479 stories by "Cameron Kelsall"
A pair of strangers learn to be brothers in Hymn, a tender two-hander from Inis Nua Theatre Company. Cameron Kelsall reviews.
The national tour of Into the Woods loses the thread of Stephen Sondheim and James Lapine's fairy-tale parable. Cameron Kelsall reviews.
After performances running from Philly to the UK and back, Jenna Kuerzi retires her irreverent and enlightening solo show Johnny Depp: A Retrospective on Late-Stage Capitalism. Cameron Kelsa…
The Crossing joined with PRISM Quartet to present the world premiere of Martin Bresnick's austere, literary Self-Portraits 1964, Unfinished. Cameron Kelsall reviews.
Michael Arden directs an "essential" revival of Jason Robert Brown and Alfred Uhry's musical that "reaches its summit in its silences." Cameron Kelsall reviews.
The post Review: Parade at t…
Brian Friel tackles the Russian master in The Bear and Afterplay, the latest double bill from Irish Heritage Theatre. Cameron Kelsall reviews.
The Brentano Quartet used their annual recital with the Philadelphia Chamber Music Society to establish Antonin Dvořák as an American master. Cameron Kelsall reviews.
Too many branches keep the trunk obscured in Agnes Borinsky's new play. Cameron Kelsall reviews.
The post Review: The Trees at Playwrights Horizons appeared first on Exeunt Magazine NYC.
Big Daddy steals the show in Walnut Street Theatre's new production of Cat on a Hot Tin Roof. Cameron Kelsall reviews.
Philadelphia Theatre Company's Empathitrax tests the limits of love and pharmaceutical intervention. Cameron Kelsall reviews.
Anna Ziegler's novelistic new work about writers, their parents, and Katie Holmes playing an actress meanders through tedium. Cameron Kelsall reviews.
The post Review: The Wanderers at the L…
The Lifespan of a Fact, now onstage at Lantern Theater, considers the chasm between journalistic integrity and artistic license. Cameron Kelsall reviews.
Lynn Nottage's Clyde's, now onstage at the Arden Theatre, shows what a sandwich can say about life. Cameron Kelsall reviews.
Clifford Odets's pro-labor drama remains relevant, despite a clumsily didactic production by Quintessence Theatre Group. Cameron Kelsall reviews.
Star soloist Daniil Trifonov brought lyricism and weight to Brahms's Second Piano Concerto in the New Jersey Symphony's first concert program of 2023. Cameron Kelsall reviews.
Now at the Academy of Music as part of a national tour, Jagged Little Pill retrofits Alanis Morissette's seminal album to a relentlessly topical contemporary musical. Cameron Kelsall reviews.
The Philadelphia Orchestra summoned the majesty of Gustav Holst's The Planets, while remembering the legacy of a departed friend. Cameron Kelsall reviews.
Bruce Norris, "a brilliant button-pusher", wades into murky moral water with his latest play. Cameron Kelsall reviews.
The post Review: Downstate at Playwrights Horizons appeared first on E…
Playwright and performer Milo Cramer offers an endearing portrait of the modern education system in School Pictures at the Wilma Theater. Cameron Kelsall reviews.
Room to make inner feelings known: (L to R) Makoto Hirano, Matteo Scammell, and Keith Conallen in Theatre Exile's 'Wolf Play.' (Photo by Paola Nogueras.)
Sensitive subjects get short shrift in Gidion's Knot, which opens the season at Curio Theatre Company. Cameron Kelsall reviews.
Inis Nua's Pop-Up Play in a Pub series returns with new leadership, and the lively American premiere of 10 Dates With Mad Mary. Cameron Kelsall reviews.
The Glass Menagerie is a delicate masterpiece, but falls flat due to misunderstanding in the Arden's season opener production. Cameron Kelsall reviews.
The dynamic pianist Daniil Trifonov headlined the Philadelphia Orchestra's musically diverse and satisfying opening weekend concerts. Cameron Kelsall reviews.
Slack pacing and a dire piece of miscasting sink the Lantern's season-opening production of Tom Stoppard's Travesties. Cameron Kelsall reviews.
