488 stories by "Cameron Kelsall"
Heidi Schreck's crisp new adaptation of Chekhov's play takes the stage at Lincoln Center. Cameron Kelsall reviews.
The post Review: Uncle Vanya at the Vivian Beaumont Theater appeared first …
The Philadelphia Orchestra experiments with a new, casual concert format in its Orchestra After 5 series. Cameron Kelsall previews their latest event.
A new musical adaptation of the weepy Nicholas Sparks novel leaves our critic with dry eyes. Cameron Kelsall reviews.
The post Review: The Notebook at the Gerald Schoenfeld Theatre appeared …
Curtis Opera Theatre inventively pairs two works from the 20th century that consider the struggles of women in society: Poulenc's Les Mamelles de Tirésias and Kurt Weill and Bertolt Brecht'…
Charles Busch returns with a new play that gets lost in its own point of view. Cameron Kelsall reviews.
The post Ibsen's Ghost at 59E59 Theaters appeared first on Exeunt Magazine NYC.
Inis Nua's Once Upon a Bridge dramatizes a random act of violence with empathy and suspense. Cameron Kelsall reviews.
The line between truth and memory blurs in Brian Friel's Faith Healer, given a riveting revival by Lantern Theater Company. Cameron Kelsall reviews.
The Flatlanders, a new play by Bruce Graham from 1812 Productions, is an unfunny throwback to the heyday of boulevard comedy. Cameron Kelsall reviews.
Playwright Sasha Denisova channels the strength and resilience of her Ukrainian mother in My Mama and the Full-Scale Invasion, on stage at the Wilma Theater in a co-production with DC's Wool…
The music of Béla Bartók speaks better than its pretentious interlocutors in Bartók's Monster, a collaboration of Sebastienne Mundheim and the Pig Iron School, inspired by Penn lectur…
Despite its weighty title, Samuel D. Hunter's A Case for the Existence of God at Theatre Exile considers questions of humanity and friendship, and it's among the first must-see shows of the …
The music recording label opens a global celebration of 125 years, and the only soirée of its kind happening in the US is right on Broad Street. Cameron Kelsall previews.
Selling Kabul, a Pulitzer Prize finalist at InterAct Theatre Company, wrestles with the human cost of occupation and war. Cameron Kelsall reviews.
The national tour of Wicked returns to Philadelphia for the first time in six years. How's it holding up? Cameron Kelsall reviews.
EgoPo Classic Theater opens a season of international perspectives with Lorraine Hansberry's Les Blancs, co-produced by South Africa's Abrahamse and Meyer Productions. Cameron Kelsall review…
Lyric Fest celebrated the centennial of composer Ned Rorem with a rare complete performance of Evidence of Things Not Seen. Cameron Kelsall reviews.
The Arden Theatre Company considers Stephen Sondheim's Assassins through a chilling contemporary lens. Cameron Kelsall reviews.
Directorial bells and whistles impede the socialist message of George Bernard Shaw's Major Barbara at Quintessence Theatre Group. Cameron Kelsall reviews.
The fruit juice flies in Citrus Andronicus, Philadelphia Artists' Collective's creative retelling of the Shakespearean revenge tragedy in this year's Fringe Festival. Cameron Kelsall reviews.
One woman's quest to score a ticket to her favorite band's farewell show takes on moving dimensions in They've All Gone And We'll Go Too in this year's Fringe. Cameron Kelsall reviews.
A highly conceptualized production of True West at People's Light offers striking visuals but scant drama. Cameron Kelsall reviews.
Politically charged yet emotionally joyous, a 1971 musical adaptation of Two Gentlemen of Verona knocks it out of Clark Park. Cameron Kelsall reviews.
There's little mirth to be found in Sandy Rustin's new comedy in the manner of an old style. Cameron Kelsall reviews.
The post Review: The Cottage at the Helen Hayes Theater appeared first o…
Philadelphia-based author James Whipple Miller offers a valuable portrait of the legendary composer and pedagogue Nadia Boulanger, told largely through letters to her longtime friend Ruth Ro…
A Jewish man walks into a meeting of white supremacists in Alex Edelman's funny and thoughtful one-man show. Cameron Kelsall reviews.
The post Review: Just for Us at the Hudson Theatre appea…
