DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
916 stories by "Laura Collins-Hughes"

Review: 'Antigone' Asserts Whose Lives Matter, With Modern Relevance by Laura Collins-hughes

Defiance and justice drive this brisk staging from the Classical Theater of Harlem, directed by Carl Cofield.

SOURCE: The New York Times Subscription at 1:48pm on July 9, 2018

Review: 9 Brave Students and the Shame of 'Little Rock' by Laura Collins-hughes

Rajendra Ramoon Maharaj's visceral play with music explores an ugly historical chapter in the fight for school integration.

SOURCE: The New York Times Subscription at 2:24pm on July 2, 2018

Review: 'First Love' for a Couple of a Certain Age by Laura Collins-hughes

In this Charles Mee play, two sixty-somethings, who have never known true love, find the tender comfort of companionship.

SOURCE: The New York Times Subscription at 2:24pm on July 1, 2018

Review: Joyously Rediscovering 'Songs for a New World' by Laura Collins-hughes

There are shows that find their true best form in concert. "Songs for a New World," which was Jason Robert Brown's first musical, is one of these.

SOURCE: The New York Times Subscription at 3:32pm on June 28, 2018

Review: In 'Scissoring,' Visits From Ghosts of a Closeted Past by Laura Collins-hughes

Lorena Hickok and Eleanor Roosevelt are just a few of the apparitions in Christina Quintana's bittersweet new comedy about a lesbian wrestling with her Catholic upbringing.

SOURCE: The New York Times Subscription at 6:12pm on June 27, 2018

Review: In 'Plano,' Two Multiplying Husbands Outnumber Three Sisters by Laura Collins-hughes

The women in Will Arbery's funny, surreal, ultimately muddled play devote vast emotional acreage to men who don't return the favor.

SOURCE: The New York Times Subscription at 4:42pm on June 24, 2018

Falling for the Lure of the Stage. The Backstage. by Laura Collins-hughes

Natalie Soto and her brother, Christian, joined a training program at Roundabout Theater Company that aims to diversify the ranks of theater workers.

SOURCE: The New York Times Subscription at 2:54pm on June 18, 2018

Review: 'Fruit Trilogy,' Eve Ensler's New Show, Brims With Outrage by Laura Collins-hughes

Certain moments are politically and artistically potent, but most of "Fruit Trilogy," a program of three short plays, is pervaded by a curious flatness.

SOURCE: The New York Times Subscription at 2:04pm on June 17, 2018

A Broadway Marathon Survival Guide by Laura Collins-hughes

In the middle of "Harry Potter and the Cursed Child" and "Angels in America" are late-afternoon gaps to fill. We offer some ideas to pass the time.

SOURCE: The New York Times Subscription at 1:48pm on June 13, 2018

A Play Caught in the Crossfire by Laura Collins-hughes

Antoinette Nwandu's "Pass Over" considers the fate of young black men in a gun-torn city. Its first production caused a stir " and won a fan in Spike Lee.

SOURCE: The New York Times Subscription at 2:32pm on June 12, 2018

Review: 'Exquisite Agony,' a Heart-to-Heart With a Dead Man by Laura Collins-hughes

In Nilo Cruz's poetic tangle of a play, an opera star finds the recipient of her husband's heart after he dies in a car accident.

SOURCE: The New York Times Subscription at 12:48pm on June 11, 2018

Review: Pulled Apart by 'Love and Intrigue' by Laura Collins-hughes

Maly Drama Theater's spare, subdued " and slow " adaptation finds dreamy lovers split apart by political schemers.

SOURCE: The New York Times Subscription at 2:18pm on June 8, 2018

Review: A Bus Crash, a Breakup and More Reverberations in 'Tremor' by Laura Collins-hughes

Brad Birch's psychological thriller finds former lovers warily circling each other in Wales.

SOURCE: The New York Times Subscription at 1:24pm on May 29, 2018

Review: In 'Woman and Scarecrow,' Female Fury Doesn't Get Its Due by Laura Collins-hughes

Marina Carr's blistering play seems ideal for this cathartic cultural moment. Its Irish Repertory Theater production is a missed opportunity.

SOURCE: The New York Times Subscription at 4:12pm on May 22, 2018

Review: After the Earthquake, a 'Room' Haunted by Memories by Laura Collins-hughes

The aftermath of the Fukushima disaster infiltrates the lives of a young couple in Toshiki Okada's spare, affecting play

SOURCE: The New York Times Subscription at 1:32pm on May 21, 2018

Review: In 'The Gentleman Caller,' a Talky Tennessee Williams by Laura Collins-hughes

Philip Dawkins's play blends realism and campy melodrama as it envisions the fumbling beginnings of an affair between Williams and William Inge

SOURCE: The New York Times Subscription at 11:18pm on May 10, 2018

Joshua Henry Does Whatever It Takes, in 'Carousel' and as a Father by Laura Collins-hughes

As the first black actor to play Billy Bigelow on Broadway, Mr. Henry is changing theater, while a newborn son is changing him.

SOURCE: The New York Times Subscription at 6:18am on May 10, 2018

Review: 'Unexpected Joy' Is a 'Me' Generation Musical by Laura Collins-hughes

The show had its premiere on Cape Cod two summers ago. It has been revised, but it retains its primary strengths and its fatal weaknesses.

SOURCE: The New York Times Subscription at 7:48pm on May 3, 2018

Review: In 'Assembled Identity,' They Laugh Alike, They Walk Alike, but They're Not Twins by Laura Collins-hughes

Twins who discover they're far more than sisters are at the center of a high-tech sci-fi drama at Here.

SOURCE: The New York Times Subscription at 1:06pm on May 2, 2018

Review: Toxic Masculinity, Vonnegut Style, in 'Happy Birthday, Wanda June' by Laura Collins-hughes

A conquering hero comes home in a ferociously funny, and surprisingly timely, revival of the novelist's 1970 play.

SOURCE: The New York Times Subscription at 2:06pm on April 16, 2018

Review: In 'One Thousand Nights and One Day,' New Tales of Old Persia by Laura Collins-hughes

Jason Grote and Marisa Michelson's new musical, set in modern-day New York, deconstructs the Middle Eastern folk tales of "One Thousand and One Nights."

SOURCE: The New York Times Subscription at 7:00pm on April 15, 2018

Review: A Girlhood Interrupted in 'The Edge of Our Bodies' by Laura Collins-hughes

First produced in 2011, this coming-of-age story about a pregnant teenager lands uncomfortably in the wake of #MeToo.

SOURCE: The New York Times Subscription at 12:17pm on April 11, 2018

Review: 'Aloha, Aloha, or When I Was Queen' Takes On the Cringeworthy by Laura Collins-hughes

A solo show by Eliza Bent and directed by Knud Adams explores cultural appropriation " and how we can call it out when we see it.

SOURCE: The New York Times Subscription at 1:47pm on April 9, 2018

A Childhood Eden Seared by Violence. Set to Music? by Laura Collins-hughes

The Bengsons are a folk-rock duo adapting their personal stories for the stage. But their new show, "The Lucky Ones," posed a painful challenge: "Is it possible to tell the truth kindly?"

SOURCE: The New York Times Subscription at 11:27am on April 6, 2018

Review: A Fairy-Tale Life Above the Library in 'Feeding the Dragon' by Laura Collins-hughes

In this Primary Stages production, Sharon Washington recalls how an enchanting period in her family's history was also tinged with pain.

SOURCE: The New York Times Subscription at 4:30pm on April 4, 2018
« Previous 25   Page 21 of 37   Next 25 »