Today is Friday, October 17, 2025 |
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Friday, October 17, 2025 at 7am (Broadway Time)
Reviews for ‘Ragtime’ revival, stars announced for ‘All Out,’ big names join Encores season Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headli…
Four important tasks beyond copy editing that fall under their purview
Here are the bestsellers for the week that ended Saturday, Oct. 11, compiled from data from independent and chain bookstores, book wholesalers and independent distributors nationwide, powered by Circana BookSca…
My friend Frank Lazarus, who has died aged 86, was a versatile actor, pianist and, most of all, writer of musicals, with a play that enjoyed a long run on Broadway. In 1979 he teamed up with the comedy writer D…
Omid Djalili responds to criticism of his decision to perform at a comedy festival in Saudi Arabia What the critics of the Riyadh comedy festival may have missed (Letters, 13 October) is the fact that performin…
New Wolsey theatre, IpswichA couple mourn the loss of their daughter in an adaptation that is far better at conveying sadness than suspense Daphne du Maurier’s 1971 story Don’t Look Now opens at the Venice …
Friday, October 17, 2025 at 6am (Broadway Time)
The Women’s Prize for Playwriting has revealed the 41 longlisted plays for its 2025 award, selected from a record-breaking 1,275 submissions The post The Women’s Prize for Playwriting Announces 2025 Longlis…
Friday, October 17, 2025 at 5am (Broadway Time)
Review: Fanny at the King's Head Theatre “A spirited and irreverent take on the life of Fanny Mendelssohn.” The post Review: Fanny at the King’s Head Theatre appeared first on Theatre Weekly.
Interview: Amy Ellen Richardson joins the cast of Paddington The Musical as Mrs Brown in the world premiere of this heartwarming new production The post Interview: Amy Ellen Richardson on Paddington The Music…
Rise and shine, BroadwayWorld! It is October 17, 2025 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours: NEW - BWW For You, Personalized Story Picks, Click H…
The Bridge Theatre is marking its eighth birthday with the launch of a brand-new podcast series, The Bridge Theatre Podcast, offering audiences a rare behind-the-scenes look The post The Bridge Theatre Podcast …
A brand-new musical, ROAM, will receive its West End premiere in a one-night-only concert production at the Shaftesbury Theatre on Sunday 23 November 2025 The post ROAM – A New Musical to Premiere in Concert …
The actor, now sober for eight years, is examining his past with a new book, a Netflix documentary and a live tour coming to the Shubert Theatre on Oct 19.
A star-studded semi-staged concert of Jo – The Little Women Musical will make its world premiere at London’s Theatre Royal Drury Lane The post Jo – The Little Women Musical in Concert to Make World Premie…
To celebrate Back to the Future Day, Gok Wan will make a one-night-only cameo appearance as ‘Principal Strickland’ in Back to the Future The Musical at London’s Adelphi Theatre The post Gok Wan to Make Sp…
Wow! That's the interjection of the day and the singular way to describe the powerful and emotionally stirring revival of Ragtime that opened tonight at Lincoln Center's Vivian Beaumont Theater.
Missing the Ars Nova production of Oratorio for Living Things is one of my great theatre disappointments of the last several years. The production had performed only twice in 2019 before being called off due to…
Friday, October 17, 2025 at 2am (Broadway Time)
The post American Song appeared first on Australian Arts Review.
WHAT TO WATCH Spelman College Lucille Lortel Theatre illuminates groundbreaking Black women writers from the early-20th century, connecting their legacy to the next generation of actors studying at Spelman Coll…
Friday, October 17, 2025 at 1am (Broadway Time)
The post Continuum appeared first on Australian Arts Review.
Review of the Sunday, September 28, 2025 matinee performance at the Vivian Beaumont Theater at Lincoln Center in New York City. Starring Joshua Henry, Caissie Levy, Brandon Uranowitz, Colin Donnell, Nichelle Le…
Friday, October 17, 2025 at midnight (Broadway Time)
The TIFF Film Review: Nia DaCosta’s “Hedda” & Arnaud Desplechin’s “Two Pianos“ By Ross At this year’s Toronto International Film Festival, I found myself watching two films that seemed, curiou…
The post Woman in Red appeared first on Australian Arts Review.
Some musicals arrive when we need them most — not just as entertainment, but as echo and prophecy. Ragtime, with a book by Terrence McNally, a score by Lynn Ahrens and Stephen Flaherty, and based on the sweep…
Check out video highlights from the star-studded new revival of the beloved musical Ragtime, now playing at the Vivian Beaumont Theater at Lincoln Center. The beloved Tony Award-winning musical, features music …
Thursday, October 16, 2025 at 11pm (Broadway Time)
RAGTIME is a sweeping musical adaptation of E.L. Doctorow’s novel that follows three fictional families in pursuit of the American Dream at the dawn of the 20th Century: Black pianist Coalhouse Walker, Jr. an…
The brand new Upstage Productions mounts the old reliable comedy-thriller Deathtrap doing an admirable job entertaining although there are shortcomings. The post Deathtrap Is Old Reliable From New ‘Upstage Pr…
As the plot follows the intersecting fortunes of those three characters’ families, each seeking to redeem the country’s promise at a time of tumultuous change, old-fashioned musical-theater pleasures are ve…
From the moment the chorus rises from the stage of the Vivian Beaumont Theater during the opening number of Ragtime, you know you’re in for something special—a big Broadway musical with what seems like a ca…
It’s a thrilling experience, though on the Vivian Beaumont Theater’s vast stage this pageant of a musical feels a bit skimpy. Not that the musical needs opulent sets, but it does call for stunning stagecraf…
Ragtime culminates with two huge 11 o’clock numbers, from Henry and Levy, a Tony-winner and Olivier-nominee whose names are rightfully big draws to the show. Yet the showstopping vocal moment still fresh in m…
Ragtime settles into a richer and more internal mode quickly, in a large part due to the textured performances of its leads and the thought they’ve applied to Ahrens and Flaherty’s score. The post America i…
The original Broadway production in 1998 featured career-changing performances from Brian Stokes Mitchell, Audra McDonald and Marin Mazzie. Now, in 2025, you feel every bit as fortunate to be basking in the rad…
While deBessonet could have better provided a certain focus or point of view – Ragtime‘s telling of America’s immigrant tale is, at this point in history, ripe for the picking – she certainly brings out…
Henry has been at the forefront of Broadway leading men for 15 years, but this show is his triumph. He takes one of the most demanding roles in the Broadway canon and he does it full justice. The post Ragtime a…
One year ago, seated at City Center, I cried at both numbers and left the theater deeply shaken. If that same power hasn’t quite held, it is perhaps no fault of a broadly first-rate production. Hope is of les…
Joshua Henry, Caissie Levy, Brandon Uranowitz, and Nichelle Lewis lead director Lear deBessonet's revival of the Ahrens and Flaherty musical.
The curtain rises tonight on Ragtime, opening at the Vivian Beaumont Theater as Artistic Director Lear deBessonet’s first production of her inaugural season at Lincoln Center Theater. The beloved Tony Award-w…
The post National Gallery of Australia unveils 2026 Artistic Program appeared first on Australian Arts Review.
Theatrely's Broadway review of Ragtime at Lincoln Center Theatre in New York City.
Whether “Ragtime” is presented in productions mammoth (as in its 1998 premiere) or modest (the 2009 revival), the musical, adapted from E.L. Doctorow’s kaleidoscopic 1975 novel, reverberates with the dire…
It is a serenade to the possibilities of life, even when we are mired in tyranny and beaten down by hypocricy. Ragtime gives us hope to hold onto today, where hope for many of us is in short supply. Joshua …
Joshua Henry, Caissie Levy and Brandon Uranowitz lead the glorious cast of Lear deBessonet’s inspiriting Broadway revival at Lincoln Center Theater.
★★★★★ Joshua Henry gives what’s destined to be a Tony-winning performance in this much-needed revival The post Ragtime: Breaking Our Hearts, Opening A Door appeared first on New York Stage Review.
The second Broadway revival of Ahrens, Flaherty, and McNally's musical about America opens, powerful as ever, at Lincoln Center. Lane Williamson reviews. The post Review: Ragtime at the Vivian Beaumont Theater …
★★★★★ Following last year's lauded City Center concert, The great musical returns to Broadway with its stellar cast intact led by Joshua Henry, Caissie Levy and Brandon Uranowitz The post Ragtime: A T…
When Ragtime was first staged in the mid-1990s, it embodied a certain post-Reagan excess with producer Garth Drabinksy’s elaborate, budget-busting staging (fireworks! a working Model T!) and the epic sweep of…
By David Sheward October 16, 2025: Ragtime has been never been more relevant and Lear deBessonet’s epic production for Lincoln Center Theater where she has recently been installed as artistic director, fills…
By Paulanne Simmons October 16, 2025: When Ragtime made its world premiere in Toronto in 1996, it seemed that E.L. Doctorow’s vision of an inclusive America might not be that far from reality. Now, when this…
By Samuel L. Leiter October 16, 2025: Lear deBessonet makes a stunning debut as the Kewsong Lee Artistic Director at Lincoln Center with her magnificent revival of the musical Ragtime (1996, Toronto; 1997, Los…
Stripping away the excesses of Lynn Ahrens, Stephen Flaherty and Terrence McNally’s 1996 musical about the turn of the 20th century amplifies its many, many flaws.
Whether “Ragtime” is presented in productions mammoth (as in its 1998 premiere) or modest (the 2009 revival), the musical, adapted from E.L. Doctorow’s kaleidoscopic 1975 novel, reverberates with the dire…
Director Lear deBessonet has chosen wisely in the first production of her inaugural season as Artistic Director of Lincoln Center Theater, resurrecting the grand, however imperfect musical Ragtime, first staged…
Thursday, October 16, 2025 at 10pm (Broadway Time)
Review by Ron Fassler . . . Eleven months ago, the City Center Annual Gala Presentation of Ragtime, minimally staged by director Lear DeBessonet, received excellent reviews (mine among them). Hopes that it …
The revival of “Ragtime” has taken on more of the epic feel to which it aspires, thanks to its move from an Encores series concert to a full Broadway production on the Vivian Beaumont’s grander stage, tur…
A rustic warehouse on the banks of the Hudson River became a breathtaking stage for some of the world’s most celebrated dancers as the Hudson Valley Dance Festival returned to Historic Catskill Point on Octob…
MasterVoices has announced the full cast for its newly revised concert edition of the musical Sweet Smell of Success, running for three performances on November 21–22, 2025, at Jazz at Lincoln Center’s Fred…
Thursday, October 16, 2025 at 9pm (Broadway Time)
★★★☆☆ Heather Christian's acclaimed piece, directed by Lee Sunday Evens, in blurred delivery The post Oratorio for Living Things: Musically Captivating, Text Effect Not So appeared first on New York S…
If ever a play seemed tailor-made — tailor-braided? — for the Mark Taper Forum stage, at least in the 2020s, it’s “Jaja’s African Hair Braiding.” The most intimate of the three Music Center theaters…
Thursday, October 16, 2025 at 8pm (Broadway Time)
Powerhouse: International will present GOOD SEX, a daring new play by Ireland’s Dead Centre and Emilie Pine, featuring a star-studded rotating cast that includes John Cameron Mitchell, Elliot Page, Morgan Spe…
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