4,217 stories from Broad Street Review
Pig Iron delves into the art of "social practice" for an original show about caregivers in Philly, starring the real-life people who shared their stories. Alaina Mabaso reviews.
PIFA brings Compagnie Transe Express's 'Cristal Palace,' an aerial dance party that offers so much more. Gail Obenreder reviews.
Magical and maddening, Taylor Mac's '24-Decade History of Popular Music, Part I' comes to Philadelphia courtesy of PIFA. Cameron Kelsall reviews.
Plastic Boom's delightful U.S. premiere, 'Water on Mars,' (presented by PIFA 2018) soars to the heavens. Mark Cofta reviews.
'The Last Five Years,' at Hammonton, New Jersey's Eagle Theatre, offers problematic scenes from a problematic marriage. Cameron Kelsall reviews.
The Lantern Theater Company's production of Marc Camoletti's farce 'Don't Dress for Dinner' offers mindless good fun that resonates with contemporary themes. Mark Cofta reviews.
Act II Playhouse's scaled down 'Camelot' reveals the flaws of this Golden Age musical. Cameron Kelsall reviews.
The Arden Theatre Company's 'Fun Home' presents the intimate Tony Award-winner in the right space but succeeds for many other reasons. Mark Cofta reviews.
'Mamma Mia!' at Walnut Street Theatre may have you dancing in the aisles " or bolting for the exit. Cameron Kelsall reviews.
Noni Stapleton's Irish comedy 'Charolais' shares a dark yet hilarious story of a woman jealous of a cow in Inis Nua Theatre Company's annual Pop Up Play in a Pub. Mark Cofta reviews.
Coatesville Cultural Society's production of 'The Gospel at Colonus' puts the spirit back into Sophocles. Cara Blouin reviews.
Mark Twain's 'The Prince and the Pauper' proves relevant and entertaining in Josh Carpenter's new adaptation for Quintessence Theatre Group. Mark Cofta reviews.
Lee Kiszonas's 'Artemisia' at South Camden Theatre Company imagines an Italian artist's violent rebellion, but she might have been better served by sticking to history. Mark Cofta reviews.
Even the talented performers showcased in Hedgerow Theatre's 'The Importance of Being Earnest' can't overcome its incongruous design. Cara Blouin reviews.
Christopher Durang's comedy 'Turning Off the Morning News,' in a world premiere at Princeton's McCarter Theatre, disappoints today " but might have fared better 40 years ago. Mark Cofta revi…
'Turning Off the Morning News,' premiering at McCarter Theatre Center, returns playwright Christopher Durang to his angry, absurdist roots. Cameron Kelsall reviews.
Jaamil Olawale Kosoko stages spiritual crisis and reconciliation in 'Séancers' at FringeArts. Jessica Rizzo reviews.
R. Eric Thomas's 'Mrs. Harrison,' in a world premiere by Azuka Theatre, pits old classmates against each other in a high-stakes debate. Mark Cofta reviews.
Passage Theatre Company's ambitious 'Caged' doesn't reveal the insiders' insights into the prison system as promised. Mark Cofta reviews.
Puppets perform onscreen and puppeteers perform offscreen in 'Puppets Here & There,' comedy improvisation for adults presented by ComedySportz. Mark Cofta reviews.
Inis Nua's U.S. premiere of Mark O'Rowe's 'Our Few and Evil Days' brings a dark, disturbing, and thrilling family drama. Mark Cofta reviews.
A musicalization of Marivaux's 'The Triumph of Love,' at Bristol Riverside Theatre, fails to balance the source play's humor and pathos. Cameron Kelsall reviews.
Theatre Horizon offers a whimsical, wistful, and refreshingly feminist take on the popular 'Peter and the Starcatcher.' Cameron Kelsall reviews.
May features new work from writers including Christopher Durang, Michael Hollinger, and R. Eric Thomas, alongside work that breaches prison walls, plus the close of an ambitious Philly exper…
Samantha Reading and Zak Berkman's retelling of Shakespeare's 'Romeo & Juliet' at People's Light & Theatre Company may seem redundant but proves its worth. Mark Cofta reviews.
