202 stories from NBC New York
"Side Show" is a Broadway revival that follows the true story of conjoined twins who went from side show acts to big time stars.
The cult 1997 musical about the lives of conjoined twins Violet and Daisy Hilton is back on Broadway, in a slick new revival by Bill Condon.
Celia Keenan-Bolger is an American mother whose son is believed to be the reincarnation of a Buddhist Lama in Sarah Ruhl's affecting exploration of motherhood.
Submerged beneath an often told prodigal-son-returns story is a haunting and gorgeously executed new musical that marks the debut of a new Broadway composer"Sting.
A new musical based on Jonathan Lethem's best-selling novel features a marvelous cast telling a story of a Brooklyn that's lost to the ages.
A dream cast does what they do best, in a comedy that tries to be all things to all people.
Fans of Mark Haddon's celebrated 2003 novel will cherish the faithful National Theatre production that's finally found its way to New York, but they're in for a surprise, too.
Despite a strong performance by Blythe Danner, Donald Margulies' latest play, "The Country House," is a muddled tale that would be successful if it could just get out of its own way.
On the heels of his return to New York and "Les Misérables," Will Swenson speaks to NBC New York.
James Earl Jones is a gentle giant and Australian actress Rose Byrne makes an impressive Broadway debut in "You Can't Take It With You," the 1936 comedy by Moss Hart and George S. Kaufman.
"Love Letters," the playwright's Pulitzer-nominated epistolary drama, shows just how volatile and fragile human relationships truly are.
Kieran Culkin is a magnetic presence, but Michael Cera fails to connect in the Broadway debut of Kenneth Lonergan's 1996 comedy-drama.
Broadway's trade organization needs to rethink its decision to memorialize the beloved comedienne, a longtime theater booster.
A.R. Gurney's 1977 play, enjoying a nifty revival at Signature Center, has 10 actors in five distinct stories sharing the stage"and the set's one room"at the same time.
The prolific playwright's latest comedy asks us to consider which is more important: feeding your immediate desires, or protecting the people already in your corner?
Modern mating rituals and their unexpected ramifications get a once-over in Scott Organ's engaging, but ultimately overwrought dark comedy.
The two-time Tony winner offers a distinctly physical monarch in the tragedy's first SITP appearance in some 40 years.
A well-crafted, if depressing commentary on human nature, Stephen Adly Guirgis' "Between Riverside and Crazy" thrives on the strength of robust dialogue and complex performances.
The first mainstream musical based on the catalog of a rap star has a rich and vivid score, but a woefully thin story backing it up.
The lives of a sheltered teen and a fragile runaway intersect in Sarah Treem's new drama set at an underground shelter for abused women.
Playwrights Horizons offers an often magical, sometimes meandering musical with such a terrific cast you can overlook its shortcomings.
Bess Wohl's new work at 2nd Stage Uptown is a thought-provoking, but unevenly seasoned comedy about "sandwich artists" in a suburban strip mall.
The stellar "poperetta" conceived by one-time Talking Head David Byrne is a history lesson by way of Studio 54.
The Tony host and sitcom star is the reigning king and queen of Broadway, thanks to a dazzling turn as the transgendered East German rock star.
"The Cripple of Inishmaan" makes an appealing Broadway transfer, with the "Harry Potter" star as the wounded dreamer of the title.
