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1,428 stories by "Ben Brantley"

Review: In a Blissful Musical 'Twelfth Night' in Central Park, Song Is Empathy by Ben Brantley

This radiant Public Works production of Shakespeare's comedy of identity asks us "to see through the eyes of another."

SOURCE: The New York Times Subscription at 10:04pm on July 31, 2018

Review: In a New Orleans 'House,' Wealthy Women Are Haunted by Slavery's Ghosts by Ben Brantley

Marcus Gardley's loquacious and freewheeling answer to a Lorca classic is set in a fascinating moment for race relations.

SOURCE: The New York Times Subscription at 10:18pm on July 30, 2018

Review: Ye Olde Go-Go's Songs Hit the Renaissance in 'Head Over Heels' by Ben Brantley

This confused musical combines 1980s pop hits with a Renaissance romance, while considering the importance of being nonbinary.

SOURCE: The New York Times Subscription at 10:06pm on July 26, 2018

Review: In 'Lempicka,' Blond Ambition Is Set in a New Key by Ben Brantley

Carson Kreitzer and Matt Gould's exciting new musical dares to dream big as it follows the making of the artist Tamara de Lempicka in Jazz-Age Paris.

SOURCE: The New York Times Subscription at 8:36pm on July 26, 2018

Review: A Dirge for Wilting Salad Days in 'This Ain't No Disco' by Ben Brantley

This tone-deaf rock-opera remembrance of the twilight of Studio 54 features characters named Steve Rubell and The Artist. (Psst! That's Andy Warhol.)

SOURCE: The New York Times Subscription at 10:18pm on July 24, 2018

Brantley in Britain: Review: Song Trumps Senility in the Angry 'Allelujah!' by Ben Brantley

This comedy of dismay by Alan Bennett, author of "The History Boys," portrays a geriatric ward (of singing, dancing patients!) in an uncaring Britain.

SOURCE: The New York Times Subscription at 5:18pm on July 18, 2018

Review: In 'The Damned,' Ivo van Hove Finds the Mortal Chill in a Nazi Fire by Ben Brantley

The Comédie-Française's mesmerizing adaptation of Luchino Visconti's film charts the fall of a family steel dynasty during Hitler's rise to power.

SOURCE: The New York Times Subscription at 2:18pm on July 18, 2018

Brantley in Britain: Review: 'The Lehman Trilogy' Is a Transfixing Epic of Riches and Ruin by Ben Brantley

In the National Theater's adaptation of Stefano Massini's play, three wondrous actors become multitudes.

SOURCE: The New York Times Subscription at 1:54pm on July 13, 2018

Brantley in Britain: Women Set London's Stages Ablaze by Ben Brantley

Fiery performances by Lia Williams in "The Prime of Miss Jean Brodie" and Adrienne Warren in "Tina" newly illuminate familiar female characters.

SOURCE: The New York Times Subscription at 2:12pm on July 9, 2018

Critic's Notebook: Orlando Bloom and Aidan Turner Are Drenched in Blood in London by Ben Brantley

Crowd-drawing revivals of "Killer Joe" and "The Lieutenant of Inishmore" find two movie matinee idols transformed into mindless sociopaths.

SOURCE: The New York Times Subscription at 5:24pm on July 4, 2018

Review: Carey Mulligan Tells a Harrowing Tale of 'Girls & Boys' by Ben Brantley

Dennis Kelly's one-person drama examines the role of gender and violence through the eyes of a mother of young children.

SOURCE: The New York Times Subscription at 10:18pm on June 27, 2018

Review: Bad Girl Makes Good in a Glorious 'Carmen Jones' by Ben Brantley

John Doyle's resurrection of a famously problematic show, starring Anika Noni Rose, finds the fatalism " and universality " in its music.

SOURCE: The New York Times Subscription at 10:18pm on June 27, 2018

Review: Stephen Rea Is One Really Mad Man in 'Cyprus Avenue' by Ben Brantley

David Ireland's bruising drama presents a Northern Irish variation on a very topical archetype " the angry white male under siege

SOURCE: The New York Times Subscription at 10:12pm on June 25, 2018

Review: 'Behind the City' Immerses You in New York and Yourself by Ben Brantley

Third Rail Projects' latest theater piece is an ingenious combination of walking tour and voyage into the past.

SOURCE: The New York Times Subscription at 12:48pm on June 19, 2018

Review: A Cool-Tempered 'Othello' for Warm Central Park Nights by Ben Brantley

Ruben Santiago-Hudson's elegantly staged interpretation of this tale is good-looking and well-spoken, though lacking in fatal passion.

SOURCE: The New York Times Subscription at 10:04pm on June 18, 2018

Review: Theater as Sabotage in the Dazzling 'Fairview' by Ben Brantley

Jackie Sibblies Drury's ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.

SOURCE: The New York Times Subscription at 7:42pm on June 17, 2018

Review: Hip-Hopping With the Stars in 'Half Time' by Ben Brantley

This formulaic musical of uplift, about elderly dancers, provides the pleasure of reacquaintance with Donna McKechnie and Georgia Engel.

SOURCE: The New York Times Subscription at 1:04pm on June 14, 2018

Review: George and Martha Redux in 'Everyone's Fine With Virginia Woolf' by Ben Brantley

Edward Albee's 1962 masterwork is made over with a whole new set of party games in Kate Scelsa's punch-drunk satire for the Elevator Repair Service.

SOURCE: The New York Times Subscription at 11:18pm on June 12, 2018

Review: A Species on the Brink in 'Secret Life of Humans' by Ben Brantley

David Byrne's speculative play places two theories of human evolution in dialogue in a probing blend of fact and speculation.

SOURCE: The New York Times Subscription at 7:18pm on June 7, 2018

Review: Basketball Meets Tiananmen Square in 'The Great Leap' by Ben Brantley

Lauren Yee's global-vision take on the classic underdog sports story features BD Wong as a Chinese basketball coach with a secret.

SOURCE: The New York Times Subscription at 10:18pm on June 4, 2018

Review: Jim Parsons and Zachary Quinto Enter Sniping in 'The Boys in the Band' by Ben Brantley

Mart Crowley's epochal 1968 comic drama at last makes its Broadway debut, in Joe Mantello's entertaining but disconnected production.

SOURCE: The New York Times Subscription at 10:06pm on May 31, 2018

Review: Dirty Dancing to Henry James in 'The Beast in the Jungle' by Ben Brantley

This labored adaptation of a James short story, starring Tony Yazbeck, features a boldface creative team that includes John Kander and Susan Stroman

SOURCE: The New York Times Subscription at 7:48pm on May 23, 2018

Review: 'Tin Cat Shoes,' a Commentary on the Silliness of the System by Ben Brantley

This initial, mind-frisking comedy from Clubbed Thumb's Summerworks festival is a reminder of the particular pleasures of warm-weather goofiness.

SOURCE: The New York Times Subscription at 9:24pm on May 22, 2018

Review: In the Relationships in 'Singlet,' One and One Make One by Ben Brantley

Erin Markey's disciplined performance piece, a collaboration with Emily Davis, examines the dissolving boundaries of intense intimacy.

SOURCE: The New York Times Subscription at 11:48am on May 20, 2018

Review: In 'Operation Crucible,' Terror and Reassurance by Ben Brantley

Kieran Knowles's gripping play about the Sheffield Blitz, part of the Brits Off Broadway festival, focuses on the interdependent lives of four steel workers.

SOURCE: The New York Times Subscription at 7:48pm on May 15, 2018
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