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903 stories by "Laura Collins-Hughes"

Review: 'Go down, Moses,' Romeo Castelluci's Mostly Wordless Story of Abandonment by Laura Collins-hughes

Deploying visceral images and sounds, this production at Montclair State University is a radical transfiguration of the Moses story.

SOURCE: The New York Times Subscription at 6:33pm on June 10, 2016[SHARE]

Review: 'Universal Robots,' a Sci-Fi Love Story in Slo-Mo by Laura Collins-hughes

Arguments among intellectuals take precedence in Mac Rogers's play, set in Czechoslovakia in the years after World War I and overstuffed with ideas.

SOURCE: The New York Times Subscription at 5:50pm on June 8, 2016[SHARE]

Review: 'Himself and Nora' Revels in a Complicated Joyce by Laura Collins-hughes

This Jonathan Brielle musical retells the story of James Joyce and Nora Barnacle as a couple and as early-20th-century iconoclasts.

SOURCE: The New York Times Subscription at 5:49pm on June 8, 2016[SHARE]

Review: 'Harry and the Thief,' a Trip Back to the Plantation by Laura Collins-hughes

Sigrid Gilmer blends time travel with runaway slaves in this comedy at the Robert Moss Theater, which features a heroic yet human Harriet Tubman.

SOURCE: The New York Times Subscription at 7:22pm on May 27, 2016[SHARE]

Review: Mike Albo's Journey From Donor to Dad in 'Spermhood' by Laura Collins-hughes

Mr. Albo's new solo show, at Dixon Place, relates his immersion in the world of clinics and blood tests when he agrees to help his best friend become pregnant.

SOURCE: The New York Times Subscription at 5:40pm on May 24, 2016[SHARE]

Review: '1599,' a Mini-Marathon Devoted to Shakespeare's Work that Year by Laura Collins-hughes

The Irondale Ensemble explores four plays that he was writing in 1599.

SOURCE: The New York Times Subscription at 6:05pm on May 18, 2016[SHARE]

Review: 'Evening " 1910,' a Slice of Life on the Bowery With Movies on the Horizon by Laura Collins-hughes

This sung-through show at Axis Theater, from Randy Sharp and Paul Carbonara, looks and sounds good, but the story is a murk of confusion.

SOURCE: The New York Times Subscription at 2:09pm on May 11, 2016[SHARE]

Touring the East Village's Incubator of Experimentation by Laura Collins-hughes

Performance Space 122, a center of arts innovation, is offering a mobile tour of sites related to creative performance in the neighborhood.

SOURCE: The New York Times Subscription at 6:02pm on May 5, 2016[SHARE]

For Paula Vogel, a Once-Banned 'Beautiful' Love Story Inspires Her New Play by Laura Collins-hughes

Created with the director Rebecca Taichman, "Indecent" is inspired by Sholem Asch's Yiddish play "The God of Vengeance."

SOURCE: The New York Times Subscription at 2:14pm on May 5, 2016[SHARE]

Review: 'Crude,' and That Refers to More Than Oil by Laura Collins-hughes

Jordan Jaffe's dark new eco-comedy stars Nico Tortorella as a callous young oil heir worried that his life may be ruined by a Gulf of Mexico spill.

SOURCE: The New York Times Subscription at 10:19pm on May 4, 2016[SHARE]

Review: An 'Idiot,' Telling a Tale by Laura Collins-hughes

Structured as a response to Dostoyevsky, this production pares the cast to four.

SOURCE: The New York Times Subscription at 10:30pm on May 3, 2016[SHARE]

Review: In 'The Place We Built,' Politics Grip a Hungarian Bar by Laura Collins-hughes

This Sarah Gancher play, set in Budapest, features a group deciding whether to fight a shutdown just as their country is shifting to the right.

SOURCE: The New York Times Subscription at 5:06pm on May 2, 2016[SHARE]

Review: 'The School for Scandal' Is Full-Throated Satire by Laura Collins-hughes

Red Bull Theater's jaunty new production of Richard Brinsley Sheridan's work is directed by Marc Vietor at the Lucille Lortel Theater.

SOURCE: The New York Times Subscription at 3:20pm on April 27, 2016[SHARE]

Review: Tina Satter's 'Ghost Rings,' an Elliptical Tale of Lost Connections by Laura Collins-hughes

This new production from Ms. Satter's theater company, Half Straddle, combines a pop concert and a drama as it explores two relationships gone awry.

SOURCE: The New York Times Subscription at 12:46pm on April 25, 2016[SHARE]

Alice Birch Speaks Softly and Writes Loud Plays by Laura Collins-hughes

The British playwright's American debut, "Revolt. She Said. Revolt Again.," is a call for feminist revolution with a ferocity absent from her personal demeanor.

SOURCE: The New York Times Subscription at 12:52pm on April 14, 2016[SHARE]

Review: 'Six Characters' Excavates Past and Present, Inspired by Pirandello by Laura Collins-hughes

This play, an investigation of family, creativity and home, takes its main inspiration from Luigi Pirandello's "Six Characters in Search of an Author."

SOURCE: The New York Times Subscription at 5:19pm on April 10, 2016[SHARE]

Review: In 'Happily After Ever,' a Couple's Impossible Choice by Laura Collins-hughes

Laura Zlatos's play at 59E59 Theaters sets up a retro rom-com world of young marrieds and introduces a baby whose sex can't be determined.

SOURCE: The New York Times Subscription at 6:55pm on April 6, 2016[SHARE]

Review: 'Locusts Have No King,' a Love Triangle Comedy by Laura Collins-hughes

The four characters in J. Julian Christopher's play consider this question: Is the priesthood a closet, a refuge or both?

SOURCE: The New York Times Subscription at 6:30pm on April 5, 2016[SHARE]

Review: 'Wrestling Jerusalem,' a Solo Show and Act of Faith by Laura Collins-hughes

Aaron Davidman's play about the Israeli-Palestinian conflict trusts in the power of the human voice and the capacity of the human heart.

SOURCE: The New York Times Subscription at 5:49pm on April 4, 2016[SHARE]

Where There's Smoke, There's Stagecraft by Laura Collins-hughes

On the care, feeding and wrangling of fog.

SOURCE: The New York Times Subscription at 4:15pm on March 23, 2016[SHARE]

Review: In 'Typhoid Mary,' Showtime for a Dying Patient by Laura Collins-hughes

Carl Holder's "An Intimate Evening With Typhoid Mary," at the New Ohio Theater, mixes memory and cabaret.

SOURCE: The New York Times Subscription at 11:08pm on March 21, 2016[SHARE]

Review: 'Ideation,' About an Office Team's Morally Disturbing New Project by Laura Collins-hughes

In Aaron Loeb's play at 59E59 Theaters, co-workers take on an assignment that involves mass murder and the disposal of bodies.

SOURCE: The New York Times Subscription at 6:36pm on March 18, 2016[SHARE]

Review: In 'Elijah Green,' Archetypes in Search of Meaning by Laura Collins-hughes

Andrew Ondrejcak's play at the Kitchen examines characters inspired by Strindberg and Breugel.

SOURCE: The New York Times Subscription at 5:28pm on March 15, 2016[SHARE]

Review: In 'Widowers' Houses,' Loving a Slumlord's Daughter by Laura Collins-hughes

George Bernard Shaw's first play, highlighting the social ills of slums, is reframed as an individual's moral struggle in this adaptation at Beckett Theater.

SOURCE: The New York Times Subscription at 6:22pm on March 14, 2016[SHARE]

Review: Tennessee Williams's Late-Career Curiosities by Laura Collins-hughes

Playhouse Creatures Theater Company presents two of the playwright's one-acts from 1982, the year before he died.

SOURCE: The New York Times Subscription at 2:24pm on March 4, 2016[SHARE]
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