4,217 stories from Broad Street Review
'Once,' at Arden Theatre Company, offers a wistful, musical look at fleeting romance. Cameron Kelsall reviews.
Dysfunctional group dynamics are on full display in Villanova Theatre's 'The Book Club Play.' Gail Obenreder reviews.
The Resident Ensemble Players bring a first-rate production of Conor McPherson's 'The Seafarer' to Delaware. Gail Obenreder reviews.
Bristol Riverside Theatre's 'Erma Bombeck: At Wit's End' portrays the legendary humorist with warmth and wit. Mark Cofta reviews.
When you and your friends get going, there are plenty of things that won't fit in a Facebook thread " especially when you're wondering who these people really are. 'Powerpoints for my friend…
The legendary sketch comedy student troupe Cambridge Footlights shares some laughs with Philly in their touring show, 'Pillow Talk,' stopping in at PHIT. Mark Cofta reviews.
'Shelter,' a Fringe Festival entry from Drip Symphony, offers an intriguing but ultimately wayward glimpse of artistic life. Cameron Kelsall reviews.
Bruce Graham's world premiere 'Sanctions' at Delaware Theatre Company tackles college sports and campus sexual assault in a strong production. Gail Obenreder reviews.
Juniper Productions' Cocktail Plays Round Two serves up a quick quartet of new plays by local playwrights with cocktails to match at Philadelphia Distillery. Mark Cofta reviews.
'Wolfcrush (a queer werewolf play)' continues On the Rocks' boundary-pushing tradition with a new take on the teen wolf. Cameron Kelsall reviews.
Irene Molloy's musical revue 'The F Word' takes an inspiring tour through U.S. feminist history right up to our present moment. Melissa Strong reviews.
'Pamela's First Musical,' a long-gestating collaboration between the late Wendy Wasserstein and Cy Coleman, should have stayed in mothballs. Cameron Kelsall reviews.
Revolution Shakespeare's annual free Shakespeare in Hawthorne Park presents an all-female version of the rarely seen 'Troilus and Cressida.' Mark Cofta reviews.
Tribe of Fools' 'Fly Eagles Fly' parodies Philly football fans in a new play with heart, ideas, and parkour. Mark Cofta reviews.
University of Delaware's Resident Ensemble Players bring back the old chestnut 'Lettice and Lovage' and find it's still pretty tasty. Gail Obenreder reviews.
Savannah Reich's 'Pestilence: Wow!', an ambitious show in a challenging space, explored how we cope with tragedy, then and now (spoiler alert: not that well). Alaina Johns reviews.
Radiant Bloom Productions' 'The F Word' shares a musical celebration of American feminism and a dynamic cast. Mark Cofta reviews.
'The Arcane Mysteries of Vanderslice Manor' presents an informal wink and nod to whodunit greats, with a mysterious twist. Helen Walsh reviews.
Philly's Dancefusion and New York's Sokolow Theatre/Dance Ensemble join forces with a slate of premieres and old friends. Melissa Strong reviews.
School-shooting drama Lockhardt by Heart-Soul-Control focuses on a too-familiar incident without offering any insight. Mark Cofta reviews.
Svaha Theatre Collective's two productions skewering royalty, 'Long Trouble,' and 'Phaedra's Love,' result in something greater than the sum of their parts. Mark Cofta reviews.
What do I do about justice? What do you do? Lee Minora brings her hit one-woman satire to the Fringe. Alaina Johns reviews.
Lee Minora's Fringe-hopping one-woman show, 'White Feminist,' offers strong satire with a brilliant twist. Mark Cofta reviews.
'Hapgood,' at Lantern Theater Company, finds Tom Stoppard at his most self-consciously dense. Cameron Kelsall reviews.
This Fringe show sets out to explore images and expectations of Jewish beauty, but ends up taking in a lot more. Alaina Johns reviews.
