday, August 2, 2012

Theater Review: ‘The Last Smoker in America’ at Westside Theater Upstairs by Catherine Rampell

“The Last Smoker in America” has the spark of a smokin’-hot new musical, but a soggy book keeps it from ever fully igniting.

SOURCE: The New York Times Subscription at 10:00PM
Monday, July 30, 2012

Economix Blog: Theater Review Economics by Catherine Rampell

Why are reviews of plays embargoed until after opening night?

SOURCE: economix.blogs.nytimes.com at 03:07PM
Monday, July 23, 2012

ArtsBeat: New York Musical Theater Festival Report: 'Swing State' by Catherine Rampell

"Swing State" is a musical drama about tolerating the intolerant.

SOURCE: The New York Times Subscription at 02:42PM
Thursday, July 19, 2012

ArtsBeat: New York Musical Theater Festival Report: 'Re-Animator the Musical' by Catherine Rampell

A musical adaptation of the 1985 cult horror movie doesn't stint on blood, or on laughs.

SOURCE: The New York Times Subscription at 06:09PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards