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104 stories by "Naveen Kumar"

Review: In 'Misty,' a Restless Artist Grapples With a Gentrifying City by Naveen Kumar

At the Shed, Arinzé Kene mixes spoken word, music and comedy to tell a story of racial tension and male identity in a changing London.

SOURCE: The New York Times Subscription at 1:14pm on March 10, 2023

Review: In 'The Best We Could,' the Players Follow Directions by Naveen Kumar

The playwright Emily Feldman structures this work like a personal GPS that plots the course of a family.

SOURCE: The New York Times Subscription at 1:28pm on March 6, 2023

'1 + 1' Review: She Just Wants to Be His Plaything by Naveen Kumar

Stale views of gender dynamics power Eric Bogosian's play about an aspiring actress caught in the clutches of a duplicitous man.

SOURCE: The New York Times Subscription at 5:27pm on March 3, 2023

Review: In 'Leo Reich: Literally Who Cares?!,' He's Too Hot to Live by Naveen Kumar

Reich, a comedian and writer, transforms into the avatar of Gen Z disaffection in his taut, biting solo show at Greenwich House Theater.

SOURCE: The New York Times Subscription at 2:58pm on February 21, 2023

'Lucy' Review: There's Something About the Babysitter by Naveen Kumar

A workplace comedy set at home, this cleverly detailed production explores child care as both labor and primal instinct.

SOURCE: The New York Times Subscription at 1:54pm on February 8, 2023

'Memorial' Review: An American Story, Set in Stone by Naveen Kumar

The national controversy surrounding Maya Lin's design for the Vietnam War Memorial is the subject of Livian Yeh's nimble, process-driven play.

SOURCE: The New York Times Subscription at 10:00am on January 26, 2023

'Sugar Daddy' Review: The Grief Comes Out in Laughs by Naveen Kumar

In his show about mourning his boyfriend, the comedian Sam Morrison confronts overwhelming loss with punch lines and panache.

SOURCE: The New York Times Subscription at 2:55pm on January 23, 2023

Review: A Solo 'Great Expectations' That Calls for Endurance by Naveen Kumar

The British comedian Eddie Izzard plays every part in this relatively straightforward adaptation of Charles Dickens's classic story.

SOURCE: The New York Times Subscription at 9:18pm on December 15, 2022

'Some Like It Hot' makes a modern case for a screen gem by Naveen Kumar

Transforming beloved IP into compelling musical theater is an inexact science, but the transformation part is nonnegotiable. As the discard pile of recent VHS-inspired flops can attest, audi…

SOURCE: Broadway News Subscription at 10:02pm on December 11, 2022

Review: In 'La Race,' a Fight Back From the Margins by Naveen Kumar

Bleu Beckford-Burrell's play about a City Council campaign aims to catalog a gamut of social ills and how Black women rise to meet them.

SOURCE: The New York Times Subscription at 3:24pm on December 9, 2022

'The Bandaged Place' Review: A Dance With His Devils by Naveen Kumar

Evocative choreography and warm performances hold together Harrison David Rivers's play about the slippages between desire and trauma.

SOURCE: The New York Times Subscription at 6:06pm on November 17, 2022

'Where We Belong' Review: A Performer Wonders, What's in a Name? by Naveen Kumar

In an autobiographical solo show at the Public Theater, Madeline Sayet grapples with her Indigenous ancestry and the responsibility that comes with her name.

SOURCE: The New York Times Subscription at 4:18pm on November 10, 2022

Review: In 'Where the Mountain Meets the Sea,' Missed Connections by Naveen Kumar

A father and a son recall parallel journeys that reflect shared experiences of otherness in Jeff Augustin's play, performed with music by the Bengsons.

SOURCE: The New York Times Subscription at 4:06pm on November 4, 2022

'A Little Life' Review: A Collage of Unrelenting Torment by Naveen Kumar

Hanya Yanagihara's best-selling novel comes to the BAM stage, and raises the question: How much suffering can the protagonist (and the audience) endure?

SOURCE: The New York Times Subscription at 9:03pm on October 21, 2022

'The Gold Room' Review: Gay Sexuality on Shuffle Mode by Naveen Kumar

Two men circling each other for a hookup talk through fantasies and everyday doubts in this play by Jacob Perkins.

SOURCE: The New York Times Subscription at 4:33pm on October 20, 2022

'Hedda Gabler' and 'The Winter's Tale': 2 Takes That Shout Subtext by Naveen Kumar

Irreverence can be illuminating. But Bedlam's energetic productions of classics by Ibsen and Shakespeare lose insight in the process.

SOURCE: The New York Times Subscription at 4:07pm on October 18, 2022

'Sesame Street: The Musical' Review: Everything's A-OK by Naveen Kumar

Jonathan Rockefeller's Off Broadway production blends the charm and wit of the show's early days with more modern characters.

SOURCE: The New York Times Subscription at 2:07pm on September 27, 2022

'The Nosebleed' Review: Reconciling the Ghosts in the Attic by Naveen Kumar

Aya Ogawa's memoir-like excavation tests the boundaries of love and family obligation through intimate confession.

SOURCE: The New York Times Subscription at 7:37pm on August 4, 2022

Review: In 'The Butcher Boy,' an Anti-Coming of Age Story by Naveen Kumar

The new musical, based on the novel by Patrick McCabe, follows a boy in 1960s Ireland as he recounts a tale of boyhood mischief and alienation.

SOURCE: The New York Times Subscription at 2:48pm on August 2, 2022

'Happy Life' Review: Ghosts in the Studio by Naveen Kumar

The playwright Kathy Ng imagines a world where mortality, eroticism and Hello Kitty collide in a spirited, if sometimes muddled, contemplation of loneliness and loss.

SOURCE: The New York Times Subscription at 10:42am on July 29, 2022

'Mister Miss America' Review: A Fight for the Crown by Naveen Kumar

The first male contestant in his small-town beauty pageant is determined to win hearts, minds and the crown, in this solo play from the writer and performer Neil D'Astolfo.

SOURCE: The New York Times Subscription at 3:12pm on July 12, 2022

'Hooded; or Being Black for Dummies' Review: A Tragic Pageantry by Naveen Kumar

Tearrance Arvelle Chisholm's ambitious and sometimes metaphysical comedy playfully tries to tackle thorny issues at 59E59 Theaters.

SOURCE: The New York Times Subscription at 1:07pm on June 20, 2022

Review: In 'Queen,' the Numbers Don't Always Add Up by Naveen Kumar

Two ambitious scientists are concerned with honey bees in this heady and data-heavy new play, a production of the National Asian American Theater Company.

SOURCE: The New York Times Subscription at 3:33pm on June 15, 2022

'… What the End Will Be' Review: Learning to Let Go by Naveen Kumar

The intergenerational comedy is a poignant reflection on sexuality, mortality and Black masculinity by the playwright Mansa Ra.

SOURCE: The New York Times Subscription at 9:48pm on June 2, 2022

'Zoey's Perfect Wedding' Review: The Bride's Big Disaster by Naveen Kumar

For affluent and educated 30-something New Yorkers, a favored set of the playwright Matthew López, a chain-hotel reception is as tacky as it gets.

SOURCE: The New York Times Subscription at 1:37pm on May 29, 2022
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