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903 stories by "Laura Collins-Hughes"

Review: In 'Woman and Scarecrow,' Female Fury Doesn't Get Its Due by Laura Collins-hughes

Marina Carr's blistering play seems ideal for this cathartic cultural moment. Its Irish Repertory Theater production is a missed opportunity.

SOURCE: The New York Times Subscription at 4:12pm on May 22, 2018[SHARE]

Review: After the Earthquake, a 'Room' Haunted by Memories by Laura Collins-hughes

The aftermath of the Fukushima disaster infiltrates the lives of a young couple in Toshiki Okada's spare, affecting play

SOURCE: The New York Times Subscription at 1:32pm on May 21, 2018[SHARE]

Review: In 'The Gentleman Caller,' a Talky Tennessee Williams by Laura Collins-hughes

Philip Dawkins's play blends realism and campy melodrama as it envisions the fumbling beginnings of an affair between Williams and William Inge

SOURCE: The New York Times Subscription at 11:18pm on May 10, 2018[SHARE]

Joshua Henry Does Whatever It Takes, in 'Carousel' and as a Father by Laura Collins-hughes

As the first black actor to play Billy Bigelow on Broadway, Mr. Henry is changing theater, while a newborn son is changing him.

SOURCE: The New York Times Subscription at 6:18am on May 10, 2018[SHARE]

Review: 'Unexpected Joy' Is a 'Me' Generation Musical by Laura Collins-hughes

The show had its premiere on Cape Cod two summers ago. It has been revised, but it retains its primary strengths and its fatal weaknesses.

SOURCE: The New York Times Subscription at 7:48pm on May 3, 2018[SHARE]

Review: In 'Assembled Identity,' They Laugh Alike, They Walk Alike, but They're Not Twins by Laura Collins-hughes

Twins who discover they're far more than sisters are at the center of a high-tech sci-fi drama at Here.

SOURCE: The New York Times Subscription at 1:06pm on May 2, 2018[SHARE]

Review: Toxic Masculinity, Vonnegut Style, in 'Happy Birthday, Wanda June' by Laura Collins-hughes

A conquering hero comes home in a ferociously funny, and surprisingly timely, revival of the novelist's 1970 play.

SOURCE: The New York Times Subscription at 2:06pm on April 16, 2018[SHARE]

Review: In 'One Thousand Nights and One Day,' New Tales of Old Persia by Laura Collins-hughes

Jason Grote and Marisa Michelson's new musical, set in modern-day New York, deconstructs the Middle Eastern folk tales of "One Thousand and One Nights."

SOURCE: The New York Times Subscription at 7:00pm on April 15, 2018[SHARE]

Review: A Girlhood Interrupted in 'The Edge of Our Bodies' by Laura Collins-hughes

First produced in 2011, this coming-of-age story about a pregnant teenager lands uncomfortably in the wake of #MeToo.

SOURCE: The New York Times Subscription at 12:17pm on April 11, 2018[SHARE]

Review: 'Aloha, Aloha, or When I Was Queen' Takes On the Cringeworthy by Laura Collins-hughes

A solo show by Eliza Bent and directed by Knud Adams explores cultural appropriation " and how we can call it out when we see it.

SOURCE: The New York Times Subscription at 1:47pm on April 9, 2018[SHARE]

A Childhood Eden Seared by Violence. Set to Music? by Laura Collins-hughes

The Bengsons are a folk-rock duo adapting their personal stories for the stage. But their new show, "The Lucky Ones," posed a painful challenge: "Is it possible to tell the truth kindly?"

SOURCE: The New York Times Subscription at 11:27am on April 6, 2018[SHARE]

Review: A Fairy-Tale Life Above the Library in 'Feeding the Dragon' by Laura Collins-hughes

In this Primary Stages production, Sharon Washington recalls how an enchanting period in her family's history was also tinged with pain.

SOURCE: The New York Times Subscription at 4:30pm on April 4, 2018[SHARE]

Review: Betting on a Rooster in 'No One Writes to the Colonel' by Laura Collins-hughes

Repertorio Español delivers an intimate, transporting adaptation of the Gabriel García Márquez novella.

SOURCE: The New York Times Subscription at 2:41pm on April 2, 2018[SHARE]

Review: A Salon With Strangers in a Freewheeling 'War and Peace' by Laura Collins-hughes

Familiarity with Tolstoy's novel is no prerequisite for enjoying this antic show by the Berlin-based troupe Gob Squad.

SOURCE: The New York Times Subscription at 1:55pm on March 30, 2018[SHARE]

Finding New Meaning in 'Mean Girls' by Laura Collins-hughes

The movie is beloved. But it also pits girls against girls. How, then, do you make a stage musical that satisfies fans and meets our cultural moment?

SOURCE: The New York Times Subscription at 5:00am on March 30, 2018[SHARE]

Review: 'Distant Observer' Shifts Shape as Authors Take Turns by Laura Collins-hughes

Reality and identity are mutable things in "Distant Observer: Tokyo/New York Correspondence," by Takeshi Kawamura and John Jesurun, at La MaMa.

SOURCE: The New York Times Subscription at 11:45am on March 20, 2018[SHARE]

Review: In 'The Wholehearted,' Old Wounds Feel Angry and New by Laura Collins-hughes

A boxing champ who survived an attempt on her life prepares to seek revenge in this multimedia play at Abrons Arts Center.

SOURCE: The New York Times Subscription at 2:00pm on March 18, 2018[SHARE]

Review: 'Breitwisch Farm' Brings Chekhov to Wisconsin by Laura Collins-hughes

Jeremy J. Kamps's play " a smart but overloaded riff on "The Cherry Orchard" set on a family farm " doesn't quite hit the right accent.

SOURCE: The New York Times Subscription at 6:06pm on March 11, 2018[SHARE]

Review: 'Folk Wandering,' a Wistful Musical Full of Story and Searching by Laura Collins-hughes

Jaclyn Backhaus and Andrew Neisler's new play wants to be a collection of stories about fierce women. But it's so packed with plot lines, it only partly succeeds.

SOURCE: The New York Times Subscription at 9:45pm on March 4, 2018[SHARE]

Review: 'A Walk With Mr. Heifetz' Stumbles Through History by Laura Collins-hughes

The play, inspired by real people and events in the decades leading up to the foundation of Israel, cuts to the role of music in creating a nation.

SOURCE: The New York Times Subscription at 9:45pm on February 20, 2018[SHARE]

Review: Lee Krasner Gets the Upper Hand in 'Pollock' by Laura Collins-hughes

This bio-play about the married artists Jackson Pollock and Lee Krasner is a surreal sparring match, steeped in alcohol and dripping with paint.

SOURCE: The New York Times Subscription at 2:31pm on February 19, 2018[SHARE]

So You Know Nothing About 'Harry Potter'? Let's Catch You Up by Laura Collins-hughes

A primer of the books and films to get you ready for the Broadway opening of "Harry Potter and the Cursed Child, Parts One and Two."

SOURCE: The New York Times Subscription at 2:17pm on February 15, 2018[SHARE]

Review: 'Flight' Has No Live Actors. But Its Story of Two Afghan Boys Feels So Real. by Laura Collins-hughes

It may not be typical theater, but this immersive show is pulse-pounding and intensely affecting.

SOURCE: The New York Times Subscription at 9:45pm on February 12, 2018[SHARE]

Critic's Notebook: Return Editions, with Magnetic Additions, Off Broadway by Laura Collins-hughes

Roslyn Ruff and Jeff Hiller bring new dimensions to plays about Betty Shabazz and a chatty wedding guest.

SOURCE: The New York Times Subscription at 9:22am on February 9, 2018[SHARE]

Critic's Notebook: Women's Voices Festival a Potent Reminder of Who Goes Unheard Onstage by Laura Collins-hughes

From a historical drama to an updated Restoration comedy classic, Washington, D.C., theaters make a case for evening the playing field.

SOURCE: The New York Times Subscription at 3:11pm on February 5, 2018[SHARE]
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