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1,428 stories by "Ben Brantley"

Review: Three Degrees of Loneliness in 'Amy and the Orphans' by Ben Brantley

Lindsey Ferrentino's insightful but uneven new play sends three adult siblings on a road trip to their late parents' house.

SOURCE: The New York Times Subscription at 9:45pm on March 1, 2018

5 Shows to See if You're in New York: 'Angels in America,' 'The Fall' and More by Ben Brantley

A grand return for Tony Kushner's "Angels," a raw reworking of "Yerma" and a South African docudrama about bringing down a statue " all this and Glenda Jackson, too!

SOURCE: The New York Times Subscription at 5:00am on March 1, 2018

Review: An Afrofuturist Mr. Rogers Rules 'The Brobot Johnson Experience' by Ben Brantley

Darian Dauchan's one-android performance piece uses rap, dance and colored lights to find "the connection between species."

SOURCE: The New York Times Subscription at 12:23pm on February 27, 2018

Review: In 'Relevance,' a Titan of Feminism Confronts a New Generation by Ben Brantley

JC Lee's undercooked play casts the formidable Jayne Houdyshell as an eminent professor swimming in the shark pool of academia.

SOURCE: The New York Times Subscription at 9:45pm on February 25, 2018

Review: 'Jerry Springer,' Sacred and Profane, Triumphantly Sings Again by Ben Brantley

This divinely wrought, beautifully sung New Group production finds compassion within a very relevant satire.

SOURCE: The New York Times Subscription at 11:23pm on February 22, 2018

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway by Ben Brantley

After winning two Oscars, she stopped acting for decades to fight Thatcherism. Now, at 81, she's tackling an Edward Albee classic. But she insists, "I lead a very dull life."

SOURCE: The New York Times Subscription at 5:00am on February 20, 2018

Review: 'Is God Is' Reinvents the Good, the Bad and the Ugly by Ben Brantley

Aleshea Harris's sensational new play, at Soho Rep, sends twin sisters into a wild, wild West on a bloody mission of vengeance.

SOURCE: The New York Times Subscription at 9:45pm on February 18, 2018

Review: 'Riot' and the Art of Kitsch as Protest by Ben Brantley

A rowdy Irish revue from the Dubin-based troupe Thisispopbaby asks the world to make love, not war, and dance, dance, dance.

SOURCE: The New York Times Subscription at 10:56am on February 16, 2018

An Appraisal: Jan Maxwell Was a Star Made for the Stage by Ben Brantley

Ms. Maxwell, who has died at 61, transmitted an uncommon intelligence and love of craft found only in great theater performers.

SOURCE: The New York Times Subscription at 3:28pm on February 12, 2018

Critic's Notebook: Tennessee Williams, Restless and Revising by Ben Brantley

A Morgan Library & Museum exhibition of the playwright's letters and manuscripts showcases the hungers that drove and derailed him.

SOURCE: The New York Times Subscription at 10:32am on February 12, 2018

Review: 'Returning to Reims' and Those European Working-Class Blues by Ben Brantley

In this play directed by Thomas Ostermeier and starring Nina Hoss, a French philosopher ponders the move to the right in blue-collar France.

SOURCE: The New York Times Subscription at 9:45pm on February 11, 2018

Review: A Criminally Enjoyable 'Hangmen' from Martin McDonagh by Ben Brantley

This London import shows the director and writer of "Three Billboards" still utterly at home in the (dark) shadows of the stage.

SOURCE: The New York Times Subscription at 9:45pm on February 5, 2018

Review: 'He Brought Her Heart Back,' Adrienne Kennedy's Beautiful Nightmare by Ben Brantley

With her first play in nearly a decade, the 86-year-old playwright reminds audiences of her singular vision.

SOURCE: The New York Times Subscription at 9:45pm on January 30, 2018

Review: Michael Urie Puts the Madcap in Hamlet's Madness by Ben Brantley

Michael Kahn's production for the Shakespeare Theater Company provides Elsinore with a new arsenal that includes smartphones and surveillance cameras.

SOURCE: The New York Times Subscription at 1:24pm on January 23, 2018

Review: A Master Class in Passive Aggression in 'Miles for Mary' by Ben Brantley

The Mad Ones' portrait of a group of teachers in a purgatorial staff meeting finds the entertainment factor in endless irritation

SOURCE: The New York Times Subscription at 9:45pm on January 22, 2018

Review: Richard Maxwell Considers Life After Life in 'Paradiso' by Ben Brantley

In the bleak and buoyant "Paradiso," a world beyond human existence is summoned with stark sentimentality and endless eloquence.

SOURCE: The New York Times Subscription at 12:33pm on January 16, 2018

Review: A Fantasy Town Builds a Wall Against Time in 'Ballyturk' by Ben Brantley

Enda Walsh's wild cosmic farce, in which two men act out the life of a fantasy village, finds the aching emptiness in words, words, words

SOURCE: The New York Times Subscription at 9:45pm on January 14, 2018

Review: Who Am I? 'Panorama' Says There Is No Easy Answer by Ben Brantley

In this multimedia, multidimensional performance piece, the boundaries of race, gender and ethnicity blur into a shifting pageant of identity.

SOURCE: The New York Times Subscription at 2:20pm on January 12, 2018

5 Shows to See if You're in New York in January by Ben Brantley

For the new year, productions that aim to shake up your senses and challenge your assumptions. Plus: '80s jargon and hair.

SOURCE: The New York Times Subscription at 3:30pm on January 11, 2018

Review: Dancing to Destruction in Enda Walsh's Fierce 'Disco Pigs' by Ben Brantley

This harrowing and exhilarating revival, featuring an inexhaustible cast of two, summons the agonies and ecstasies of being 17 in a blighted Irish town.

SOURCE: The New York Times Subscription at 10:15am on January 10, 2018

Review: 'Hamilton' Conquers London (King George Slays Too) by Ben Brantley

The newcomer Jamael Westman steps out as a fully formed star in the title role of the triumphant London production of "Hamilton."

SOURCE: The New York Times Subscription at 5:21pm on January 5, 2018

Review: A Wondrous 'Pinocchio' With That 'Lion King' Magic by Ben Brantley

In a creative master stroke, this National Theater adaptation of the Disney film uses oversized puppets to play adults, who tower over the title figure.

SOURCE: The New York Times Subscription at 9:23am on January 4, 2018

Review: Mark Rylance Returns to Broadway as a Mad Monarch to Cherish by Ben Brantley

In Claire van Kampen's strange, enchanting "Farinelli and the King," from Shakespeare's Globe in London, music hath charms to spare.

SOURCE: The New York Times Subscription at 10:04pm on December 17, 2017

Review: Finding Serenity in a Tempest-Tossed 'Twelfth Night' by Ben Brantley

Fiasco Theater's agreeable production of a much-performed play finds the clarity in a comedy of confusion.

SOURCE: The New York Times Subscription at 10:36pm on December 14, 2017

Review: Dreaming of 'Home,' With a Magical Guide in His Underwear by Ben Brantley

Geoff Sobelle's hallucinatory performance piece at the Brooklyn Academy of Music is set in a house that comes to life before your eyes.

SOURCE: The New York Times Subscription at 3:18pm on December 7, 2017
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