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1,428 stories by "Ben Brantley"

When Home Is a Big Broadway Stage by Ben Brantley

Kristin Chenoweth and Ian McKellen demonstrate the increasingly popular art of turning theater palaces into cozy parlors for confabs with fans.

SOURCE: The New York Times Subscription at 2:18pm on November 10, 2019

Review: Peter Dinklage Tackles 'Cyrano' Without the Nose by Ben Brantley

The Emmy-winning "Game of Thrones" star shows off his abundant charisma in a lachrymose musical adaptation of Rostand's classic.

SOURCE: The New York Times Subscription at 10:24pm on November 7, 2019

'The Michaels' Review: Dance as Life in Upstate New York by Ben Brantley

In this delicately wrought portrait of a dying choreographer and her family, Richard Nelson's play considers the redemptive powers of art in fractious times.

SOURCE: The New York Times Subscription at 3:48pm on October 28, 2019

Review: In Zawe Ashton's 'for all the women,' the Price of Uprooting a Life by Ben Brantley

This convoluted play chronicles the breakdown of a conflicted, displaced East African woman in the cosmopolitan West.

SOURCE: The New York Times Subscription at 10:24pm on October 27, 2019

'Is This a Room' Review: Why'd She Blow the Whistle? by Ben Brantley

Tina Satter's remarkable docudrama recreates the bizarrely banal interrogation that led to the arrest of the intelligence contractor Reality Winner.

SOURCE: The New York Times Subscription at 8:03am on October 24, 2019

'For Colored Girls' Review: Ntozake Shange's Women Endure by Ben Brantley

The director Leah C. Gardiner delivers a warm and inspiriting revival of the landmark poetic drama, with a gloriously interdependent cast.

SOURCE: The New York Times Subscription at 11:24pm on October 22, 2019

Review: 'American Utopia' Is David Byrne's Neighborhood by Ben Brantley

This jubilant production, choreographed by Annie-B Parson, transforms an icon of alienation into a cosmically cozy senior statesman.

SOURCE: The New York Times Subscription at 11:48pm on October 20, 2019

'Little Shop of Horrors' Review: Jonathan Groff Feeds the Beast by Ben Brantley

Michael Mayer's revitalizing revival of this genially gruesome classic becomes a sly morality tale for the age of universal celebrity.

SOURCE: The New York Times Subscription at 10:18pm on October 17, 2019

Review: Marisa Tomei Braves a Typhoon in 'The Rose Tattoo' by Ben Brantley

Trip Cullman's unmoored production of this atypical comedy from Tennessee Williams presents sexual attraction as a raging force of nature.

SOURCE: The New York Times Subscription at 11:54pm on October 15, 2019

Review: Partying to End the Patriarchy in a Dionysian 'Girls' by Ben Brantley

This head-tripping play from Branden Jacobs-Jenkins, inspired by Euripides' "The Bacchae," allows women past and present to find catharsis in one truly wild bash.

SOURCE: The New York Times Subscription at 1:03pm on October 13, 2019

'Linda Vista' Review: A Womanizer Who Devastates as He Charms by Ben Brantley

Tracy Letts, the author of "August: Osage County," reinvents the midlife crisis play with a hilarity that scalds in this Steppenwolf production.

SOURCE: The New York Times Subscription at 11:42pm on October 10, 2019

Review: 'The Wrong Man' Sets a Universal Nightmare to Music by Ben Brantley

Ross Golan's dark chamber musical, based on a concept album, stars the excellent Joshua Henry as an innocent man on the lam.

SOURCE: The New York Times Subscription at 10:48pm on October 9, 2019

Review: Love Among the Shadows in Edgar Oliver's 'Victor' by Ben Brantley

In this haunting memoir of his relationship with a homeless man, Mr. Oliver confirms his status as a poet laureate of New York's dispossessed.

SOURCE: The New York Times Subscription at 1:36am on October 7, 2019

'Freestyle Love Supreme' Review: Hip-Hop Saves the World by Ben Brantley

This exultant evening of improvised rap " created by Thomas Kail, Lin-Manuel Miranda and Anthony Veneziale " turns out to be a perfect fit for Broadway.

SOURCE: The New York Times Subscription at 10:06pm on October 2, 2019

Review: Paging Pablo Escobar in 'Our Dear Dead Drug Lord' by Ben Brantley

Alexis Scheer's vibrant play about four teenage girls, a Ouija board and a narco-terrorist summons the truly scary spirits that keep us awake at night.

SOURCE: The New York Times Subscription at 10:18pm on September 24, 2019

Review: Being Young and Bored in a Book Club on 'Sunday' by Ben Brantley

In Jack Thorne's listless new play, a group of feckless friends gather to discuss Anne Tyler and share their self-consciousness.

SOURCE: The New York Times Subscription at 11:18pm on September 23, 2019

Review: The Lists We Live by in Daniel Fish's 'White Noise' by Ben Brantley

This distillation of Don DeLillo's 1985 novel, by the director who deconstructed "Oklahoma!," catalogs the clutter of the American mind.

SOURCE: The New York Times Subscription at 12:18pm on September 22, 2019

For Peter Brook, the Experimental Showman, 'Nothing Is Ever Finished' by Ben Brantley

His eyesight failing but schedule still packed, the 94-year-old stage director reflects on a globe-spanning career that includes a New York premiere this week.

SOURCE: The New York Times Subscription at 6:06am on September 18, 2019

Review: In 'Wives,' the Other Halves Have Their Say by Ben Brantley

Jaclyn Backhaus's slapdash comedy, at Playwright's Horizons, travels through time to coax oppressed spouses out of their powerful husband's shadows.

SOURCE: The New York Times Subscription at 10:24pm on September 16, 2019

Review: Being Brainwashed Into Joy in Derren Brown's 'Secret' by Ben Brantley

This one-mentalist show, in which Mr. Brown peers into the minds of his audience, offers exhilaration and comfort to New York City's head cases.

SOURCE: The New York Times Subscription at 10:06pm on September 15, 2019

Review: Tom Hiddleston in a Love Triangle Undone by 'Betrayal' by Ben Brantley

Mr. Hiddleston, Zawe Ashton and Charlie Cox portray three friends in flux in Jamie Lloyd's revelatory interpretation of a Harold Pinter classic.

SOURCE: The New York Times Subscription at 10:18pm on September 5, 2019

What's Broadway Got to Do With It? More Pop Musicals by Ben Brantley

New York stages will bop to the songbooks of Bob Dylan, Alanis Morissette, Tina Turner and David Byrne this season. And that's not counting the 70 songwriters of "Moulin Rouge!"

SOURCE: The New York Times Subscription at 6:18am on September 4, 2019

Review: Opinions Collide in the Explosive Comedy 'Eureka Day' by Ben Brantley

Jonathan Spector's lively portrait of a debate over mandatory vaccinations is the perfect play for our age of disagreement.

SOURCE: The New York Times Subscription at 10:42pm on August 29, 2019

Review: A Nose by Any Other Name in a Hudson Valley 'Cyrano' by Ben Brantley

Jason O'Connell and Brenda Withers's adaptation of "Cyrano de Bergerac" at the Hudson Valley Shakespeare Festival asks us not to take anything at face value.

SOURCE: The New York Times Subscription at 3:42pm on August 21, 2019

Hot Priests and Wayward Libidos Run Wild on London's Stages by Ben Brantley

Andrew Scott, John Malkovich and Clive Owen are among the West End actors portraying men hopelessly in thrall to erotic impulses.

SOURCE: The New York Times Subscription at 1:36pm on August 12, 2019
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