345 stories by "GIA KOURLAS"
Garrett Lee, with an assist from DJ Khaled, fills a cultural hole with his floppy, hypnotic TikTok dance " still going strong in a sad, cathartic way.
The most majestic dance in "Barbie" is an emotional release for the Kens, but in subtle ways movement touches, and enhances, everything in the movie.
The company, now run by Susan Jaffe, concludes its season at the Metropolitan Opera House with familiar story ballets " and some important new faces.
The company wraps up its delayed anniversary tour with a selection of vintage dances and premieres in a three-week season at the Joyce Theater.
Cassandra Trenary, an American Ballet Theater principal dancer, pulls classical dance into the present through the drama of being real.
American Ballet Theater opened its summer season with Christopher Wheeldon's new three-act ballet, inspired by a novel and film.
In Madeline Hollander's fascinating "Hydro Parade," 15 dancers stream through the Metropolitan Museum of Art. Your task? To keep up.
Kids Dance, the performance group of Ballet Tech, returned to the Joyce with a mix of premieres and classics.
River to River Festival presents an art experiment in which audience members and dance artists, paired randomly, meet for one-on-one performances.
The tap dancer Ja'Bowen brings his art underground, where kids learn steps, commuters dance along and his energizing performances are bursts of joy.
A flurry of debuts. The return of Sara Mearns. Performances that lingered after the curtain fell. Here are the highlights from a packed spring season.
With a premiere by Tiffany Tregarthen and David Raymond at the Joyce, Gibney Company builds on its repertoire but doesn't enhance it.
After 15 years, New York City Ballet revives "Brandenburg," the choreographer's final ballet, with a sparkling new cast.
The choreographer Miguel Gutierrez presents the New York premiere of "I as another," a duet with Laila Franklin, at Baryshnikov Arts Center.
Harrison Ball is retiring. After battling addiction, he is engaged to Zac Posen, serious about acting and grateful for his career.
The choreographer collaborates with the designer Mimi Gross in "Garden Party," a whimsical celebration of spring that hints at loss.
The Trisha Brown Dance Company branches out beyond its founder's work with its first commission: Judith Sánchez RuÃz's "Let's Talk About Bleeding."
The company presented two large-scale works, one inspired by the French protests of 1968, and the other a response to a lost Merce Cunningham work, at NYU Skirball.
As artistic director, Johnson, a pathbreaking ballerina, helped get the company back on its feet after a hiatus. Now, she's ready to be an artist again.
Ananiashvili's company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.
With new books and a podcast taking another look at the legacy of George Balanchine and the culture of ballet, where does a modern ballerina stand?
Abraham and his company, A.I.M, returned to the Joyce Theater with a program of mixed repertory, including new dances and a Bebe Miller solo.
The company returned to New York City Center with recent works by Crystal Pite and David Dawson, along with a vintage offering by Kenneth MacMillan.
In "The Invisible Project," a premiere at NYU Skirball, the choreographer Keely Garfield's work as an end-of-life and trauma chaplain informs the dance.
Tanztheater Wuppertal returns to the Brooklyn Academy of Music for the first time in six years with "Ãgua," a long, whimsical work from 2001.
