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1,800 stories by "Elisabeth Vincentelli"

'The World Goes Away' and Other Lessons From Online Acting Class by Elisabeth Vincentelli

Remote learning may not be ideal, but Zoom encourages acting students to be more nuanced, more private and more intimate.

SOURCE: The New York Times Subscription at 11:54am on April 28, 2020☆⚑

A Cast Album I Love: 'Hair' by Elisabeth Vincentelli

We continue our cast album series with more recommendations for wonderful musicals to listen to at home.

SOURCE: The New York Times Subscription at 2:32pm on April 23, 2020☆⚑

Where to Find Drama Now? All the Internet's a Stage by Elisabeth Vincentelli

A roundup of streaming theater that covers classics and new shows, endearingly D.I.Y. webcasts and slick Broadway extravaganzas.

SOURCE: The New York Times Subscription at 10:48am on April 10, 2020☆⚑

'I Never Knew Anyone Less Jaded': Admiring Terrence McNally by Elisabeth Vincentelli

Audra McDonald, Lin-Manuel Miranda and Joe Mantello on a versatile collaborator who came to know "he didn't have to repeat himself.'

SOURCE: The New York Times Subscription at 12:48pm on March 26, 2020☆⚑

From the Basement to the Bathtub, With Time to Sing and Schmooze by Elisabeth Vincentelli

For over three hours online Sunday night, Rosie O'Donnell praised, kibitzed and made room for Broadway stars to check in with their fans and share music.

SOURCE: The New York Times Subscription at 1:54pm on March 23, 2020☆⚑

No Theater? No Problem. Plays and Musicals Switch to Streaming. by Elisabeth Vincentelli

As bans on public gatherings have proliferated nationwide in response to coronavirus, shows and special programs are announcing streaming plans daily.

SOURCE: The New York Times Subscription at 7:12pm on March 17, 2020☆⚑

'Coal Country' Review: Songs and Stories in a Disaster's Aftermath by Elisabeth Vincentelli

Jessica Blank and Erik Jensen's show at the Public Theater, with live music by Steve Earle, is based on a real-life West Virginia mining tragedy.

SOURCE: The New York Times Subscription at 10:18pm on March 3, 2020☆⚑

'Tumacho' Review: The Strange Delights of a Supernatural Horse Opera by Elisabeth Vincentelli

Ethan Lipton's delirious Western comedy features a pigtailed gunslinger, a soul-sucking demon and singing puppet cactuses, among other inspired flights of fancy.

SOURCE: The New York Times Subscription at 3:48pm on March 2, 2020☆⚑

Review: 'The Unsinkable Molly Brown' Has Its Ups and Ups by Elisabeth Vincentelli

A "revisal" of a Meredith Willson musical has a strong female lead who doesn't quit, and her unrelenting energy makes for a static production.

SOURCE: The New York Times Subscription at 11:03pm on February 26, 2020☆⚑

Bob Dylan Found Them, Whether They Knew It or Not by Elisabeth Vincentelli

"Girl From the North Country" cast members talk about the first time they heard Dylan's music.

SOURCE: The New York Times Subscription at 11:32am on February 25, 2020☆⚑

'Sabbath Girl' Review: A Meet-Cute with Art and Knishes by Elisabeth Vincentelli

Cary Gitter's throwback romantic comedy, about an Orthodox Jew and his Italian-American neighbor, is kind of sweet and kind of clunky.

SOURCE: The New York Times Subscription at 12:54pm on February 21, 2020☆⚑

Review: 'Happy Birthday Doug.' Here's a Vodka Stinger. by Elisabeth Vincentelli

Drew Droege's solo show is a laugh-out-loud funny social sendup, but it doesn't add up to more than a series of vignettes.

SOURCE: The New York Times Subscription at 3:03pm on February 16, 2020☆⚑

Carla Gugino Has Range, From 'Spy Kids' to Experimental Theater by Elisabeth Vincentelli

Hollywood has long cast her as a bombshell ("Sin City," "Karen Sisco"), but the actress has found an entirely different track onstage. Next up: "Anatomy of a Suicide."

SOURCE: The New York Times Subscription at 1:54pm on February 4, 2020☆⚑

Review: 'Stew' Takes Deeper Emotions Off the Back Burner by Elisabeth Vincentelli

In Zora Howard's new drama, the kitchen is where the characters reveal their bickering-but-loving true selves.

SOURCE: The New York Times Subscription at 11:03pm on February 1, 2020☆⚑

'The Transfiguration of Benjamin Banneker' Review: An Unwieldy Ride by Elisabeth Vincentelli

A tale about the 18th-century African-American mathematician includes actors, a vibrant marching band and wackadoo puppetry.

SOURCE: The New York Times Subscription at 7:36pm on January 26, 2020☆⚑

'Oscar Wao' Review: The Tragedy, and Comedy, of Manhood by Elisabeth Vincentelli

In a Spanish-language stage adaptation of the Junot Díaz novel, the friendship between two Dominican men is a testing ground for competing visions of masculinity.

SOURCE: The New York Times Subscription at 5:12pm on January 24, 2020☆⚑

Review: Bess Myerson's 'Ugly Daughter' Recalls Miss America Dearest by Elisabeth Vincentelli

Barra Grant's autobiographical solo play plumbs her fraught relationship with her mother, the famous politician and beauty queen Bess Myerson.

SOURCE: The New York Times Subscription at 1:36pm on January 20, 2020☆⚑

Review: 'Cartography' Hops Around a Fractured World Map by Elisabeth Vincentelli

This documentary show, created to teach young audiences about the experiences of refugees, focuses on optimism and hope, perhaps to a fault.

SOURCE: The New York Times Subscription at 1:36pm on January 12, 2020☆⚑

Call Charles Busch a 'Drag Legend,' if We Must Use Labels by Elisabeth Vincentelli

With a gown and love for old Hollywood, Busch stars in his latest zany romp, "The Confession of Lily Dare."

SOURCE: The New York Times Subscription at 5:48am on January 10, 2020☆⚑

Review: Five Pieces From 'Nine,' and Plenty More From Its Composer by Elisabeth Vincentelli

"Anything Can Happen in the Theater: The Musical World of Maury Yeston" is an old-fashioned revue that ably showcases the Tony-winning songwriter.

SOURCE: The New York Times Subscription at 2:42pm on December 13, 2019☆⚑

'Sleeping Car Porters' Review: Billy the Kid Meets the Zodiac Killer by Elisabeth Vincentelli

This cryptic play at the Brick Theater examining a certain kind of mythological American noir is wonderfully flabbergasting, and often genuinely creepy.

SOURCE: The New York Times Subscription at 4:03pm on December 8, 2019☆⚑

Review: Facing Life's Final Stretch in 'Harry Townsend's Last Stand' by Elisabeth Vincentelli

George Eastman's Off Broadway play is lifted by its direction and performances, but often feels like a cornball sitcom.

SOURCE: The New York Times Subscription at 12:12am on December 5, 2019☆⚑

The Pop Musical: Go Big (and Loud) or Go Home by Elisabeth Vincentelli

It's time for Broadway to embrace what's most joyous about songbook shows. Not biography, not coherence, but excess. Even "Moulin Rouge!" doesn't quite get it right.

SOURCE: The New York Times Subscription at 11:24am on November 22, 2019☆⚑

Review: Female Chemistry in 'The Half-Life of Marie Curie' by Elisabeth Vincentelli

A new play focuses on the first woman to win the Nobel Prize and her friendship with Hertha Ayrton, a fellow scientist played by Kate Mulgrew.

SOURCE: The New York Times Subscription at 11:24pm on November 19, 2019☆⚑

Review: In 'Reparations,' Righting Wrongs Comes With a Cost by Elisabeth Vincentelli

James Sheldon's play examines what happens when trauma is used to material ends.

SOURCE: The New York Times Subscription at 10:54pm on November 6, 2019☆⚑
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