On their way to Carnegie Hall, pianist Daniil Trifonov and baritone Matthias Goerne make beautiful, intense music at Princeton's McCarter Theatre Center. Cameron Kelsall reviews.
Quintessence Theatre Group's fresh, invigorating 'Waiting for Godot' foregrounds the humanity and heart of Samuel Beckett's tramps. Cameron Kelsall reviews.
EgoPo Classic Theater's premiere of John Guare's 'Lydie Breeze' trilogy gets off to an arresting and maddening start with 'Cold Harbor.' Cameron Kelsall reviews.
Bristol Riverside Theatre chronicles the war at home in Donald Margulies's 'Time Stands Still.' Cameron Kelsall reviews.
Walnut Street Theatre's production of Stephen Karam's 'The Humans' gets clogged up in kitchen sink realism. Cameron Kelsall reviews.
McCarter Theatre Center's 'Stones in His Pockets' has charm, but often reinforces the stereotypes it tries to subvert. Cameron Kelsall reviews.
Michael Frayn's acclaimed 'Copenhagen' shows its age in Lantern Theater Company's 10th anniversary production. Cameron Kelsall reviews.
Walnut Street Theatre's lively production occasionally lifts 'Baskerville,' Ken Ludwig's leaden Arthur Conan Doyle adaptation. Cameron Kelsall reviews.
Cameron Kelsall didn't plan to write a 2017 Best-of theater list, but considering the proliferation of excellent new work by local playwrights, he couldn't help himself.
Broadway powerhouses Marin Mazzie and Jason Danieley bring their intimate cabaret to Princeton's McCarter Theatre. Cameron Kelsall reviews.
As black women in the United States reclaim their time and refuse to be silenced, 'The Color Purple' feels more relevant than ever. Cameron Kelsall reviews.
Several strong performances cannot overcome City Theater Company's muddled interpretation of 'Sunday in the Park with George.' Cameron Kelsall reviews.
Curio Theatre Company presents an astonishingly fresh take on Beth Henley's 'Crimes of the Heart.' Cameron Kelsall reviews.
Curtis Opera Theatre offers a chilly take on Tchaikovsky's 'Eugene Onegin.' Cameron Kelsall reviews.
Bruce Graham uses 'The Craftsman' to confront his critics, but the result is more screed than storytelling. Cameron Kelsall reviews.
Hammonton, New Jersey's Eagle Theatre revises 'The Fantasticks,' with diminishing returns. Cameron Kelsall reviews.
Cameron Kelsall reviews Theresa Rebeck's trenchant workplace comedy. The post Review: What We’re Up Against at WP Theater (McGinn/Cazale) appeared first on Exeunt Magazine.
Bristol Riverside Theatre's production of Ronald Harwood's classical music comedy 'Quartet' plays painfully out of tune. Cameron Kelsall reviews.
Federico GarcÃa Lorca becomes an afterthought in the Wilma's unfocused 'Blood Wedding.' Cameron Kelsall reviews.
Ripe Time's convoluted take on Haruki Murakami's short story 'Sleep' shows the perils of adaptation. Cameron Kelsall reviews.
Act II Playhouse's revival of Michael Hollinger's 'Red Herring' will win you over hook, line, and sinker. Cameron Kelsall reviews.
Cameron Kelsall reviews Zoe Kazan's futuristic domestic drama. The post Review: After the Blast at Claire Tow Theater at Lincoln Center appeared first on Exeunt Magazine.
Cameron Kelsall reviews Keen Company's revival of Steven Dietz's response to the HIV/AIDS epidemic. The post Review: Lonely Planet at Clurman Theatre (at Theatre Row) appeared first on Exeun…
At long last, MJ Kaufman's "no review" world premiere 'Destiny Estimate' gets its review; Cameron Kelsall is glad he had the opportunity to weigh in.
Hedgerow Theatre's take on Noël Coward's supernatural comedy 'Blithe Spirit' remains earthbound. Cameron Kelsall reviews.